The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
1
new
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
56
previous article
SPILL NEW MUSIC: PERTH PSYCH TRIO MONOTONIC RELEASE DEBUT ALBUM 'HEAVY METAL'
next article
SPILL ALBUM REVIEW: THE NEW PORNOGRAPHERS - THE FORMER SITE OF NEW PORNOGRAPHERS

SPILL ALBUM REVIEW: TIGERS JAW – LOST ON YOU

Tigers Jaw

TIGERS JAW 
LOST ON YOU 
HOPELESS RECORDS

Tigers Jaw sound has always felt like a soft reawakening, a breath that one takes before admitting something that you’ve kept hidden away in the dark, avoiding what might surface if you bring it to light. Such fragility and forwardness are brought to the forefront on their new album, Lost On You. With Lost On You, Tigers Jaw returns with something that feels familiar yet subtly transformative. While I Won’t Care How You Remember Me was, instrumentally, a reconciliation between their formative roots and 2017’s Spin, this cathartic pursuit of understanding themselves continues to unfold in this new chapter, outlining a picture of longing, disorientation, and the slow, unglamorous work of finding oneself again after being lost. Emotionally distilled, Lost On You is not looking to be louder or grander; instead, Tigers Jaw sharpens their incisors and delivers something quietly sharp. Where their whispers cut deeper than any loud octave of a scream ever could.

From the beginning, Tigers Jaw immediately places the listener in the thick of the internal turbulence with “It’s Ok,” “Primary Colors,” and “Head is Like a Sinking Stone.” Drifting, searching, and softly breaking, Lost on You makes it clear early on that this album will be built on emotional shifts, not the kind that are readily visible on the surface, but like fog that starts to accumulate in the wake of a rainstorm. Through its use of dualistic vocals set against the hushed, dreamy edges of progressive indie and melodic mathy instrumental textures, there is a sense of quiet unraveling that will continue to unfold throughout the record.

Tigers Jaw has never been one to be overly dramatic or emotionally pushy in their delivery, and within Lost on You, moments like “Anxious Blade,” “Baptized on a Redwood Drive,” and “BREEZER” make a point to show the slow erosion that happens when one tries to hold themselves together while everything else is falling apart around them. With lyrics that sound like wet pages torn out of a journal left out in the rain, Tigers Jaw gives listeners something smudged, imperfect, vulnerable, and painfully honest.
What continues to make each of these tracks so impactful is the vocal delivery between its two distinct vocalists. Written in a way that feels like it’s coming from two different perspectives, yet the pain is coming from one wound. The interplay between Ben Walsh and Brianna Collins is one of the biggest strengths on the record. Their voices feel more in sync and internally intertwined than ever before, and songs like “Ghost,” the highlight track “Staring at Empty Faces,” and “Light Leaks Through” demonstrate the melodic, tag-team-style exchange between these two that has been built into each track. While Walsh breathes clarity into pain that has been lived in for too long, Collins brings a soft, aching glow of someone trying to pick up the pieces left behind by that pain.

Lost on You’s closing tracks, “Roses + Thorns” and “Lost on You,” end the album gorgeously, musically showing the sweet spot the band continues to thrive in after years of perfecting this sound. An instrumental ballet of indie dress, emo bones, dreamy pop haze, and warm percussive heartbeats, Tigers Jaw artfully delivers a new kind of softness here. There is a deliberate willingness to let each song breathe and let the listener take in the pain, then detox from it, rather than pushing the listener toward catharsis. Shimmering guitars, pulsing drums, and distant synths serve as the headlights in the foggy drive toward internal enlightenment and external self-actualization, creating an album that is deeply felt, with an understated elegance in their sound that, for the most part, brings about some of Tigers Jaw’s most beautiful work in years. While some will be quick to say this album borders on “too safe,” others will appreciate its less intense approach and its use of edge in a different context. Sometimes, edge doesn’t have to rely solely on instrumental gravitas but rather on being open and daring in what one chooses to express, under the guise of a nostalgic bite and flashes of intensity that make up Lost on You’s emotional architecture.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: TIGERS JAW – LOST ON YOU

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
9.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsbaptized on a redwoodhopeless recordslost on youtigers jaw
album review, album reviews, baptized on a redwood, hopeless records, lost on you, tigers jaw
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviewshopeless records
 
8.0
Litvar
7.5

SPILL ALBUM REVIEW: LITVAR – BEING HERE

by Ljubinko Zivkovic on July 31, 2026
LITVAR BEING HERE MOTHER WEST RECORDS Litvar’s frontman Rex Thurstan describes the band’s new offering, Being Here, as “a bare, stripped-back folk record.” Yet, that might be stretching it a bit. Of course, Thurstan might [...]
 
9.0
Church of Trees
7.7

SPILL ALBUM REVIEW: CHURCH OF TREES – TEN

by Aaron Badgley on July 31, 2026
CHURCH OF TREES TEN INDEPENDENT Church of Trees is a very prolific band. Since Bernard Frazer introduced the band to the world in 2017, they have released nine albums. Ten is their tenth, and, to date, their best. Although Frazer has been the [...]
 
7.0
Cindy Blackman Santana
5.5

SPILL ALBUM REVIEW: CINDY BLACKMAN SANTANA – COHERENCE

by Gerrod Harris on July 31, 2026
CINDY BLACKMAN SANTANA COHERENCE MACK AVENUE RECORDS Following 2020’s Give The Drummer Some, Cindy Blackman Santana has returned with her seventh solo studio album, Coherence. The album takes a distinct turn towards contemporary jazz fusion, [...]
 
8.0
Dead Horse Beats
9.0

SPILL ALBUM REVIEW: DEAD HORSE BEATS – CHILLING EFFECT

by Sanjeev Wignarajah on July 31, 2026
DEAD HORSE BEATS CHILLING EFFECT BASTARD JAZZ RECORDINGS Montreal/Toronto’s Dead Horse Beats, brainchild of Patrick Wade, have released its fourth studio album, Chilling Effect. The eight-track album fuses late ‘70s R&B, yacht rock, baroque [...]
 
8.0
DOMi & JD Beck
7.4

SPILL ALBUM REVIEW: DOMI & JD BECK – WHO ASKED?

by Sanjeev Wignarajah on July 31, 2026
DOMI & JD BECK WHO ASKED? BLUE NOTE RECORDS From going viral over their cover of the late rapper MF DOOM’s “ALL CAPS” to their incredible 2022 debut album NOT TiGHT. French American jazz duo DOMi Louna and JD Beck have released their [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: LITVAR – BEING HERE
8.0
7.5
 
SPILL ALBUM REVIEW: CHURCH OF TREES – TEN
9.0
7.7
 
SPILL ALBUM REVIEW: CINDY BLACKMAN SANTANA – COHERENCE
7.0
5.5
 
SPILL ALBUM REVIEW: DEAD HORSE BEATS – CHILLING EFFECT
8.0
9.0
 
SPILL ALBUM REVIEW: DOMI & JD BECK – WHO ASKED?
8.0
7.4

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1284
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
775
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
742
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
727
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
652
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
623
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
545
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
529
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
518
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
484
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
448
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
441
 
SPILL FEATURE: IDENTITY, TRANSFORMATION & THE MEANING OF SURRENDERING – A CONVERSATION WITH JAKE LUHRS OF AUGUST BURNS RED
430
ENTERTAINMENT HEADLINES