The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
13
new
SPILL NEW MUSIC: WARREN HAYNES RELEASES LIVE VERSION OF “SHAKEDOWN STREET” OFF FORTHCOMING ‘DREAMS & SONGS’ SYMPHONIC ALBUM & REVEALS FULL TRACK LISTING
SPILL MUSIC PREMIERE: GOOSEBERRY – “GO FISH”
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEWS: CHICO DETOUR’S “I WANT IT” MUSIC VIDEO STOMPS ON THE GAS AND LET’S ‘ER RIP
SPILL NEWS: BUTCHER BABIES RELEASE NEW SINGLE “BLAME IT ON THE WIND”
SPILL NEW MUSIC: JANE’S PARTY SHARE NEW DOUBLE SINGLE “REST OF OUR LIVES” & “RELIC OF THE TIMES”
SPILL NEWS: MASTODON RELEASE “YOUR GHOST AGAIN” | ANNOUNCE NORTH AMERICAN TOUR INCLUDING MONTREAL & TORONTO
SPILL NEWS: PUBLIC IMAGE LIMITED (PIL) ADD RIOT FEST TO NORTH AMERICAN DATES | TOUR BEGINS SEPTEMBER 3 WITH SPECIAL GUESTS PLAGUE VENDOR
SPILL NEWS: HOLLY HEBE EMBRACES CHAOS, HEARTBREAK AND ESCAPISM ON NEW SINGLE “CRYING YOUR EYES OUT” + ANNOUNCES ‘MOOD RING’ NATIONAL TOUR
SPILL NEWS: THE FIN. ARE PLAYING DRAKE UNDERGROUND ON JUNE 16 | IN SUPPORT OF THEIR LATEST ALBUM ‘SOMEWHERE BETWEEN’
SPILL FEATURE: FIVE MEMBERS WORKING TOGETHER IN HARMONY – A CONVERSATION WITH JON DAVISON OF YES
SPILL FEATURE: NOT JUST A GUY FROM TV – A CONVERSATION WITH GREG EVIGAN
SPILL FEATURE: IDENTITY, TRANSFORMATION & THE MEANING OF SURRENDERING – A CONVERSATION WITH JAKE LUHRS OF AUGUST BURNS RED
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
235
previous article
SPILL FEATURE: AN HOUR OF ESCAPISM - A CONVERSATION WITH ARJEN ANTHONY LUCASSEN
next article
SPILL ALBUM REVIEW: THE HIVES - THE HIVES FOREVER FOREVER THE HIVES

SPILL ALBUM REVIEW: THE STORY SO FAR – I WANT TO DISAPPEAR IN THE USA

The Story So Far

THE STORY SO FAR
I WANT TO DISAPPEAR IN THE USA
OAK GROVE RECORDS

There is something magical that happens when a band comes back from a lengthy hiatus. For modern pop punk legends The Story So Far, that tale of success transpired with their recent album, I Want To Disappear. After a six-year hiatus, the band would return to form by not just revisiting their pop-punk roots but by redefining them. Want to Disappear is not only a sonic mark of achievement for a band that has been doing this for over 17 years, but an artistic achievement of maturity.

So, when it came time to release I Want To Disappear In The USA, The Story So Far had to make every effort to impress and give a live performance album that is fitting of their return to form. I Want To Disappear In The USA is a highly impactful and emotional extension of an album that celebrates what other successful records leaned into in the past with staple themes of angst and heartbreak, while reaching towards the future that further embraces raw and impassioned performances of an album that beautifully dived into themes of grief, loss, and introspection without sacrificing the nuanced trimmings that made I Want To Disappear so personal and flawlessly memorable. I Want To Disappear In The USA impressively brings one into the feeling of small, sweaty venues and screaming fans belting out every lyric of each song, a feeling that few bands can re-create when it comes to releasing live albums. The Story So Far has accomplished this and more, transporting listeners to unforgettable moments that replicate being right there with them at the time of this recording. While I Want To Disappear was a masterclass of songwriting for the band’s career, this live version taps into something far more visceral and musically enchanting, entering the band’s unique and transcendent way with their connection to deeply emotional subjects and their fans. It may sound a bit biased to say this outright; however, if anyone thought the studio version of I Want To Disappear was fantastic, this live version will make one love these songs even more. Parker Cannon’s vocals have never sounded better against the phenomenal, high-octane signature and melodic instrumental energy of the rest of the band members, which balances out the band’s use of aggression with decadent and graceful execution. Listening to this live record, you feel something deep within your chest, somewhere between emotionally overwhelming and being blissfully happy all at once, to be a part of a defining moment of a band’s march to greatness.

