The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: CAR SEAT HEADREST IS STILL IN DENIAL 10 YEARS LATER
SPILL NEW MUSIC: SUPERSTAR IN WAITING ESSEX CELEBRATES THE FUTURE WITH KILLING JOKE’S “EIGHTIES”
SPILL NEWS: THE FRENETIC NEW SWEEPING PROMISES ALBUM ‘YOU SAY I ROMANTICIZE’ OUT AUGUST 14 ON SUB POP RECORDS
SPILL NEWS: HOT CHIP ANNOUNCE FIRST EVER REISSUES OF ‘THE WARNING’, ‘MADE IN THE DARK’ AND ‘ONE LIFE STAND’ ALBUMS WILL BE RELEASED JULY 17
SPILL NEW MUSIC: RICHIE KOTZEN SURPRISES FANS WITH A NEWLY RECORDED TRACK “CATCH A STAR”
SPILL NEW MUSIC: NEW RELEASE FROM MIKE D “WHAT WE GOT” OUT NOW
SPILL NEWS: NEW ALBUM BY US ‘ELECTRONIC BOOM’ SOLO ARTIST SINE ‘LA MORDRE’ OUT NOW VIA METROPOLIS RECORDS | WATCH THE VIDEO FOR THE SINGLE “BLOOD + WINE” | US TOUR DATES ANNOUNCED
SPILL NEW MUSIC: WEATHERELL SHARES DEBUT SINGLE “SOMETHING BEAUTIFUL” | DEBUT ALBUM COMING SOON
SPILL MUSIC PREMIERE: DRUNK CAT – “STUCK”
SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J.C. THOMAZ AND THE MISSING SLIPPERS
SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION)
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEW MUSIC: MADLANDS – “ARMAGEDDON”
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH
SPILL NEW MUSIC: NOFX TO RELEASE OFFICIAL SOUNDTRACK + ORIGINAL SCORE OF CAREER-SPANNING DOCUMENTARY ’40 YEARS OF FUCKIN’ UP’
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
3080
Editor Pick
previous article
SPILL FEATURE: DURAND JONES
next article
SPILL ALBUM REVIEW: ORBS - PAST LIFE REGRESSION

SPILL ALBUM REVIEW: YOUNG GUN SILVER FOX – WEST END COAST

Young Gun Silver Fox

Young Gun Silver Fox
West End Coast
Wax Poetics
RATING

“Whenever I’m feeling blue, you make me better.
Whatever I’m going through, you make me feel better.”

~ “Better,” Young Gun Silver Fox

Good things come to those who wait. In 2012, Andy Platts (U.K. soul-rock band, Mamas Gun) and Shawn Lee, a multi-instrumentalist producer (AM & Shawn Lee; Shawn Lee’s Ping Pong Orchestra – “Kiss the Sky” feat. Nino Moschella) began to work on an album they had wanted to make for nearly 10 years. The result: West End Coast, a soon-to-be critically acclaimed album that pays homage to the warm, analogue So-Cal pop-rock classics of the mid-to-late 1970s. Classified as Yacht Rock, Young Gun Silver Fox have created a debut album that is a testament to the AOR Studio Sound. Hands down, West End Coast is sonic gold.

Young Gun Silver Fox is the talented UK-based duo comprised​ of Platts, a.k.a. Young Gun, and Lee, the “Silver Fox” who hails from Wichita, Kansas. Independently, Platts and Lee have over forty album credits to their names (Lee leads with about 33 albums) including work with Jeff Buckley, Kelis, Amy Winehouse, Rod Temperton, John Oates, Brian Jackson and Ben Oncle Soul. 

“Tasteful, soulful and very real” are words Lee, who relocated to London, England after spending seven years in Los Angeles, uses to describe the album. “Speaking for myself, this is an album I’ve wanted to make for some time and Andy was the only person I felt I could make it with. Andy understands the classic melodic pop side as well as the soul funky side that was absolutely vital to the creation of this music. What a voice!”

Platts calls Lee a “mechanic” for his ability to take a pop song apart and put it back together. Together, Young Gun Silver Fox have created a “musician’s album”, rich with complex instrumental melodies, smooth vocals, and positive lyrics.

West End Coast has been compared to America, Hall & Oates, Loggins & Messina, Fleetwood Mac, Steely Dan, The Doobie Brothers, Carly Simon, and Ambrosia. The album’s vocal harmonies, lyrics, and production echo Prince, Stevie Wonder, and Earth Wind and Fire. Platts and Lee’s infectious chemistry deliver again and again. What’s old is definitely new again in West End Coast’s original material.

It’s hard to pick favourite tracks from such a solid album. As soon as I hear Lee’s smooth guitar riff in the opening track “You Can Feel It”, a smile creeps over my face and induces a fuzzy, heart-warming buzz that recalls the seemingly more simple times of yesteryear. This was actually the last song written for the album, inspired by a riff and some chords Lee texted to Platts one night.  “By the morning, Andy had written and demo’d the song ready for production,” Lee explains.

