The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: WHITECHAPEL ANNOUNCES SPECIAL 20th ANNIVERSARY HEADLINING TOUR THIS FALL
SPILL NEWS: SOFT CELL ANNOUNCES ‘DANCETERIA’ | THE FINAL ALBUM FROM MARC ALMOND AND DAVE BALL
SPILL FEATURE: CHOOSE YOUR OWN ADVENTURE – A CONVERSATION WITH JOEL PLASKETT OF JOEL PLASKETT EMERGENCY
SPILL NEWS: CIMA AND MUSICONTARIO LAUNCH LIVE MUSIC TORONTO | UNITING INDEPENDENT VENUES, FESTIVALS, PROMOTERS, PRESENTERS ACROSS CANADA’S LARGEST LIVE MUSIC MARKET
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)
SPILL NEWS: EXISTENTIAL INDUSTRIAL GLAM MAVERICK PIG ANNOUNCES NORTH AMERICAN HURT PEOPLE TOUR | NEW ALBUM ‘HURT PEOPLE HURT’ OUT NOW
SPILL FEATURE: RAISING HELL – A CONVERSATION WITH HIP-HOP HISTORIAN AND AUTHOR JAYQUAN
SPILL FEATURE: BETWEEN THE LIGHT AND THE LEAVING – HELD. ON THEIR DEBUT ALBUM ‘GREY’
SPILL FEATURE: TO BE OR NOT TO BE: FROM POPULAR FRONT TO LOW TIMES APLENTY – A CONVERSATION WITH RON HAWKINS OF LOWEST OF THE LOW
SPILL FEATURE: A BEAUTIFUL, CRAZY KIND OF ART FORM – A CONVERSATION WITH JON SPENCER
SPILL NEWS: NEW RELEASE FROM MIKE D “TRUE COLORS” OUT NOW | TOUR DATES
SPILL NEWS: CINDY BLACKMAN SANTANA SHARES “ILLUMINATION” | ANNOUNCES NEW ALBUM ‘COHERENCE’ OUT JULY 31
SPILL NEW MUSIC: TAXI GIRLS SHARE NEW SINGLE “SECRET HANDSHAKE”
SPILL NEW MUSIC: CHARLOTTE CARDIN’S “TAKE ME BACK” IS A CINEMATIC MASTERPIECE
SPILL NEW MUSIC: MELØ RELEASES “FALLING THROUGH ETERNITY” | A GLAM-DRIVEN ALT-POP ANTHEM
SPILL NEWS: BROKEN SOCIAL SCENE WORLD TOUR BEGINS | DOCUMENTARY PREMIERE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
342
previous article
SPILL ALBUM REVIEW: ARCHIE AND THE BUNKERS - MYSTERY LOVER EP
next article
SPILL ALBUM REVIEW: HARPACASH & THE MORALS - LAMPS

SPILL ALBUM REVIEW: DEVENDRA BANHART – APE IN PINK MARBLE

Devendra Banhart

Devendra Banhart
Ape In Pink Marble
Nonesuch Records
RATING

Devendra Banhart rejoins long-time collaborators Noah Georgeson and Josiah Steinbrick with his latest release, Ape in Pink Marble, Banhart’s ninth studio album. The neo-Folk singer-songwriter follows his acclaimed Mala (2013) without disappointment, maintaining his tradition of slight surrealism and intimate lo-fi.

The album was written, produced, arranged, and recorded in L.A., but don’t assume a sunny disposition. The ruminations of Ape in Pink Marble are often dark with loneliness baked into the subtle synths and stark guitar lines.

Opener “Middle Names” is a melancholic ode to love and loss with Banhart’s minimalist guitar plucks and soft singing mirroring the mood of his lyrics, “And I can see you now/Sitting there in front of the station/feel the rain fall down again.” The songs continue in this vein with gentle lulls into soft focus. Near the middle of the album, however, the eccentric “Fancy Man” and “Fig in Leather” interrupt the flow, leaving the listener slightly disjointed. The second half of the album readjusts these curious jaunts, returning you to the dreary, but equally dreamy spells that fit the overall tone.

