The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES
SPILL VIDEO PREMIERE: PETE FIJ – “DON’T BRING ME SUNSHINE”
SPILL MUSIC PREMIERE: UNTER STRØM – “ORYNTH”
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
SPILL BOOK REVIEW: TOM DOYLE – RINGO STARR: A FAB LIFE
SPILL FEATURE: TEENAGE LESSONS SET ME RIGHT – A CONVERSATION WITH STEPHEN PATMAN OF CHAPTERHOUSE
SPILL FEATURE: WE’RE PROBABLY MORE POPULAR THAN WE’VE EVER BEEN RIGHT NOW – A CONVERSATION WITH MORGAN ROSE OF SEVENDUST
SPILL NEW MUSIC: NEW RELEASE FROM MIKE D “SWITCH UP” OUT NOW
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
22
previous article
SPILL ALBUM REVIEW: RESTHAVEN - PRELUDE
next article
SPILL ALBUM REVIEW: SHHE - THALASSA

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

Crown Lands

CROWN LANDS
APOCALYPSE
CENTURY MEDIA

Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since 2023’s Fearless, Apocalypse sees the band double down on their progressive sound with a thrilling record rooted is ‘70s rock and a sci-fi fantasy narrative.

Apocalypse opens with the instrumental prelude that is “Proclamation I.” The Symphonic track is lead by an array of synths and a choir of voices, introducing a sense of grandeur while stoking a building sense of anticipation before a crisp electric guitar cuts through the soundscape with the riff that introduces the following song, “Foot Soldier of the Syndicate.” Instrumentally, the track is grounded in ‘70s rock, accented by a catchy chorus and an incredibly powerful vocal delivery from Cody Bowles. Between Bowles’ howls and Kevin Comeau’s stirring guitar work and masterful production, Crown Lands sounds fantastic as they weave through shifting passages with ease.

Crown Lands

SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES

As the remaining five tracks push forward, Crown Lands continue to flex their musicianship and songwriting. From the Zeppelin inspired classic rock of “Through the Looking Glass,” a song that feels like the spiritual successor of “Lady Of The Lake,” to the thunderous pulse of “The Fall,” and the lush balladry of “The Revenants I,” Apocalypse is propelled forward by a versatile collection of music that builds upon the sounds the band has established over the last decade. While without a weak moment, the definite climax of the album comes from the lead single and closing track, “Apocalypse.” The song feels akin to what the band achieved in 2023 with “Starlifter: Fearless Pt. II,” but entirely different. There is an attack to Bowles’ drums that feels relentless and Comeau’s tones are especially remarkable here. Thematically, the title track connects Apocalypse to Fearless as a part of a greater science-fantasy odyssey through musical motifs, signifying a greater level of intention and vision. Narratives aside, “Apocalypse” is a challenging piece that sees Crown Lands push their writing and performance to the limits through a near 20-min gauntlet consisting of numerous movements and significant shifts as Comeau and Bowles plot the course of their ship, both musically and thematically, into the unknown.

As Crown Lands return from the ambiance of Ritual, they have fully embraced their ‘70s rock and progressive influences. Apocalypse is an album rich in world building and storytelling while supported by an ever-ambitious approach to songwriting. As a result, Apocalypse is a thrilling record that slowly reveals more of itself with each listen. With their third full-length studio album, Crown Lands continue to prove their worth as a leading figure among progressive rock as they weave together a greater sonic universe with Apocalypse serving as a bridge between the themes of Ritual and the story of Fearless, demonstrating the boundless nature of their ambition and artistry.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
9.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsapocalypsecentury mediacrown landsthrough the looking glass
album review, album reviews, apocalypse, century media, crown lands, through the looking glass
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsapocalypse
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]
 
9.0
Midge Ure

SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS

by Aaron Badgley on May 8, 2026
MIDGE URE A MAN OF TWO WORLDS CHRYSALIS It has been 12 years since Midge Ure released a studio album of new material (in 2024 he did release The Sessions (Backstage Lockdown Club) which was a studio album of him revisiting older songs recorded [...]
 
8.0
The Woggles

SPILL ALBUM REVIEW: THE WOGGLES – STOP AND TAKE A MINUTE

by Aaron Badgley on May 8, 2026
THE WOGGLES STOP AND TAKE A MINUTE  WICKED COOL RECORDS The Woggles’ debut album was released in 1993 (Teen Dance Party), since then they have released 11 studio albums and a number of singles. The singles are the stars of the show here, as a [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0
 
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3496
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1044
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
947
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
897
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
762
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
622
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
596
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
595
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
543
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
532
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
526
ENTERTAINMENT HEADLINES