The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHAPTERHOUSE PERFORM THE ALBUM ‘WHIRLPOOL’ AT THE CONCERT HALL ON MAY 21!
SPILL MUSIC PREMIERE: PRIMITIVE RING – “THE CALLOUS MAN”
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES
SPILL VIDEO PREMIERE: PETE FIJ – “DON’T BRING ME SUNSHINE”
SPILL MUSIC PREMIERE: UNTER STRØM – “ORYNTH”
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
SPILL BOOK REVIEW: TOM DOYLE – RINGO STARR: A FAB LIFE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
196
previous article
SPILL ALBUM REVIEW: S.G. GOODMAN - PLANTING BY THE SIGNS
next article
SPILL ALBUM REVIEW: HOTLINE TNT - RASPBERRY MOON

SPILL ALBUM REVIEW: NAD SYLVAN – MONUMENTATA

Nad Sylvan

NAD SYLVAN
MONUMENTATA
INSIDE OUT MUSIC

Nad Sylvan has had a fascinating career since he made his debut in 1983. It took him a while to find himself and his music, but in 1997 when he released his debut album (The Life Of A Housewife) he had made his mark and would be asked to participate with many bands and projects. At the same time, he continued his solo career. From 1997 fans, musicians and labels sat up and took notice. Monumentata is Sylvan’s seventh solo album, and it is one of his strongest, and maybe his most personal album to date.

Sylvan has assembled quite a supportive cast for Monumentata, including guitarists Randy McStine, David Kollar, and Neil Whitford. Marco Minnemann, Mirko DeMaio, and Felix Lerhmann can be heard on drums. Sylvan tapped fellow Steve Hackett band member Jonas Reingold (Sylvan is a member of Hackett’s band) to play bass. Other bassists helping out are Nick Beggs, and Tony Levin. This is quite a stellar hard rock/prog rock lineup for this album. Sylvan, it should be noted, handles vocals, keyboards and most of the guitar parts.

Monumentata is a straight-ahead rocker of an album. However, there are aspects of prog sprinkled throughout. And Sylvan writes incredibly melodic songs. “Wildfire”, for example, is long, but he has incorporated so many little twists and turns that the song never gets tiring. It also features a killer keyboard solo. It may be a brief solo, but it packs punch. Or a song like “Secret Lover” that sneaks up on the listener, with its slow but powerful buildup. The beginning lulls the listener in, and then the guitars and drums kick in. It is a great buildup to a very majestic song.

“Monumentata” is the cornerstone track on the album. It is an emotional and moving tribute to his parents, both of whom have passed away. The title comes from combining the ‘monument’ and ‘tata’ (Hungarian for Father. His father was half Hungarian). The piano and melody are strong and the lyrics are an incredible tribute to his parents, but also a moment of an existential crisis for Sylvan. It is an astounding song. It is the perfect song to end the album, although there is a bonus track on the CD, “Unkillable”, which is a much more playful song that doesn’t quite fit the rest of the album, which makes sense since it is a bonus track.

Monumentata is a monumental album. It is heavy in music and words. Sylvan’s voice is strong and perfect for the songs. It is an album in the true sense of the word. It really should be listened to in one sitting, paying attention to an artist bearing his soul. The combination of the emotive playing, personal lyrics and top-notch production, manifests as a brilliant album. Monumentata is a brilliant album.


SPILL FEATURE: CRY LIGHTLY, TWILIGHTLY, DIE BRIGHTLY – A CONVERSATION WITH NAD SYLVAN



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: NAD SYLVAN – MONUMENTATA

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsinside out musicmonumentatanad sylvanthat's not methe life of a housewife
album review, album reviews, inside out music, monumentata, nad sylvan, that's not me, the life of a housewife
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsinside out music
 
9.0
Peter Frampton

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands
8.2

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
8.2
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3500
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1065
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
948
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
900
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
767
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
635
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
604
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
601
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
544
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
535
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
531
ENTERTAINMENT HEADLINES