The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHAPTERHOUSE PERFORM THE ALBUM ‘WHIRLPOOL’ AT THE CONCERT HALL ON MAY 21!
SPILL MUSIC PREMIERE: PRIMITIVE RING – “THE CALLOUS MAN”
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES
SPILL VIDEO PREMIERE: PETE FIJ – “DON’T BRING ME SUNSHINE”
SPILL MUSIC PREMIERE: UNTER STRØM – “ORYNTH”
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
SPILL BOOK REVIEW: TOM DOYLE – RINGO STARR: A FAB LIFE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1313
previous article
SPILL ALBUM REVIEW: FENN WILSON - GHOST HEROIN
next article
SPILL ALBUM REVIEW: BLACK SUIT DEVIL - A MATTER OF TIME

SPILL ALBUM REVIEW: RONNIE WOOD WITH HIS WILD FIVE – MAD LAD: A LIVE TRIBUTE TO CHUCK BERRY

Ronnie Wood With His Wild Five

Ronnie Wood With His Wild Five
Mad Lad: A Live Tribute To Chuck Berry
BMG

Back in the early to mid ‘60s, Chuck Berry was virtually deified in Britain. There were long debates about whether he was “rhythm and blues” or “rock ‘n’ roll” – these things mattered, particularly if you were an R’n’B loving “mod” squaring up to a rock ‘n’ rolling leather-clad “rocker” on a South Coast Beach. Chuck may not have united the two factions, but both appreciated his music. He toured the UK frequently at the time, forging himself a new audience after the teenage rock ‘n’ rollers of the ‘50s had moved on, and arguably one which has ultimately had even more impact. He was, indisputably, one of the major figures of the last century.

Chuck’s songs were at the forefront of the repertoires of any beat band worthy of the name, Bob Dylan called him “the Shakespeare of rock ‘n’ roll”, and even Peter Tosh of The Wailers covered Chuck in a reggae style. He was a cornerstone of popular culture – think of Marty McFly playing ‘Johnny B. Goode’ in the movie Back To The Future, and that same song winging its way into interstellar space thanks to its presence on the Voyager spacecraft. Nice to think that some civilization’s first contact with mankind might be dancing to Chuck! And of course, both The Beatles and The Rolling Stones sang the man’s praises – but more particularly the latter. Which of course is where Ronnie Wood comes in, having been a member of that band since 1975. But he was aware of Chuck way before that.

Recorded live in 2018 at The Tivoli Theatre in Wimborne, in the deep south of England, and featuring female singer Imelda May (try “Rock ‘N’ Roll Music”, or “Wee Wee Hours” for something slower) and pianist Ben Waters helping out, the set opens with Ronnie’s own tribute to Chuck, mentioning his foibles such as always wanting to be paid in cash or meeting the pick-up backing band more or less as the show began – but it’s an affectionate tribute before the show moves into a rocking “Talkin’ ‘Bout You”, which shows both what Chuck was all about, and that Ronnie certainly intends to do the business. To answer the question in that first paragraph, Ronnie selects rockers like ‘Little Queenie’, blues such as ‘Worried Life Blues’ (at nearly five and a half minutes, this is by far the longest track here!) and plenty of all-time classics. As always, he did the cover art himself.

If you like Chuck, The Stones, ‘50s and ‘60s sounds, or just good rocking music, do check it out.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: RONNIE WOOD WITH HIS WILD FIVE – MAD LAD: A LIVE TRIBUTE TO CHUCK BERRY

Author

Norman Darwen

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
8.1
8.0
Total Spill Rating
8.1
Total Fan Rating
5 ratings
You have rated this
Album Reviews
album reviewalbum reviewsbmgbmg recordingsimelda maymad lad: a live tribute to chuck berryrock 'n' roll musicronnie woodronnie wood with his wild fivethe rolling stones
album review, album reviews, bmg, bmg recordings, imelda may, mad lad: a live tribute to chuck berry, rock 'n' roll music, ronnie wood, ronnie wood with his wild five, the rolling stones
About the Author
Norman Darwen
Norman Darwen grew up in north-west England admiring Elvis’ gold lamé jacket, Lord Kitchener’s way with words, and his much older brother’s and sister’s dancing to The Rolling Stones’ ‘Little Red Rooster’ on the telly. He’d wind aforementioned brother up by reading the entire contents of an R’n’B magazine he used to have to collect from his local shop for him and then reciting back as much as he could remember. Some years later he’d wind up his own friends by telling them who these people were that Led Zeppelin etc were covering – Willie Dixon, Howling Wolf, Otis Rush etc. These days he still listens to the blues, but has added a taste for reggae, zouk, rap, folk and anything else that takes his fancy…
RELATED ARTICLES
album reviewalbum reviewsbmg
 
9.0
Peter Frampton

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands
8.6

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
8.6
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3499
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1065
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
948
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
900
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
767
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
635
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
604
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
601
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
544
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
535
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
531
ENTERTAINMENT HEADLINES