The lyrics and hook from “Better” are contagious and make you want to cruise down California’s Highway 1. The lush orchestration and wah-wah syncopation in “Long Way Back” recalls Curtis Mayfield. The harmonica riffs, horn lines, fat bass lines from “In My Pocket” evoke Hall & Oates, Prince, and Earth Wind and Fire. But Young Gun Silver Fox make the catchy synth pop licks and short electric guitar solo digestible.

West End Coast is a warm ray of sunshine on a dreary day. It soothes some of life’s harsh edges through its laid-back west coast vibe. Ironically, the album’s title references both sunny California, as well as grey West London, where the album was written and recorded at Lee’s Trans-Yank Studio.

“The most important thing is to make good music that you love and put it out into the world,” Lee, the “Silver Fox”, explains in an online video. “When your music lives out in the world, independently of you, that’s a beautiful thing.”

Many iconic musicians may have left us in 2016, but we also gained West End Coast. As we shake off troubling headlines and over-produced, digitized pop, Young Gun Silver Fox brings back cozy love songs and hopeful anthems to help us glide over the snares that life throws at us, reminding us there is hope in life’s chaotic ups and downs. Whatever your personal connection to Yacht Rock or the ‘70s, West End Coast is a much needed audio-ceutical for many. It will warm you up, open your heart, and take you back to the simple things.

Young Gun Silver Fox is wrapping up a European tour and will hopefully visit us across the pond by next summer. Live, the band includes Adrian Meehan (drums) and David Page (bass and vocals). Platts plays the Rhodes and does lead vocals while Lee plays the smooth, lead guitar.


Artist Links

facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: YOUNG GUN SILVER FOX – WEST END COAST

Author

Talia Wooldridge

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
15.1
10
Total Spill Rating
15.1
Total Fan Rating
13 ratings
You have rated this
Album Reviews
album reviewsam & shawn leeandy plattsbettermamas gunshawn leewax poeticswest end coastyou can feel ityoung gun silver fox
album reviews, am & shawn lee, andy platts, better, mamas gun, shawn lee, wax poetics, west end coast, you can feel it, young gun silver fox
About the Author
Talia Wooldridge
Talia Wooldridge is an avid music lover, composer and ethnomusicologist who contributes artist interviews, live concerts, festivals and album reviews for Spill Magazine. She has written extensively on the intersection of music, personal identity and cultural symbolism with an early focus on Latin American Hip Hop and female Cuban rappers. In her spare time, Talia writes, composes music and manages Music Can Heal, a non-profit that brings live, award-winning musicians to inspire healing in hospitals, hospices and communities in need. Her next project is an interactive music-travelogue exploring music cultures and music travel around the globe. Follow her here: www.taliawooldridge.com + www.movetoyourownbeat.com.
RELATED ARTICLES
album reviewsandy plattsbetter
 
7.0
J.C. Thomaz and the Missing Slippers

SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J.C. THOMAZ AND THE MISSING SLIPPERS

by Aaron Badgley on May 22, 2026
J.C. THOMAZ AND THE MISSING SLIPPERS J.C. THOMAZ AND THE MISSING SLIPPERS SLOVENLY RECORDINGS From Rotterdam, NL, comes the gritty punk/post punk of J.C. Thomaz and The Missing Slippers. Reportedly this debut album was two decades in the making [...]
 
8.0
The Cranberries
10

SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION)

by John Porter on May 22, 2026
THE CRANBERRIES EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION) ISLAND RECORDS There’s something achingly beautiful and achingly sad about hearing these songs all over again on the 33rd (a peculiar choice, but perhaps [...]
 
8.0
Hush

SPILL ALBUM REVIEW: HUSH – FOR DOLLY

by Ljubinko Zivkovic on May 22, 2026
HUSH FOR DOLLY SIMONE RECORDS How do you craft a debut album to make exactly the right impact? Do you rush into it while the inspiration is red-hot, or do you take it slow to make sure everything sounds exactly as you envisioned? For Montreal [...]
 
8.0
Future Islands

SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH

by John Porter on May 22, 2026
FUTURE ISLANDS FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH 4AD Has it really been two decades since Future Islands found their way onto the airwaves for the first time? It certainly has, and From a Hole in the Floor to a Fountain of Youth is [...]
 
9.0
Peter Frampton
8.3

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J....
7.0
 
SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING...
8.0
10
 
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
8.0
 
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOO...
8.0
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
8.3

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3536
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1131
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
953
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
918
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
778
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
751
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
697
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
622
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
617
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
566
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
552
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
543
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
538
ENTERTAINMENT HEADLINES