The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: CAR SEAT HEADREST IS STILL IN DENIAL 10 YEARS LATER
SPILL NEW MUSIC: SUPERSTAR IN WAITING ESSEX CELEBRATES THE FUTURE WITH KILLING JOKE’S “EIGHTIES”
SPILL NEWS: THE FRENETIC NEW SWEEPING PROMISES ALBUM ‘YOU SAY I ROMANTICIZE’ OUT AUGUST 14 ON SUB POP RECORDS
SPILL NEWS: HOT CHIP ANNOUNCE FIRST EVER REISSUES OF ‘THE WARNING’, ‘MADE IN THE DARK’ AND ‘ONE LIFE STAND’ ALBUMS WILL BE RELEASED JULY 17
SPILL NEW MUSIC: RICHIE KOTZEN SURPRISES FANS WITH A NEWLY RECORDED TRACK “CATCH A STAR”
SPILL NEW MUSIC: NEW RELEASE FROM MIKE D “WHAT WE GOT” OUT NOW
SPILL NEWS: NEW ALBUM BY US ‘ELECTRONIC BOOM’ SOLO ARTIST SINE ‘LA MORDRE’ OUT NOW VIA METROPOLIS RECORDS | WATCH THE VIDEO FOR THE SINGLE “BLOOD + WINE” | US TOUR DATES ANNOUNCED
SPILL NEW MUSIC: WEATHERELL SHARES DEBUT SINGLE “SOMETHING BEAUTIFUL” | DEBUT ALBUM COMING SOON
SPILL MUSIC PREMIERE: DRUNK CAT – “STUCK”
SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J.C. THOMAZ AND THE MISSING SLIPPERS
SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION)
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEW MUSIC: MADLANDS – “ARMAGEDDON”
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH
SPILL NEW MUSIC: NOFX TO RELEASE OFFICIAL SOUNDTRACK + ORIGINAL SCORE OF CAREER-SPANNING DOCUMENTARY ’40 YEARS OF FUCKIN’ UP’
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1032
previous article
SPILL NEWS: THE PRINCE ESTATE, IN COLLABORATION WITH WARNER BROS. RECORDS, RELEASES LEGENDARY ORIGINAL STUDIO RECORDING OF "NOTHING COMPARES 2 U"
next article
SPILL ALBUM REVIEW: DRINKS - HIPPO LITE

SPILL ALBUM REVIEW: MOTHER MOTHER – O MY HEART: LIVE SESSIONS

Mother Mother

Mother Mother
O My Heart: Live Sessions
Universal Music Canada

Ten years after its release, Canadian indie rock group Mother Mother has decided to revisit their very first album, O My Heart. Rather than do a simple rerelease or tour alone, the band has recreated six of the album’s original 13 songs in live sessions. While the songs still breathe the same air of weirdness and deviance, much has changed since 2008.

The most obvious swap from the two albums is the change of ex-vocalist and keyboardist Debra-Jean Creelman for Jasmin Parkin who has been in the band since early 2009. Jasmin’s vocals add a spookiness that the band has become synonymous with the group.

This small group of live sessions are fairly stripped down from the original album which featured trumpet, violin, organ and more. O My Heart: Live Sessions features very little of the fuss but still all of the soul. Lead singer and guitarist Ryan Guldemond’s vocals are spot on, backed up by the chorus of his sister Molly and Jasmin Parkin. The album also proves that these songs have stood the test of time just as the band has.

Opening on the title track “O My Heart”, the band hand selected some fantastic choices to make the cut including “Burning Pile”, “Body of Years”- a slightly punched up track compared to the rest of the album, and the ever-spirited “Wrecking Ball”.  Playful and dark, the live sessions are surprisingly easy and soothing to listen to despite the self-loathing, aggressive and all-around wild lyrics.

Closing the album however is the real pièce de résistance, “Hayloft”. This crafty song quickly became a fan fave since the original album release but since then has only picked up momentum — particularly in recent years when mashed up on stage with Led Zeppelin’s “Dazed and Confused”.  The track on O My Heart: Live Sessions is far slower, the tempo making it seem as though it’s dragging from one ear to the other in a most pleasant manner, dripping like honey before coming to a sudden close.

Overall, the Live Sessions of O My Heart are a fun experiment and add to the discography for long-time fans.  Not incredibly combative, the juxtaposition with these classic songs and lyrics makes listening a real treat.


Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: MOTHER MOTHER – O MY HEART: LIVE SESSIONS

Author

Gabrielle Mueller

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.3
7.0
Total Spill Rating
9.3
Total Fan Rating
2 ratings
You have rated this
Album Reviews
albumalbum reviewalbum reviewsartistmother mothermusicnew albumnew music fridaynew releaseo my heart live sessionsrecordrtsongwriteruniversal music canadaworld premiere
album, album review, album reviews, artist, mother mother, music, new album, new music friday, new release, o my heart live sessions, record, rt, songwriter, universal music canada, world premiere
About the Author
Gabrielle Mueller
Gabrielle Mueller is a lover of all things music, writing and charcuterie boards. Gabrielle has a particular passion for music of the 1960s and the hippie movement in Toronto’s Yorkville district. Gabrielle runs her own music website, The Hippie Historian, where she reviews concerts, interviews musicians and writes about music history that spans the ages.
RELATED ARTICLES
albumalbum reviewalbum reviews
 
7.0
8.6

SPILL ALBUM REVIEW: THREE MAN CANNON – THREE MAN CANNON

by Sebastian Mahecha on June 1, 2018
Three Man Cannon Three Man Cannon Lame-O Records Three Man Cannon is an indie rock band from Scranton, Pennsylvania. On March 16, the band released its eponymous album Three Man Cannon, a 38-minute piece recorded under Lame-O records.    The [...]
 
8.0
8.1

SPILL ALBUM REVIEW: A$AP ROCKY – TESTING

by Josh Whitworth on May 25, 2018
A$AP Rocky  TESTING A$AP Worldwide/Polo Grounds/RCA Records The third studio album by A$AP Rocky has officially been released under his own label A$AP Worldwide. The album is aptly named TESTING because it seems to be testing a new sound. The [...]
 
6.0
6.5

SPILL ALBUM REVIEW: LUCY AND THE RATS – LUCY AND THE RATS

by Gerrod Harris on May 25, 2018
Lucy And The Rats Lucy And The Rats Dirty Water Records London-based punk rock outfit Lucy And The Rats have released their self-titled debut record! Produced by Johnny Casino and The White Stripes producer Jim Diamond, Australian punk princess [...]
 
7.0
5.0

SPILL ALBUM REVIEW: FOR ESMÉ – RIGHTEOUS WOMAN

by Aaron Badgley on May 19, 2018
For Esmé  Righteous Woman Independent Righteous Woman is electronic folk music. For this album, For Esmé’s Martha Meredith is clearing fronting the band and the album is her concept album. It is a feminist album, but rather than a political [...]
 
9.0
7.8

SPILL ALBUM REVIEW: RAY LAMONTAGNE – PART OF THE LIGHT

by Josh Whitworth on May 18, 2018
Ray LaMontagne Part of the Light RCA Records Ray LaMontagne has released his seventh studio album. The only disappointing aspect of this album is that it is only 9 songs long. The album, Part of the Light, is released by RCA Records and came out [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J....
7.0
 
SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING...
8.0
10
 
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
8.0
 
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOO...
8.0
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
8.3

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3536
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1132
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
953
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
918
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
779
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
751
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
698
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
622
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
618
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
566
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
552
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
543
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
538
ENTERTAINMENT HEADLINES