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SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – BLACKWATER HOLYLIGHT

BlackWater HolyLight

BlackWater HolyLight
BlackWater HolyLight
RidingEasy Records

Hailing from Portland, Oregon comes BlackWater HolyLight, a slow droning psychedelic trip that blends elements of metal and noise rock on their self-titled debut record. Consisting of vocalist and bassist Allison Faris, guitarist and vocalist Laura Hopkins, drummer Cat Hoch and synth player Sarah Mckenna, BlackWater HolyLight is a highly experimental and retro release that serves as an exciting alternative to much of the clean and ambient indie rock of the day.

Opening with the slow burning and building “Willow”, BlackWater HolyLight paint a blank canvas with sparse and electric colours, creating a hazy and textured portrait. What is perhaps most interesting about “Willow” is how the song can feel light as air – largely due to the spacious atmosphere and Faris’ and Hopkins’ vocals – and sludgy all at the same time. The pace however quickens on the following song, “Wave Of Conciseness”, a song driven by a fuzzy and rhythmic riff in a style reminiscent to that of the first eight Black Sabbath records. This proves as a very interesting twist considering the noise rock and ambient alternative rock vibes that are strongly perpetuated throughout the album.

During the middle of the record however, with the bouncy and grungy “Sunrise” as the exception, BlackWater HolyLight loses its momentum. Songs like “Babies”, “Paranoia,” and “Slow Hole”, feel long drawn out and make the middle of the album feel less exciting. As an exercise in experimentation with tones, textures, and structures though, they prove to be a deep look at the level of creativity found in BlackWater HolyLight’s song writing, but for a casual listen, they take a while to develop and pick up. That being said, this does not stop BlackWater HolyLight from being a strong debut for the band.

BlackWater HolyLight is an experimental adventure unlike anything you’ve heard. Taking cues from artists like Sonic Youth, Black Sabbath, Pink Floyd, and Jane’s Addiction, the band’s debut is incredibly heavy without the distinctive heaviness that we have come to expect. It is such defiance to musical customs and expectations that makes BlackWater HolyLight such an interesting and intriguing band with a compelling self-titled debut release.



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SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – BLACKWATER HOLYLIGHT

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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