The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: YTTLING JAZZ & BOBBY GILLESPIE SHARE NEW VIDEO FOR “STRANGE” CO-DIRECTED BY GILLESPIE 
SPILL NEW MUSIC: THE ALARM RELEASES “LIVE TODAY” | THE FINAL VIDEO FEATURING THE LATE MIKE PETERS
SPILL FEATURE: CELTIC MUSIC IS SO MALLEABLE, YOU CAN DO REALLY ANYTHING WITH IT – A CONVERSATION WITH IRISH MILLIE
SPILL ALBUM REVIEW: KAELEY JADE – THE GREAT UNKNOWN
SPILL ALBUM REVIEW: RICHARD BARBIERI – HAUNTINGS
SPILL ALBUM REVIEW: SPARKLER – GLIDEWINDER
SPILL ALBUM REVIEW: PRYMEK & SAGE – SHELTER
SPILL ALBUM REVIEW: TIGERCUB – NETS TO CATCH THE WIND
SPILL ALBUM REVIEW: FISHBONE – IN YOUR FACE / COVER YOUR FACE (40th ANNIVERSARY REISSUE)
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
SPILL ALBUM REVIEW: HOLLY HUMBERSTONE – CRUEL WORLD
SPILL ALBUM REVIEW: AYSANABEE – TIMELINES
SPILL FEATURE: BEATIN’ LIKE A DRUM – A CONVERSATION WITH MARC JORDAN
SPILL NEWS: SONIC BOOM, TORONTO’S ICONIC INDEPENDENT RECORD STORE, TURNS IT UP FOR INTERNATIONAL RECORD STORE DAY 2026
SPILL NEW MUSIC: ROSE HOTEL SHARES NEW SINGLE “MY SATELLITE” VIA STROLLING BONES RECORDS
SPILL NEWS: LOWEST OF THE LOW CELEBRATE 35 YEARS OF ‘SHAKESPEARE MY BUTT’ | ‘SHAKESPEARE MY BUTT: ANNIVERSARY EDITION’ & ‘LIMBOTOWN REVISITED’ ARRIVES MAY 8
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
286
previous article
SPILL ALBUM REVIEW: THE GOLDEN GRASS - ABSOLUTELY
next article
SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT - BLACKWATER HOLYLIGHT

SPILL ALBUM REVIEW: VARIOUS ARTISTS – JOHNNY CASH: FOREVER WORDS

Johnny Cash

Various Artists
Johnny Cash: Forever Words
Legacy Recordings

Sixty-three years after the release of his debut single, “Cry! Cry! Cry!”, and fifteen years since his passing, Johnny Cash remains as relevant as ever with the release of Johnny Cash: Forever Words The Music. Cash, with a stellar discography that spans over five decades, needs little introduction nor does his legacy need any justification. This compilation album features a wide-ranging cast of artists, including his daughter Roseanne Cash, country superstar Brad Paisley, and the last known recording from Chris Cornell, covering sixteen unreleased tracks from Cash.  Rather than be a typical collection of covers, Johnny Cash: Forever Words The Music sees these artists take some of Cash’s lyrics and poems that were never set to music and adapt them to what is among the most powerful tributes to one of America’s greatest song writers.

Johnny Cash: Forever Words The Music opens with a short spoken word piece, “Forever/I Still Miss Someone” by Kris Kristofferson and Willie Nelson. The track feels like the perfect tribute to Cash while transitioning the vibe of the record from a tribute cover album to one driven by poetry and lyrics. After all, the song features Kristofferson’s gruff vocals reciting an unreleased poem with Nelson playing a thing and twangy electric guitar to Cash’s classic “I Still Miss Someone”. While brief, this song is incredibly heavy emotionally, especially when you consider the fact that Kristofferson and Nelson were both very close friends of Cash’s. The album continues with a very traditional duet from Ruston Kelly and rising country star, Kacey Musgraves. “To June This Morning” sounds like a modernized version of something written by Cash and his wife, June Carter Cash, with the evenly balanced vocal harmonies and soft fingerpicking of an acoustic guitar and banjo. Throughout the album, a number of artists channel such a traditional sound including Alison Krauss & Union Station on “The Captain’s Daughter”, The Jayhawks on “What Would I Dreamer Do?”, I’m With Her on “Chinky Pin Hill” among others. A special shout out must go to Jewel’s breathtaking performance of “Body On Body”, a song with a sophisticated pop vocal line, but with a very traditional instrumental foundation, and T Bone Burnett’s hard hitting juke jam on “Jellico Coal Man”.