Starting with the live version of Big Blind there is something deeply personal about the start of this record, not because it’s live, but because of how authentic it is to how deeply the band cares about their fans and how much the fans deeply appreciate the band’s return to the pop punk scene. Throughout these LA and Boston performances, the mixing of this album is incredible. While it is customary for any live album to have some sort of post-production and pitch correction to give the tracks that extra punch, it’s evident that The Story So Far made it a mission to keep their live energy crisp and locked in throughout. There is a point on this album in which The Story So Far performs “White Shores,” and vocalist Parker says, “There are many times I wish my father could see me, and one of those times is tonight.” Such a line captures the essence of what this album is all about, and it is these fleeting, intimate, and emotional moments of vulnerability that are perfectly captured on this live record.

I Want To Disappear In The USA is for every fan who has stuck with this band for the past 17 years. It’s a deeply intimate, nearly perfect representation of the tracks fans have grown to love off their new album and the classics in their music catalogue, showing that The Story So Far wanted to give their fans an unfiltered, prime live experience that showcases The Story So Far in all its glory. It will be hard to top an album like this, as this is the best the band has sounded in years, if it is even fair to say, better than I Want To Disappear and the love and dedication to their craft and fans show throughout. This live album is not just the standard issue of live recorded songs; it is an evolution that shows clarity and purpose. This live album shows that the California band has grown from being the angry kids they started as and so has their sound. Even with some of the older tracks on this record, it is clear the band has embraced a more sophisticated identity while still providing that emotional intensity the fans have come to love over the course of their journey as a band.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: THE STORY SO FAR – I WANT TO DISAPPEAR IN THE USA

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
0.0
9.0
Total Spill Rating
0.0
Total Fan Rating
1 rating
You have rated this
Album Reviews
album reviewalbum reviewshigh regardi want to disappear in the usai want to dsappearoak grove recordsthe story so far
album review, album reviews, high regard, i want to disappear in the usa, i want to dsappear, oak grove records, the story so far
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviewshigh regard
 
8.0
Shinedown
9.3

SPILL ALBUM REVIEW: SHINEDOWN – EI8HT

by Melinda Welsh on May 29, 2026
SHINEDOWN EI8HT ATLANTIC RECORDS Hard-hitting Florida rockers Shinedown have released their eighth studio album appropriately titled Ei8ht, and it packs just as much of a punch as over the past two decades with the band has. “Safe and Sound,” [...]
 
8.0
Violet Grohl

SPILL ALBUM REVIEW: VIOLET GROHL – BE SWEET TO ME

by Gerrod Harris on May 29, 2026
VIOLET GROHL BE SWEET TO ME AURORA RECORDS/REPUBLIC RECORDS Having sung backup vocals for Foo Fighters for nearly a decade, even making appearances on 2021’s Medicine at Midnight and 2023’s But Here We Are, Violet Grohl has emerged with her own [...]
 
10
Paul McCartney
7.6

SPILL ALBUM REVIEW: PAUL McCARTNEY – THE BOYS OF DUNGEON LANE

by Aaron Badgley on May 29, 2026
PAUL McCARTNEY THE BOYS OF DUNGEON LANE MPL/UNIVERSAL It has been over five years since Paul McCartney’s last studio album, McCartney III, and McCartney has noted that during those years, he took his time with what became The Boys of Dungeon [...]
 
8.0
Widemouth

SPILL ALBUM REVIEW: WIDEMOUTH – NO GASOLINE

by Ljubinko Zivkovic on May 29, 2026
WIDEMOUTH NO GASOLINE URBAN SCANDAL RECORDS Chicago quartet Widemouth probably had other ideas (or maybe not?) when they named their debut album No Gasoline, but they somehow foresaw what is currently going on with it. At the same time, the [...]
 
8.0
Primula

SPILL ALBUM REVIEW: PRIMULA – NOTHING NEW

by Ljubinko Zivkovic on May 29, 2026
PRIMULA NOTHING NEW FLAK RECORDS When somebody mentions that a certain indie band is including jazz elements within its music, the usual first impression is that of a few classic jazz elements brought into the usual pop or rock setting. Yet, the [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: SHINEDOWN – EI8HT
8.0
9.3
 
SPILL ALBUM REVIEW: VIOLET GROHL – BE SWEET TO ME
8.0
 
SPILL ALBUM REVIEW: PAUL McCARTNEY – THE BOYS OF DUNGEON LANE
10
7.6
 
SPILL ALBUM REVIEW: WIDEMOUTH – NO GASOLINE
8.0
 
SPILL ALBUM REVIEW: PRIMULA – NOTHING NEW
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1184
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
926
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
788
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
754
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
725
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
641
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
636
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
580
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
573
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
553
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
551
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
551
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
524
ENTERTAINMENT HEADLINES