The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: WHAT RHYMES WITH DOULA? – A CONVERSATION WITH JOHN KONESKY OF MISSOULA
SPILL NEW MUSIC: 50 YEARS OF METAL EXCELLENCE – ACCEPT ENLISTS STAR-STUDDED LINEUP FOR CELEBRATORY ANNIVERSARY RECORD
SPILL NEW MUSIC: ORBITAL’S LEGENDARY GLASTONBURY 1994 PERFORMANCE SET FOR FIRST-EVER OFFICIAL RELEASE VIA LONDON RECORDS
SPILL NEW MUSIC: FAT MIKE OF NOFX RELEASES FIRST SINGLE “KIDS OF THE K-HOLE“ FROM THE ORIGINAL SCORE OF THE BAND’S CAREER-SPANNING DOCUMENTARY
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
SPILL NEWS: BLACK FLAG ANNOUNCES EXTENSIVE 2026 US TOUR
SPILL NEWS: WILLIAM SHATNER SET TO IGNITE RIOT FEST 2026 WITH ALL-STAR BAND BRINGING HIS HEAVY METAL VISION TO THE STAGE
SPILL NEWS: BECK NEW ALBUM ‘RIDE LONESOME’ OUT SEPTEMBER 18 | “IN THE NIGHT” NEW SONG & VIDEO OUT NOW | TOUR DATES
SPILL FEATURE: IT’S NEVER YOUR FAULT – A CONVERSATION WITH LISA MOLINARO
SPILL NEW MUSIC: NEW SINGLE FROM LUCY DREAMS “Z&1” | ICELAND AIRWAVES ANNOUNCEMENT
SPILL NEW MUSIC: STEELHEART’S “WITHOUT YOU” OUT NOW
SPILL NEWS: LUDOVICO TECHNIQUE JOINS COMBICHRIST ON FALL TOUR
SPILL NEWS: BRAND NEW SONG FROM SYNTH POP LEGEND HOWARD JONES “STAND UP”
SPILL NEWS: THE LINDA LINDAS ANNOUNCE NEW ALBUM GOTTA GET OUT DUE AUGUST 28 VIA REPRISE/WARNER RECORDS | RELEASE NEW SINGLE + VIDEO “CLOSER (FEAT. HAYLEY WILLIAMS)”
SPILL NEW MUSIC: THE WOMACK SISTERS – “IF I LET YOU”
SPILL NEW MUSIC: 90s BAND SUNWHEEL REUNITE WITH A RENEWED ENERGY AND PURPOSE WITH NEW SINGLE “GLORIOUS WAYS”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
573
previous article
SPILL ALBUM REVIEW: DRIVE-BY TRUCKERS - THE UNRAVELING
next article
SPILL ALBUM REVIEW: WAYNE SHORTER - THE MUSIC OF WAYNE SHORTER

SPILL ALBUM REVIEW: CHARLES WRIGHT & THE WATTS 103rd STREET RHYTHM BAND – EXPRESS YOURSELF

Charles Wright & The Watts 103rd Street Rhythm Band

Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself
Real Gone Music

While Charles Wright may not necessarily be a household name, everybody – everybody – knows the quintessential soul track “Express Yourself”. Whether it’s from the N.W.A. track of the same name or the use of the original in the pivotal climax of the 2005 film, Mr. & Mrs. Smith – or you’ve simply got some taste and are hip to what’s good – you’ve heard the infectious grooves of Wright & The Watts 103rd Street Rhythm Band. Now remastered from the original tapes by Mike Milchner of SonicVision under the premise that previous remasters “have never been up to snuff sonically”, this rerelease of Wright’s seminal record stands strong as a timeless classic.

Opening with the funky, proto-disco “Love Land”, Wright and his band cut through the thin recording with a sense of warmth and nostalgia. “I Got Love” continues with a tighter groove and cements Wright & The Watts 103rd Street Rhythm Band in a place equally inspired by the likes of James Brown as it is Sly and The Family Stone. Taking a turn towards gospel, “High As Apple Pie – Slice 1” adds yet another dimension to Express Yourself, one that is distinctly different in countless of ways from every other track on the record and flourishes through varied instrumentation and lush vocal harmonies. This is then paired with the album closer, “High As Apple Pie – Slice II”, a slower deeper groove, similar in tone and style, yet equally righteous.

