The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
13
new
SPILL NEW MUSIC: MONTREAL’S TAXI GIRLS KICK DOWN THE DOORS WITH NEW SINGLE “SAY IT!”
SPILL ALBUM REVIEW: A BOOK FOR WANDERERS – MOTION POTION
SPILL ALBUM REVIEW: MODERN WOMAN – JOHNNY’S DREAMWORLD
SPILL ALBUM REVIEW: KACEY MUSGRAVES – MIDDLE OF NOWHERE
SPILL ALBUM REVIEW: ANDERVEL – IRONCLAD & PALM TREES
SPILL ALBUM REVIEW: TAJ MAHAL & THE PHANTOM BLUES BAND – TIME
SPILL ALBUM REVIEW: CHARMIAN DEVI – DIAMOND HOUR
SPILL ALBUM REVIEW: MAYA HAWKE – MAITREYA CORSO
SPILL ALBUM REVIEW: VENOM – INTO OBLIVION
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
SPILL ALBUM REVIEW: NIALL CONNOLLY – THERE’S SO MUCH MORE TO SEE
SPILL ALBUM REVIEW: THE RALLIES – NO BETTER TIME
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
290
previous article
SPILL ALBUM REVIEW: THE GOLDEN GRASS - ABSOLUTELY
next article
SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT - BLACKWATER HOLYLIGHT

SPILL ALBUM REVIEW: VARIOUS ARTISTS – JOHNNY CASH: FOREVER WORDS

Johnny Cash

Various Artists
Johnny Cash: Forever Words
Legacy Recordings

Sixty-three years after the release of his debut single, “Cry! Cry! Cry!”, and fifteen years since his passing, Johnny Cash remains as relevant as ever with the release of Johnny Cash: Forever Words The Music. Cash, with a stellar discography that spans over five decades, needs little introduction nor does his legacy need any justification. This compilation album features a wide-ranging cast of artists, including his daughter Roseanne Cash, country superstar Brad Paisley, and the last known recording from Chris Cornell, covering sixteen unreleased tracks from Cash.  Rather than be a typical collection of covers, Johnny Cash: Forever Words The Music sees these artists take some of Cash’s lyrics and poems that were never set to music and adapt them to what is among the most powerful tributes to one of America’s greatest song writers.

Johnny Cash: Forever Words The Music opens with a short spoken word piece, “Forever/I Still Miss Someone” by Kris Kristofferson and Willie Nelson. The track feels like the perfect tribute to Cash while transitioning the vibe of the record from a tribute cover album to one driven by poetry and lyrics. After all, the song features Kristofferson’s gruff vocals reciting an unreleased poem with Nelson playing a thing and twangy electric guitar to Cash’s classic “I Still Miss Someone”. While brief, this song is incredibly heavy emotionally, especially when you consider the fact that Kristofferson and Nelson were both very close friends of Cash’s. The album continues with a very traditional duet from Ruston Kelly and rising country star, Kacey Musgraves. “To June This Morning” sounds like a modernized version of something written by Cash and his wife, June Carter Cash, with the evenly balanced vocal harmonies and soft fingerpicking of an acoustic guitar and banjo. Throughout the album, a number of artists channel such a traditional sound including Alison Krauss & Union Station on “The Captain’s Daughter”, The Jayhawks on “What Would I Dreamer Do?”, I’m With Her on “Chinky Pin Hill” among others. A special shout out must go to Jewel’s breathtaking performance of “Body On Body”, a song with a sophisticated pop vocal line, but with a very traditional instrumental foundation, and T Bone Burnett’s hard hitting juke jam on “Jellico Coal Man”.

Cash embodied a highly unique style of performance and songwriting, and while much of Johnny Cash: Forever Words The Music sees a number of artists attempt – with great success – to emulate this, certain artists on the album reach a creative level that is nothing short of outstanding when they embark in a drastically different direction. “I’ll Still Love You” by Elvis Costello, for example, is a longing ballad with Costello’s raw voice bellowing over a warm piano, orchestral strings, and jazzy horns. While ambitious, Costello delivers a jaw dropping performance that only he could. The same could be said for Chris Cornell on “You Never Knew My Mind”, a track that would fit seamlessly on his 2015 release, Higher Truth, and in his stunning acoustic solo shows. The melancholic ballad leans heavily on Cornell’s unique songwriting as the song follows a compelling chord progression and grows to feature a fuzzy and dark electric guitar droning far in the background that is eventually buried by warm and rich gospel inspired vocal harmonies that culminated with a simple electric solo. This gives the song a sense of intensity not reached elsewhere on the album and a climatic final chorus. Cornell’s voice – raspy, warm, belting, and gravelly – is nothing short of beautiful and heartbreaking all in one. His performance and adaptation of “You Never Knew My Mind” stands out as not only the best track on the album, but also a reminder as to the boundless artistry of Cornell.

