THE HORSESHOE TAVERN CHILL-O-RAMA FEATURING SKYDIGGERS & THE SADIES w/ ELLIOTT BROOD
@ CITYVIEW DRIVE-IN, TORONTO
JULY 17, 2021
Where does one go on a hot, summer evening in Toronto? Perhaps the drive-in for a triple bill, featuring Elliott Brood, The Sadies, and The Skydiggers. To be fair, this was my first experience of a βdrive-in concertβ, but it was well-organized, and once settled, sitting outside and listening to live music was an absolute dream come true. It was a fantastic evening.
The show served as a fundraiser for The Horseshoe Tavern and a welcome return to live performances. Elliott Brood got the evening started with their rousing set. The three members worked together to produce a fantastic sound of retro rock βnβ roll and country. They dipped into most of their albums and even performed a song from their most recent release, the excellent Keeper (βStay Outβ). They performed some of their most popular songs, such as βThe Bridgeβ, and even treated fans to a cover of Uncle Tupeloβs βWhiskey Bottleβ. They were in fine form and were the perfect band to open the evening.
Up next was the incredibly energetic The Sadies. Anyone who has seen them live would know what to expect. They hit the stage like a ball of energy, dressed impeccably I might add, and for just over an hour easily glided from one song to the next. It was absolute perfection. These guys were tight and playing off one another. Brothers Dallas and Travis Good trade guitar solos and complement each other perfectly. Touching on several of their albums, The Sadies, while not talking with the audience a great deal, connected with the audience through their music. Each song was met with excessive horn honking and enthusiastic cheers.
The Sadies have an incredible method in alternating between rockabilly instrumentals and beautifully sung country songs. They opened their set with βThe First Five Minutesβ and from there sailed easily through 19 more rocking songs. Highlights included βTell Her What I Saidβ and βThe Good Yearsβ. Dallasβs voice was spot on and one could feel in the performance. Along the way, they were joined by their mother, Margaret Good, on their take of Elvis Presleyβs βWearinβ That Loved On Lookβ and The Sadiesβ own βSunset To Dawnβ (from their New Seasons album). They ended their set with the incredible and sometimes psychedelic βStory 19β (from their 2013 album Internal Sounds). Dallas used the microphone stand to elicit the synthesizer-like sounds for the song. The use of feedback and technique was astounding. It was an incredible end to the set and they set the bar high.
Then it was time for Skydiggers. They opened by making a point of sharing that it had been over 500 days since they had performed a concert, but their performance showed they had nothing to worry about. They were every bit as good live as they have ever been. Opening with the incredible βPull Me Downβ (from their classic album Just Over This Mountain), Skydiggers dug deep into their rich catalogue and provided an evening of great songs. Andy Maize was in fine vocal form, while Josh Finnlayson played (and sang) his heart out.
Special mention must go to vocalist Jessy Bell Smith, who performed a wonderful duet with Maize on βDear Henryβ, and a solo spotlight performance of βRamblinβ Onβ, which she had recorded on She Comes Into The Room.
As good as the Skydiggers were, and they were excellent, it proved somewhat difficult to follow The Sadies. While Maize danced and was quite amusing at times with his banter, the band could not elevate the energy level to that of the openers. Their song selection was also somewhat interesting, as they tended to go deep into the albums. While unpredictable in that some of their better known songs were not performed, perhaps some of the audience was unfamiliar with songs such as βLike A New Beginningβ, βHorseshoe Bayβ and their choice of covers such as George Jonesβ βSlow Burning Fireβ.
Having said that, they did perform two of their better known hits, βA Penny Moreβ and βI Will Give You Everythingβ, which came off extremely well, thanks to the harmonies. Overall, their set was excellent and they ended with a Jayhawks cover, βTailspinβ and the George Jones song.
The fact remains, it was a wonderful live show in support of an iconic venue in the city of Toronto and it was run extremely well. The sound was great and live music under the stars was just what was needed and fans, judging from the noise made after each song by all three bands. What more could you possibly want?