The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL MUSIC PREMIERE: PRIMITIVE RING – “THE CALLOUS MAN”
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES
SPILL VIDEO PREMIERE: PETE FIJ – “DON’T BRING ME SUNSHINE”
SPILL MUSIC PREMIERE: UNTER STRØM – “ORYNTH”
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
SPILL BOOK REVIEW: TOM DOYLE – RINGO STARR: A FAB LIFE
SPILL FEATURE: TEENAGE LESSONS SET ME RIGHT – A CONVERSATION WITH STEPHEN PATMAN OF CHAPTERHOUSE
SPILL FEATURE: WE’RE PROBABLY MORE POPULAR THAN WE’VE EVER BEEN RIGHT NOW – A CONVERSATION WITH MORGAN ROSE OF SEVENDUST
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
3
1286
previous article
SPILL FESTIVAL REVIEW: 2017 RBC OTTAWA BLUESFEST - DAY 5 & 8 - BLUESFEST AFTER THE CHAOS
next article
SPILL ALBUM REVIEW: THE STEVENS - GOOD

SPILL ALBUM REVIEW: SILVERSTEIN – DEAD REFLECTION

Silverstein

Silverstein
Dead Reflection
New Damage Records

Silverstein have always been an underrated part of the early 2000s Hardcore scene despite forming at the peak of its popularity as well as having their song performed by a contestant of American Idol. Perhaps with the recent emo resurgence, the band can finally gain the recognition they deserve with their latest release Dead Reflection.

Silverstein have taken a subtle departure from their previous material and opted for a more aggressive approach on their latest release relying less on clean vocals while still retaining the replay factor in some of their catchy hooks and the album is paced in such a way that the slower songs act as a welcome break from the relentless riffing of the faster songs and it’s in these slower songs that the band showcases more of a personality which leaves the aforementioned heavy tracks feeling somewhat generic, the instrumentalists are all competent and the song writing is solid but at times it leaves more to be desired, perhaps a few more breakdowns or time signature changes would help keep this record from feeling repetitive.

Some songs early on in the record feel like they’re trying too hard to make a departure from their older sound and also feel like they would work better in a live setting but a lot of this album either feels like filler with songs like “Cut & Run” or “Demons” which just feel wildly out of character from the rest of the album.

“Lost Positives” is where the album establishes a tone that works for the remainder and in some places is reminiscent of a modern day In Flames song. It has a great build up before heading into a breakneck riff complete with a great sing along hook that would be a welcome addition to their live set but without a doubt the highlight of the album is closer. “Wake Up”, which utilizes beautiful soaring vocals from Shane Told and a wonderful guitar driven build up that while powerful is still subtle all the while punctuated by haunting synth.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016 youtube_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: SILVERSTEIN – DEAD REFLECTION

Author

Dale Unsworth

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
67.0
6.0
Total Spill Rating
67.0
Total Fan Rating
7 ratings
You have rated this
Album Reviews
album reviewsaquamarinedead reflectionlost positivesnew damage recordssilversteinwake up
album reviews, aquamarine, dead reflection, lost positives, new damage records, silverstein, wake up
About the Author
Dale Unsworth
The Spill Magazine is a Toronto-based online publication dedicated to covering the independent music scene with a strong focus on our thriving hometown talent. Our writers bring you up-to-date news, in-depth features on musicians and reviews for the latest CD releases. We also travel to the front lines for all local festivals including Canadian Music Week and North by Northeast. Don’t forget to check out our Facebook and Twitter pages for all daily Spill updates.
RELATED ARTICLES
album reviewsnew damage recordssilverstein
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]
 
9.0
Midge Ure

SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS

by Aaron Badgley on May 8, 2026
MIDGE URE A MAN OF TWO WORLDS CHRYSALIS It has been 12 years since Midge Ure released a studio album of new material (in 2024 he did release The Sessions (Backstage Lockdown Club) which was a studio album of him revisiting older songs recorded [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0
 
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3496
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1050
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
947
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
897
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
764
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
625
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
597
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
596
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
543
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
533
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
527
ENTERTAINMENT HEADLINES