Shockingly, the hit and title track that has survived as one of the greatest R&B tracks of the last half-century, “Express Yourself” comes in towards the end of the record. The loose shuffle of the drums and percussion, slinky guitar, the melodic bass, accenting and warm horns, and Wright’s soaring vocals are simply an essential part of musical history – despite the track only peaking at eleven on the charts. Simply put and needless to say, “Express Yourself” is a classic and stands as a brilliant example of songwriting and musical performance.

While the fiftieth anniversary release of Express Yourself proves that Wright & The Watts 103rd Street Rhythm Band, half a century later, is an integral piece of the history of funk and R&B music. That being said, while I can understand the desire for a fiftieth anniversary reissue, the remaster of Express Yourself doesn’t quite make much of an audible difference when compared to the original. This, however, should not take away from the celebration of Wright & The Watts 103rd Street Rhythm Band, as Express Yourself remains a timeless gem.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: CHARLES WRIGHT & THE WATTS 103rd STREET RHYTHM BAND – EXPRESS YOURSELF

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
8.0
8.0
Total Spill Rating
8.0
Total Fan Rating
1 rating
You have rated this
Album Reviews
album reviewalbum reviewscharles wrightcharles wright & the watts 103rd street rhythm bandexpress yourselfreal gone music
album review, album reviews, charles wright, charles wright & the watts 103rd street rhythm band, express yourself, real gone music
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsreal gone music
 
9.0
Holy Wave

SPILL ALBUM REVIEW: HOLY WAVE – I’M DADA

by Ljubinko Zivkovic on July 10, 2026
HOLY WAVE I’M DADA SUICIDE SQUEEZE RECORDS As time passes by, the critics have come up with so many genres and sub-genres in modern music seemingly to make it simpler for audiences to pick up their preferences. Yet, more and more, current [...]
 
9.0
Bruno Berle

SPILL ALBUM REVIEW: BRUNO BERLE – SEM FRONTEIRAS

by Ljubinko Zivkovic on July 10, 2026
BRUNO BERLE SEM FRONTEIRAS FAR OUT RECORDINGS The title of Bruno Berle’s latest (third) album says it all: Sem Fronteiras, meaning ‘without Borders.’ While many listeners not so familiar with modern Brazilian music might think that it is [...]
 
7.0
Jack White

SPILL ALBUM REVIEW: JACK WHITE – FROZEN CHARLOTTE

by James Burt on July 10, 2026
JACK WHITE FROZEN CHARLOTTE THIRD MAN RECORDS Jack White has just released his latest solo release, Frozen Charlotte. It is a 13-track, guitar-and-drums gauntlet, that proves no one has been able to cut out White’s adrenal glands or coax [...]
 
8.0
The Rolling Stones

SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES

by Gerrod Harris on July 10, 2026
THE ROLLING STONES FOREIGN TONGUES  UNIVERSAL MUSIC The Rolling Stones are back. While 2023’s Hackney Diamonds may have given the impression of a fitting conclusion to perhaps one of pop culture’s greatest sagas, and despite questioning if they [...]
 
9.0
sundayclub

SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB

by John Porter on July 10, 2026
SUNDAYCLUB SUNDAYCLUB PAPER BAG RECORDS sundayclub has been riding something of a wave of momentum among those lucky enough to have heard about them since 2025’s Bannatyne, and with good reason; their combination of modern production, honest, [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: HOLY WAVE – I’M DADA
9.0
 
SPILL ALBUM REVIEW: BRUNO BERLE – SEM FRONTEIRAS
9.0
 
SPILL ALBUM REVIEW: JACK WHITE – FROZEN CHARLOTTE
7.0
 
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
8.0
 
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1260
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
822
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
771
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
760
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
724
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
694
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
641
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
616
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
606
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
506
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
506
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
505
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
492
ENTERTAINMENT HEADLINES