The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: TOKYO TEA ROOM – FEEL FOREVER
SPILL ALBUM REVIEW: DAVID MYHR – EVERYTHING IS ALL ABOUT YOU
SPILL ALBUM REVIEW: UNCLE ACID & THE DEADBEATS – SHAPES OF MIDNIGHT
SPILL ALBUM REVIEW: LARKK – CINDERS (INSTRUMENTAL)
SPILL ALBUM REVIEW: BECK – RIDE LONESOME
SPILL ALBUM REVIEW: SON LUX – OUT INTO
SPILL ALBUM REVIEW: ROGER TAYLOR – VIOLENCE INSANE IN A BEAUTIFUL WORLD
SPILL ALBUM REVIEW: THE MARY WALLOPERS – PADDYWHACKERY
SPILL ALBUM REVIEW: DRAGONFLIES – DRAGONFLIES
SPILL ALBUM REVIEW: YOKO ONO – IT’S ALRIGHT (I SEE RAINBOWS)
SPILL NEWS: MIDGE URE TO RELEASE ‘CHAPTERS: THE BEST OF 2026’ ON NOVEMBER 13 | NEW VERSION OF “FADE TO GREY” OUT TODAY
SPILL NEWS: NEW SINGLE FROM SOCCER MOMMY “RINGS OF SATURN” ON LOMA VISTA RECORDINGS/CONCORD RECORDS
SPILL NEWS: SEXTILE SHARE SCHWEFELGELB REMIX OF “WOMEN RESPOND TO BASS” | UPCOMING LIVE DATES INCLUDING UNDER THE K BRIDGE WITH THE PRODIGY
SPILL NEW MUSIC: THE CHURCH RETURN WITH THE SMOKY-FLAVORED SINGLE “WESTERN” | NEW ALBUM ‘LACUNA’ OUT OCTOBER 30 VIA COOKING VINYL
SPILL NEWS: MENAHAN STREET BAND ANNOUNCE NEW ALBUM ‘ILLUSIONS’ OUT NOVEMBER 13 VIA DIAMOND WEST RECORDS
SPILL NEWS: TRICKY’S NORTH AMERICAN TOUR BEGINS THIS FRIDAY SEPTEMBER 18 | NEW ALBUM ‘DIFFERENT WHEN IT’S SILENT’ OUT VIA FALSE IDOLS
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
474
Editor Pick
previous article
SPILL ALBUM REVIEW: SNAIL MAIL - RICOCHET
next article
SPILL NEW MUSIC: PERTH PSYCH TRIO MONOTONIC RELEASE DEBUT ALBUM 'HEAVY METAL'

SPILL ALBUM REVIEW: FLEA – HONORA

Flea

FLEA
HONORA
NONESUCH RECORDS

Whispers of Flea, the jazz musician, have persisted for decades. While it is commonly known that before picking up the bass, his first instrument was the trumpet, and he regularly expresses his love for jazz and experimental music in interviews and via social media, there have been hints over the years that suggest there is much more to the legendary wild man that is the Red Hot Chili Peppers’ bassist. From the acid jazz of his 2012 EP, Helen Burns, to Atoms For Peace, his collaborative project with Radiohead’s Thom Yorke, or the fact that, in 2008, he enrolled at the University of Southern California to study music theory, composition, and jazz performance on the trumpet, it is clear that Flea remains eternally driven by a genuine love for music and creation. Enter Honora, the debut, full-length solo album from Flea. Preceded by three singles, “A Plea,” “Traffic Lights,” and “Thinkin Bout You,” the album is split between wildly experiment originals and striking covers from the likes of Funkadelic and Frank Ocean to Glen Campbell.

Honora opens with the swirling mysticism of “Golden Wingship.” While only lasting a moment, the song swells to a cacophony of sound, conjuring feelings of suspense and intrigue, establishing a new-age sound that plays off both traditional and modern jazz, fusion, and the avantgarde. This leads directly into the album’s lead single, “A Plea,” a song driven by a highly rhythmic and melodic bassline which runs counter to the warm resonance of an upright bass, frenetic drums, a clean electric guitar, and a chorus of horns as a flute solo usher the listener in towards the lush soundscape presented by Flea and The Honora Band. At roughly the halfway point, Flea comes in on the mic, like a beat poet expelling messages of peace and unity over a band that remains cool and collected before violently erupting into an escalated and thrashing passage. There is no denying the passion, excitement, and musicianship behind this record, with “A Plea” standing as the spiritual core of the album. Continuing forward is the second single, “Traffic Lights,” featuring Yorke on vocals. The song resides on Latin and Afrobeat rhythms with the horns playing a counter melody to Yorke’s hauntingly beautiful voice which reverberates somewhere just above the frequencies of the rest of the band. Everything in the performance, songwriting, arrangement, and production behind “Traffic Lights” is remarkable, making it among one of the strongest songs on Honora.

The album continues without a moment of weakness. From the 10-minute synth drone where cold, electronic beats collide with warm, avantgarde instrumentation, to the fairly traditional “Morning Cry”, a song that feels like a successful attempt at writing a modern jazz standard, Honora shines for its stellar performances and songwriting. Furthermore, the covers continue to demonstrate Flea’s ability to reinterpret a range of music into the jazz context. From the trumpet solo on the atmospheric “Maggot Brain,” the stirring Nick Cave led “Wichita Lineman,” to the unmatched melodicism of “Thinkin Bout You,” and the electronic foundation of Ann Ronell’s 1932 standard, “Willow Weep For Me,” the critical attention to reinvention is equal to that of the conviction that supports original creation.