Johnny Cash: Forever Words The Music is an excellent collection of music that sees artists of all generations and styles set the words of Cash to music in whichever way they felt was right. While many veered for a modernized twist to his classic sound that teetered in between ‘50s rock, country, folk, rockabilly, and the blues, some artists took it a step further. It is here that we see how the legacy of Cash has inspired artists of all walks of life since his debut over half a century ago. It is clear with this album that things such as influence, inspiration, and legacies are an interesting thing; as an artist, you may control your art and image, but how that is interpreted and then reflected by the next generation is beyond your reach. Everyone and anyone, from jazz musicians to metal-heads, can take something away from Cash’s discography and that is where the power lies in Johnny Cash: Forever Words The Music. It is clear that the music of Cash resonates just as strongly today as it did throughout the many peaks of his illustrious career. Long live Johnny Cash.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: VARIOUS ARTISTS – JOHNNY CASH: FOREVER WORDS

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewsforever/i still miss someonejohnny cashjohnny cash: forever wordslegacy recordings
album reviews, forever/i still miss someone, johnny cash, johnny cash: forever words, legacy recordings
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewsjohnny cashlegacy recordings
 
7.0
A Book for Wanderers

SPILL ALBUM REVIEW: A BOOK FOR WANDERERS – MOTION POTION

by Gerrod Harris on May 1, 2026
A BOOK FOR WANDERERS MOTION POTION INDEPENDENT Anthony Botting, the singer and guitarist from the St. Catharines-based independent punk outfit, The Cocktails, has released his debut solo record under the name A Book For Wanderers. Aside from a [...]
 
8.0
Modern Woman

SPILL ALBUM REVIEW: MODERN WOMAN – JOHNNY’S DREAMWORLD

by Roxy Macdonald on May 1, 2026
MODERN WOMAN JOHNNY’S DREAMWORLD ONE LITTLE INDEPENDENT RECORDS Johnny’s Dreamworld, the debut album from English alt-rock band Modern Woman, isn’t for the faint of heart. It’s a screeching, squealing, whirling hurricane of sounds and emotions [...]
 
9.0
Kacey Musgraves

SPILL ALBUM REVIEW: KACEY MUSGRAVES – MIDDLE OF NOWHERE

by Ljubinko Zivkovic on May 1, 2026
KACEY MUSGRAVES MIDDLE OF NOWHERE INTERSCOPE/LOST HIGHWAY/UNIVERSAL MUSIC CANADA No, Kacey Musgraves is not your standard country musician anymore (if she ever was), no matter how quite a few listeners will think that her latest album Middle of [...]
 
8.0
Andervel

SPILL ALBUM REVIEW: ANDERVEL – IRONCLAD & PALM TREES

by Ljubinko Zivkovic on May 1, 2026
ANDERVEL IRONCLAD & PALM TREES INDEPENDENT How does a prospect of a Mexican singer-songwriter sing in English and Icelandic (and only a single one in Spanish) sound? While the English in that equation might not sound so strange, well then [...]
 
9.0
Taj Mahal

SPILL ALBUM REVIEW: TAJ MAHAL & THE PHANTOM BLUES BAND – TIME

by Ljubinko Zivkovic on May 1, 2026
TAJ MAHAL & THE PHANTOM BLUES BAND TIME THIRTY TIGERS What more can you say about an artist that has been on the scene for over six decades, has rarely recorded something that is a dud (everyone has got at least one of those), and has [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: A BOOK FOR WANDERERS – MOTION POTION
7.0
 
SPILL ALBUM REVIEW: MODERN WOMAN – JOHNNY’S DREAMWORLD
8.0
 
SPILL ALBUM REVIEW: KACEY MUSGRAVES – MIDDLE OF NOWHERE
9.0
 
SPILL ALBUM REVIEW: ANDERVEL – IRONCLAD & PALM TREES
8.0
 
SPILL ALBUM REVIEW: TAJ MAHAL & THE PHANTOM BLUES BAND –...
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3440
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
938
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
903
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
874
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
871
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
765
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
745
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
735
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
734
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
566
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
549
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
526
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
516
ENTERTAINMENT HEADLINES