Cash embodied a highly unique style of performance and songwriting, and while much of Johnny Cash: Forever Words The Music sees a number of artists attempt – with great success – to emulate this, certain artists on the album reach a creative level that is nothing short of outstanding when they embark in a drastically different direction. “I’ll Still Love You” by Elvis Costello, for example, is a longing ballad with Costello’s raw voice bellowing over a warm piano, orchestral strings, and jazzy horns. While ambitious, Costello delivers a jaw dropping performance that only he could. The same could be said for Chris Cornell on “You Never Knew My Mind”, a track that would fit seamlessly on his 2015 release, Higher Truth, and in his stunning acoustic solo shows. The melancholic ballad leans heavily on Cornell’s unique songwriting as the song follows a compelling chord progression and grows to feature a fuzzy and dark electric guitar droning far in the background that is eventually buried by warm and rich gospel inspired vocal harmonies that culminated with a simple electric solo. This gives the song a sense of intensity not reached elsewhere on the album and a climatic final chorus. Cornell’s voice – raspy, warm, belting, and gravelly – is nothing short of beautiful and heartbreaking all in one. His performance and adaptation of “You Never Knew My Mind” stands out as not only the best track on the album, but also a reminder as to the boundless artistry of Cornell.

Johnny Cash: Forever Words The Music is an excellent collection of music that sees artists of all generations and styles set the words of Cash to music in whichever way they felt was right. While many veered for a modernized twist to his classic sound that teetered in between ‘50s rock, country, folk, rockabilly, and the blues, some artists took it a step further. It is here that we see how the legacy of Cash has inspired artists of all walks of life since his debut over half a century ago. It is clear with this album that things such as influence, inspiration, and legacies are an interesting thing; as an artist, you may control your art and image, but how that is interpreted and then reflected by the next generation is beyond your reach. Everyone and anyone, from jazz musicians to metal-heads, can take something away from Cash’s discography and that is where the power lies in Johnny Cash: Forever Words The Music. It is clear that the music of Cash resonates just as strongly today as it did throughout the many peaks of his illustrious career. Long live Johnny Cash.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: VARIOUS ARTISTS – JOHNNY CASH: FOREVER WORDS

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewsforever/i still miss someonejohnny cashjohnny cash: forever wordslegacy recordings
album reviews, forever/i still miss someone, johnny cash, johnny cash: forever words, legacy recordings
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewsjohnny cashlegacy recordings
 
8.0
Kaeley Jade

SPILL ALBUM REVIEW: KAELEY JADE – THE GREAT UNKNOWN

by Ljubinko Zivkovic on April 10, 2026
KAELEY JADE THE GREAT UNKNOWN INDEPENDENT Country music used to be full of formulas that begged to be broken, and for a while now Americana and alternative country artists did a great job in doing so. Joining those ranks is Edmonton-based Métis [...]
 
8.0
Richard Barbieri

SPILL ALBUM REVIEW: RICHARD BARBIERI – HAUNTINGS

by Ljubinko Zivkovic on April 10, 2026
RICHARD BARBIERI HAUNTINGS KSCOPE David Sylvian-led Japan became legends of ‘80s electronic music, and Sylvian himself had a renowned solo career with a series of more and more experimental releases. Yet quite a few fans of the genre sometimes [...]
 
8.0
Sparkler

SPILL ALBUM REVIEW: SPARKLER – GLIDEWINDER

by Ljubinko Zivkovic on April 10, 2026
SPARKLER GLIDEWINDER À LA CARTE RECORDS Longtime shoegaze fans and followers surely have certain sound combinations in their minds that they would love to hear, and one such a combination would probably involve My Bloody Valentine and Slowdive [...]
 
9.0
Prymek & Sage

SPILL ALBUM REVIEW: PRYMEK & SAGE – SHELTER

by Ljubinko Zivkovic on April 10, 2026
PRYMEK & SAGE SHELTER AKP RECORDINGS If somebody would mention ambient music at this very moment, the first thing that might come to mind would be meandering electronics sounds. Yet the variation and spectrum of ambient music these days has [...]
 
7.0
Tigercub
10

SPILL ALBUM REVIEW: TIGERCUB – NETS TO CATCH THE WIND

by Jasmine Bhoodwah on April 10, 2026
TIGERCUB NETS TO CATCH THE WIND LOOSEGROOVE RECORDS Alternative rock is a genre that has tons of history. Emerging from underground shoegaze and the uprising of grunge, alternative rock became mainstream around the 90s. Since then, the category [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: KAELEY JADE – THE GREAT UNKNOWN
8.0
 
SPILL ALBUM REVIEW: RICHARD BARBIERI – HAUNTINGS
8.0
 
SPILL ALBUM REVIEW: SPARKLER – GLIDEWINDER
8.0
 
SPILL ALBUM REVIEW: PRYMEK & SAGE – SHELTER
9.0
 
SPILL ALBUM REVIEW: TIGERCUB – NETS TO CATCH THE WIND
7.0
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3312
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
931
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
883
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
854
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
844
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
722
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
712
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
674
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
669
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
664
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
517
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
504
 
SPILL NEW MUSIC: BECK SHARES NEW ALBUM ‘EVERYBODY’S GOTTA LEARN SOMETIME’ | PHYSICAL COPIES AVAILABLE FEBRUARY 13
502
ENTERTAINMENT HEADLINES