The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: WHAT RHYMES WITH DOULA? – A CONVERSATION WITH JOHN KONESKY OF MISSOULA
SPILL NEW MUSIC: 50 YEARS OF METAL EXCELLENCE – ACCEPT ENLISTS STAR-STUDDED LINEUP FOR CELEBRATORY ANNIVERSARY RECORD
SPILL NEW MUSIC: ORBITAL’S LEGENDARY GLASTONBURY 1994 PERFORMANCE SET FOR FIRST-EVER OFFICIAL RELEASE VIA LONDON RECORDS
SPILL NEW MUSIC: FAT MIKE OF NOFX RELEASES FIRST SINGLE “KIDS OF THE K-HOLE“ FROM THE ORIGINAL SCORE OF THE BAND’S CAREER-SPANNING DOCUMENTARY
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
SPILL NEWS: BLACK FLAG ANNOUNCES EXTENSIVE 2026 US TOUR
SPILL NEWS: WILLIAM SHATNER SET TO IGNITE RIOT FEST 2026 WITH ALL-STAR BAND BRINGING HIS HEAVY METAL VISION TO THE STAGE
SPILL NEWS: BECK NEW ALBUM ‘RIDE LONESOME’ OUT SEPTEMBER 18 | “IN THE NIGHT” NEW SONG & VIDEO OUT NOW | TOUR DATES
SPILL FEATURE: IT’S NEVER YOUR FAULT – A CONVERSATION WITH LISA MOLINARO
SPILL NEW MUSIC: NEW SINGLE FROM LUCY DREAMS “Z&1” | ICELAND AIRWAVES ANNOUNCEMENT
SPILL NEW MUSIC: STEELHEART’S “WITHOUT YOU” OUT NOW
SPILL NEWS: LUDOVICO TECHNIQUE JOINS COMBICHRIST ON FALL TOUR
SPILL NEWS: BRAND NEW SONG FROM SYNTH POP LEGEND HOWARD JONES “STAND UP”
SPILL NEWS: THE LINDA LINDAS ANNOUNCE NEW ALBUM GOTTA GET OUT DUE AUGUST 28 VIA REPRISE/WARNER RECORDS | RELEASE NEW SINGLE + VIDEO “CLOSER (FEAT. HAYLEY WILLIAMS)”
SPILL NEW MUSIC: THE WOMACK SISTERS – “IF I LET YOU”
SPILL NEW MUSIC: 90s BAND SUNWHEEL REUNITE WITH A RENEWED ENERGY AND PURPOSE WITH NEW SINGLE “GLORIOUS WAYS”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
369
previous article
SPILL ALBUM REVIEW: STONE TEMPLE PILOTS - PERDIDA
next article
SPILL ALBUM REVIEW: BRYAN FERRY - LIVE AT THE ROYAL ALBERT HALL 1974

SPILL ALBUM REVIEW: GREEN DAY – FATHER OF ALL MOTHERFUCKERS

Green Day

Green Day
Father Of All Motherfuckers
Reprise

If records were rated on titles alone, then Green Day would win album of the century with Father Of All Motherfuckers. Unfortunately for us and the veteran punk band, that simply is not the case as their latest album, and first collection of new material in four years, branches out in an attempt to break the mould, and while delivering in the experimental department, fails to land nearly as strongly as the band would have hoped.

Father Of All Motherfuckers opens with the title track, “Father Of All…”. The song is among the most experimental on the album and I applaud Green Day for continuing to take risks in their songwriting and performance. It is after all what has kept them sounding fresh and dangerous throughout their thirty-year career. However the song feels like Green Day is chasing trends. Leaning on modern pop sensibilities, the track feels like Portugal. The Man, and while it has its own cool moments, it is not Green Day, a fact proven by how uncomfortable frontman Billie Joe Armstrong’s voice sounds singing it live. Similarly, “Fire, Ready, Aim” and “Oh Yeah!” fall into the same category, with the latter sampling Joan Jett’s “Do You Wanna Touch Me” rather than actually featuring her as a guest artist.

For all that it is not, Green Day is at its strongest on Father Of All Motherfuckers when it simply sounds like Green Day. Tracks like “Stab You In The Heart”, “Sugar Youth”, “Junkies On A High”, and “Take The Money And Crawl” are both nostalgic and very exciting. Should Father Of All Motherfuckers have been cut down to an EP of these hard-hitting, bare-boned tracks, or rather should some of the poppy, modern tracks have been given a hint of grit, then I am convinced that it would have been a truly incredible record.

All in all, Green Day’s Father Of All Motherfuckers is certainly worth listening to. Among the disappointing sonic experiments, there are a handful of gems that prove Green Day’s worth in 2020. While not their strongest record, Father Of All Motherfuckers leaves me curious as to where the quintessential punk rock trio will venture next.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: GREEN DAY – FATHER OF ALL MOTHERFUCKERS

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
1.9
5.0
Total Spill Rating
1.9
Total Fan Rating
4 ratings
You have rated this
Album Reviews
album reviewalbum reviewsfather of all motherfuckersgreen dayreprise
album review, album reviews, father of all motherfuckers, green day, reprise
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsgreen day
 
9.0
Holy Wave

SPILL ALBUM REVIEW: HOLY WAVE – I’M DADA

by Ljubinko Zivkovic on July 10, 2026
HOLY WAVE I’M DADA SUICIDE SQUEEZE RECORDS As time passes by, the critics have come up with so many genres and sub-genres in modern music seemingly to make it simpler for audiences to pick up their preferences. Yet, more and more, current [...]
 
9.0
Bruno Berle

SPILL ALBUM REVIEW: BRUNO BERLE – SEM FRONTEIRAS

by Ljubinko Zivkovic on July 10, 2026
BRUNO BERLE SEM FRONTEIRAS FAR OUT RECORDINGS The title of Bruno Berle’s latest (third) album says it all: Sem Fronteiras, meaning ‘without Borders.’ While many listeners not so familiar with modern Brazilian music might think that it is [...]
 
7.0
Jack White

SPILL ALBUM REVIEW: JACK WHITE – FROZEN CHARLOTTE

by James Burt on July 10, 2026
JACK WHITE FROZEN CHARLOTTE THIRD MAN RECORDS Jack White has just released his latest solo release, Frozen Charlotte. It is a 13-track, guitar-and-drums gauntlet, that proves no one has been able to cut out White’s adrenal glands or coax [...]
 
8.0
The Rolling Stones

SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES

by Gerrod Harris on July 10, 2026
THE ROLLING STONES FOREIGN TONGUES  UNIVERSAL MUSIC The Rolling Stones are back. While 2023’s Hackney Diamonds may have given the impression of a fitting conclusion to perhaps one of pop culture’s greatest sagas, and despite questioning if they [...]
 
9.0
sundayclub

SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB

by John Porter on July 10, 2026
SUNDAYCLUB SUNDAYCLUB PAPER BAG RECORDS sundayclub has been riding something of a wave of momentum among those lucky enough to have heard about them since 2025’s Bannatyne, and with good reason; their combination of modern production, honest, [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: HOLY WAVE – I’M DADA
9.0
 
SPILL ALBUM REVIEW: BRUNO BERLE – SEM FRONTEIRAS
9.0
 
SPILL ALBUM REVIEW: JACK WHITE – FROZEN CHARLOTTE
7.0
 
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
8.0
 
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1261
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
822
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
772
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
760
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
724
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
694
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
641
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
616
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
606
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
509
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
506
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
506
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
494
ENTERTAINMENT HEADLINES