While Flea has long carried the aesthetic of a musician’s musician and a consummate lover of music and the bizarre, Honora serves as an official marker of Flea’s artistry beyond the Chili Peppers. In this case, Flea revels in the unknown as he charts a remarkably brilliant path that, in place of the conventional, embraces risks, indulges in chaos, and is driven by a raw, unfiltered sense of creativity. In this regard, Honora is not a record for everyone by design. Its highly experimental nature is a strong artistic statement that embodies a side to Flea’s musicality that is rarely shown, making for something truly special, highly original, and entirely unique. Ultimately, Honora sonically represents Flea’s soulful journey in his pursuit of the greatest reaches of his creativity and, in doing so, stumbles upon greatness in a record that feels completely unprecedented.



Artist Links

website_flat_2016 facebook_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: FLEA – HONORA

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
10
Total Spill Rating
10
Total Fan Rating
1 rating
You have rated this
Album Reviews
a pleaalbum reviewalbum reviewsfleahonoranonesuch records
a plea, album review, album reviews, flea, honora, nonesuch records
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsflea
 
7.0
Tokyo Tea Room

SPILL ALBUM REVIEW: TOKYO TEA ROOM – FEEL FOREVER

by Ljubinko Zivkovic on September 18, 2026
TOKYO TEA ROOM FEEL FOREVER NICE GUY RECORDS No matter what anybody says, creating well crafted (or better) pop is an art in itself, particularly if you are able to abide by the rules and regulations, or more simply put, formulas that good, [...]
 
8.0
David Myhr

SPILL ALBUM REVIEW: DAVID MYHR – EVERYTHING IS ALL ABOUT YOU

by Ljubinko Zivkovic on September 18, 2026
DAVID MYHR EVERYTHING IS ALL ABOUT YOU OGLIO ENTERTAINMENT It has now become a sort of tradition for artists from Sweden to come up with some high-quality to excellent power pop and pop rock. Is it something in the water, or something else, [...]
 
10
Uncle Acid And The Deadbeats

SPILL ALBUM REVIEW: UNCLE ACID & THE DEADBEATS – SHAPES OF MIDNIGHT

by Andre Skinner on September 18, 2026
UNCLE ACID & THE DEADBEATS SHAPES OF MIDNIGHT KILLER CANDY RECORDS Uncle Acid is back at it, this time with a throwback to earlier tones and writing styles that Uncle Acid fans came to know and love from their first three albums. This one [...]
 
9.0
Larkk

SPILL ALBUM REVIEW: LARKK – CINDERS (INSTRUMENTAL)

by Aaron Badgley on September 18, 2026
LARKK CINDERS (INSTRUMENTAL) INDEPENDENT/AWAL Danielle McTaggart is best known as the lead singer of Dear Rouge. But there is another side to her, Larkk. This is McTaggart by herself making peaceful and beautiful music that is so very much [...]
 
7.0
Beck

SPILL ALBUM REVIEW: BECK – RIDE LONESOME

by Gerrod Harris on September 18, 2026
BECK RIDE LONESOME CAPITOL RECORDS Twelve years ago, Beck released his pivotal and critically acclaimed 12th album, Morning Phase. While not his most recent album, which was 2019’s Hyperspace, Beck has since reconvened with Smokey Hormel, Joey [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: TOKYO TEA ROOM – FEEL FOREVER
7.0
 
SPILL ALBUM REVIEW: DAVID MYHR – EVERYTHING IS ALL ABOUT YOU
8.0
 
SPILL ALBUM REVIEW: UNCLE ACID & THE DEADBEATS – SHAPES ...
10
 
SPILL ALBUM REVIEW: LARKK – CINDERS (INSTRUMENTAL)
9.0
 
SPILL ALBUM REVIEW: BECK – RIDE LONESOME
7.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL TRACK OF THE MONTH: BLACK DOLDRUMS – “COMPULSION”
2378
 
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
1148
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
1078
 
SPILL NEW MUSIC: MEL DENISSE – “HUNTED”
922
 
SPILL NEWS: TRICKY’S NORTH AMERICAN TOUR BEGINS THIS FRIDAY SEPTEMBER 18 | NEW ALBUM ‘DIFFERENT WHEN IT’S SILENT’ OUT VIA FALSE IDOLS
874
 
SPILL ALBUM REVIEW: JETHRO TULL – J-TULL DOT COM: ANOTHER CAST OF THE NET (DELUXE EDITION)
864
 
SPILL FEATURE: I AM OK WITH BEING OPTIMISTIC – A CONVERSATION WITH JOHN DOUGLAS OF TRASHCAN SINATRAS
840
 
SPILL NEW MUSIC: DRAGGED UP – “RAPUNZEL”
831
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
813
 
SPILL ALBUM REVIEW: THE WOMACK SISTERS – THE WOMACK SISTERS
808
 
SPILL NEWS: DJ SHADOW ANNOUNCES DETAILS OF 30th ANNIVERSARY EDITION OF HIS MUCH-ACCLAIMED DEBUT ALBUM ‘ENDTRODUCING’ | OUT SEPTEMBER 18 VIA MO’WAX/[PIAS] RECORDINGS
799
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
748
 
SPILL NEWS: BUTCHER BABIES ANNOUNCE NEW ALBUM ‘NIGHTBLOOM’ | UNVEIL NEW VIDEO FOR “BLAME IT ON THE WIND”
745
ENTERTAINMENT HEADLINES