DAN MANGAN ANNOUNCES 10TH ANNIVERSARY DELUXE EDITION OF NICE, NICE, VERY NICE INCLUDING UNRELEASED MATERIAL
10th ANNIVERSARY DOUBLE-ALBUM OUT NOVEMBER 15 VIA ARTS & CRAFTS
In 2009, Dan Mangan released Nice, Nice, Very Nice, an album that established him as one of this generation’s most thoughtful songwriters and lyricists. Hear Ya called it the βmost pleasant surprise of 2009β, while Exclaim! predicted the future saying the album βknocks you flat on your ass…Mangan’s career is clearly on the rise. Hop on board and enjoy the ride.”
Now, ten years later, Mangan is celebrating that pivotal album by releasing a deluxe edition double LP that includes a second album of previously unreleased material, b-sides, demos, and alternate versions from the original sessions. The album is available to pre-order today and is officially out on November 15 via Arts & Crafts. For a preview of whatβs on the second disc, Mangan is sharing βA Tragic Turn Of Eventsβ, a 2008 demo of a deep cut that only some fans might be familiar with.
βI remember the months prior to recording this album were complicated,β says Mangan in an essay about Nice, Nice, Very which can be found in the deluxe editionβs liner notes. βIβd cut ties with my manager and my relationship with my record label was uncertain. I had been denied every recording grant I could find.
I remember going for a long walk with my mom and step-mom. I knew Iβd written some decent songs, but I was terribly broke and scared to move forward. We came up with a plan – that Iβd draw up a proposal and reach out to people in our community, asking for contributions toward the production cost. Iβd pay everyone back with interest. βThere are people who would love to support youβ. This was before crowd-funding was a thing, but weβd inadvertently stumbled upon it.
I remember telling John Critchley that I wanted the album to be thoughtful, but that it should still feel like a party at times. John had recorded some albums for Elliott Brood, who Iβd toured with in Australia. I emailed him the demos and we had a few long-distance chats. He believed in the songs and I was excited to work with him. I was also excited to work with someone in Toronto – it seemed like a world away from Vancouver.
I remember staying in the east end of Toronto with family-friends and riding the Queen St streetcar from The Beaches to Parkdale – an hour commute to and from the studio each day. It was just enough time to obsessively over-analyze everything we were working on.
I remember running in to Kevin Drew from Broken Social Scene at Poor Johnβs – where Iβd get my coffee each morning. That was exciting. I was in love with his band and also with his record label, Arts & Crafts.
I remember Justin Rutledge was very hung over, but I convinced him to come in anyhow, and he still sang like a bird on βTinaβs Glorious Comebackβ. Mark Berube played piano on βRobotsβ and βSoldβ and even took a verse on βSome Peopleβ, and those piano melodies lingered in my head for years. Mark Sasso screamed the high notes on βRobotsβ. Ryan from The Warped 45s played mandolin on βRoad Regretsβ. Jean-Olivier and Rachel Prince came in from Quebec City to play violin and trombone. It was to them that I said βAllons yβ at the beginning of βEt Les Mots CroisΓ©sβ, which prior to that moment had been called βTea and Crosswordsβ. Anne Bourne was an old friend of Johnβs, and she improvised cello lines. Shaun Brodie was a new trumpet friend. To me, he was famous because heβd played with Hayden.
I remember gathering a ton of pals from the Vancouver music scene to sing the gang vocals on βRobotsβ. Said The Whale, Hannah Georgas, The Zolas, etc. None of us knew then what that song would become for me. I donβt remember which of us started applauding at the end, or why – what a bizarre thing to doβ¦ but for some reason, I think that little closing group-clap is integral to the recordingβs sardonic tenderness.
I remember when βRobotsβ was added to Grant Lawrenceβs CBC R3 Podcast. At that time, it was the greatest bit of promo you could hope for in Canadian indie music.
I remember the first time somebody showed up to a concert head-to-toe in a robot costume. The song wasnβt even mine anymore. βRobotsβ had taken on a meaning far beyond what I think I had intended. It just couldnβt have been planned in some board room, which made it all the more beautiful and real. What was even more bizarre was that it started to happen more and more frequently. Iβd invite entire groups of robots on stage to dance while we closed the shows. It was ludicrous. It was a carnival. I was the ringleader.
I remember selling out The Horseshoe in Toronto and feeling like Iβd climbed Mount Everest. The next morning, The Globe and Mail published a scathing and mean-spirited review of the show. I was devastated. They will crown you, then they will take your legs. My brother Neil, who was tour managing, looked for a silver lining. He said, βYouβve made it! Youβre popular enough to trash!β.
I remember my boss calling me from my restaurant job in Vancouver: βYouβve been touring for six months, and every month youβre gone, I have to fill out a form explaining why youβre still on the payroll. I donβt like paperwork – so Iβm letting you know that youβve quit.β I might have never pulled that trigger if he didnβt do it for me.
I remember receiving an email from Arts & Crafts while on tour in Amsterdam with Kirsten. They wanted me to join their management roster, and potentially their record label. I closed the computer. I could barely even handle it and worried that if I responded too quickly, they might rescind the offer. We went for dinner.
I remember wanting to be a troubadour. I wanted to add my sweat to the walls of every dive bar in the world. I loved the fantasy of it all. Chasing somebody elseβs dragon. Now I care less about being seen in that light. Iβm not a mysterious kind of artist, lurking pack-to-pack in the moonlight. Iβm a guy who wants to write songs that articulately discuss how the pros of existing might outweigh the cons. Iβm a guy who takes the early flight home so I can eat lunch with my kids. I hope thatβs enough.
I used to be so young. How did I get so old?β
READ DANβS FULL ESSAY ONLINE HERE
Tour Dates
Nov 2 – Red Deer, AB – Boβs Bar And Grill
Nov 19 – London, ON – London Music Hall
Nov 20 – St. Catharines, ON – FirstOntario Performing Arts Centre
Nov 21 – Peterborough, ON – Market Hall
Nov 23 – Ottawa, ON – National Arts Centre Southam Hall
Nov 25 – Kingston, ON – The Grand Theatre
Nov 26 – Creemore, ON – Avening Hall
Nov 27 – Bayfield, ON – Old Town Hall
Nov 28 – Bayfield, ON – Old Town Hall
Nov 29 – Barrie, ON – Maverickβs Music Hall
Dan Mangan
Nice, Nice, Very Nice 10th Anniversary Deluxe Edition
(Arts & Crafts)
Release Date: November 15, 2019
Nice, Nice, Very Nice 10th Anniversary Deluxe Edition Track Listing
Side A
- Road Regrets
- Robots
- The Indie Queens are Waiting
- Sold
- Fair Verona
Side B
- You Silly Git
- Tina’s Glorious Comeback
- Et Les Mots CroisΓ©s
- Some People
- Pine For Cedars
- Basket
- Set the Sails
Side C
- The Indie Queens Are Waiting (Ellis Demo)
- Set the Sails (Ellis Demo ft. Leslie Alexander)
- Robots (Ellis Demo)
- Et Les Mots CroisΓ©s (2008 Demo)
- Tina’s Glorious Comeback (2008 Demo)
Side D
- One of Many (Ellis Demo)
- ‘Til I FallΒ (Roboteering EP)
- Tragic Turn of Events (2008 Demo)
- Kerouac Spelled Wrong (2008 Demo)
- Garçon Means Boy (2008 Demo)
- Something To Do (2008 Demo)