Many of these songs explore character and narrative possibilities. “Good Time Charlie” ties a romance with a police officer with whimsical, unsuspecting pull and curious humour, “Sometimes I breathalyze/And he gives the DUIs/Ask myself once or twice/Is it love or just blood in his eyes?” The song “Linda” goes deeper, with a graceful glimpse into the sad realities of the female protagonist released in an “Angel of Montgomery” style, concentrated on the loneliness and experience of the first-person narrative, “I’m a lonely woman/Won’t leave a trace/You won’t remember my name/Won’t remember my face.” 

Ape in Pink Marble leads the listener on a journey of loose narratives and thoughtful meanderings. The album brings together sonically evocative, minimalist textures with well-rounded lyrics to provide a satisfying experience that balances gloom with calming acceptance.

Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016 youtube_flat_2016 tumblr_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: DEVENDRA BANHART – APE IN PINK MARBLE

Author

Elizabeth Andrews

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
ape in pink marbledevandra banhartlindamiddle namesnonesuch records
ape in pink marble, devandra banhart, linda, middle names, nonesuch records
About the Author
Elizabeth Andrews
Elizabeth is a Toronto via Caledon writer whose rural upbringing left a lasting love of anything with a banjo and an upright bass. She scours Toronto venues for both the musical talent and the beers on tap.
RELATED ARTICLES
nonesuch records
 
Flea

SPILL LIVE REVIEW: FLEA & THE HONORA BAND @ THE OPERA HOUSE, TORONTO

by Gerrod Harris on May 9, 2026
FLEA & THE HONORA BAND @ THE OPERA HOUSE, TORONTO MAY 9, 2026 With 14 dates across North America and Europe, Flea made his solo Toronto debut at The Opera House for the second stop on his sold-out tour, in support of his new record, Honora. [...]
 
10
Flea
10

SPILL ALBUM REVIEW: FLEA – HONORA

by Gerrod Harris on March 27, 2026
FLEA HONORA NONESUCH RECORDS Whispers of Flea, the jazz musician, have persisted for decades. While it is commonly known that before picking up the bass, his first instrument was the trumpet, and he regularly expresses his love for jazz and [...]
 
8.0
Hooray For The Riff Raff

SPILL ALBUM REVIEW: HURRAY FOR THE RIFF RAFF – THE PAST IS STILL ALIVE

by Bryan Williston on February 23, 2024
HURRAY FOR THE RIFF RAFF THE PAST IS STILL ALIVE NONESUCH RECORDS The Past Is Still Alive is the latest release from Roots/Americana artist Hurray for the Riff Raff (AKA Alynda Segarra). Following their 2022 album Life on Earth, Segarra began [...]
 
Natalie Merchant

SPILL LIVE REVIEW: NATALIE MERCHANT @ MICHIGAN THEATER, ANN ARBOR (MI)

by Aaron Badgley on May 24, 2023
NATALIE MERCHANT @ MICHIGAN THEATER, ANN ARBOR (MI) MAY 17, 2023 In April, 2023, Natalie Merchant returned to the music world with her first album of all new material since 2014’s Natalie Merchant. Keep Your Courage was a very welcome return as [...]
 
Natalie Merchant

SPILL NEW MUSIC: NATALIE MERCHANT DEBUTS NEW SINGLE “TOWER OF BABEL” | FIRST ALBUM OF NEW SONGS IN NEARLY A DECADE ‘KEEP YOUR COURAGE’ OUT APRIL 14 ON NONESUCH

by SPILL NEW MUSIC on March 30, 2023
NATALIE MERCHANT DEBUTS NEW SINGLE “TOWER OF BABEL” | FIRST ALBUM OF NEW SONGS IN NEARLY A DECADE KEEP YOUR COURAGE OUT APRIL 14 NONESUCH RECORDS Natalie Merchant’s new single “Tower of Babel” is out now alongside a new video; listen and watch [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDIT...
9.0
 
SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS –...
8.0
 
SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY
9.0
 
SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE
9.0
 
SPILL ALBUM REVIEW: THROTTLE BODY M/C – ALL THAT WAS
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1208
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
933
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
796
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
758
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
733
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
644
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
585
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
582
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
565
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
560
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
557
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
531
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
477
ENTERTAINMENT HEADLINES