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SPILL ALBUM REVIEW: TOKYO TEA ROOM – FEEL FOREVER
SPILL ALBUM REVIEW: DAVID MYHR – EVERYTHING IS ALL ABOUT YOU
SPILL ALBUM REVIEW: UNCLE ACID & THE DEADBEATS – SHAPES OF MIDNIGHT
SPILL ALBUM REVIEW: LARKK – CINDERS (INSTRUMENTAL)
SPILL ALBUM REVIEW: BECK – RIDE LONESOME
SPILL ALBUM REVIEW: SON LUX – OUT INTO
SPILL ALBUM REVIEW: ROGER TAYLOR – VIOLENCE INSANE IN A BEAUTIFUL WORLD
SPILL ALBUM REVIEW: THE MARY WALLOPERS – PADDYWHACKERY
SPILL ALBUM REVIEW: DRAGONFLIES – DRAGONFLIES
SPILL ALBUM REVIEW: YOKO ONO – IT’S ALRIGHT (I SEE RAINBOWS)
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SPILL ALBUM REVIEW: THE PULL OF AUTUMN - BEAUTIFUL BROKEN WORLD

SPILL ALBUM REVIEW: THE METERS – A MESSAGE FROM THE METERS

The Meters
A Message From The Meters
Real Gone Music

The subtitle will tell many as much as they need to know before buying this release: The Complete Josie, Reprise and Warner Brothers Singles 1968 – 1977. It is a triple LP package, with the sides that made this four-piece (a five-piece towards the end, with Cyril Neville joining) a New Orleans legend whose influence still reverberates strongly and whose talents were called upon by some of the biggest names of the era – and of course, the equally legendary Allen Toussaint was a very close associate. He actually co-produced all but two tracks of the 40 tracks here. Anyone talking about “monster funk” probably has this stuff in mind. From the ground-breaking earliest tracks such as “Cissy Strut”, and “Sophisticated Sissy” – wide-open, slippery instrumental funk that’s both easy and big, appropriately enough, with taut, concise guitar lines, unbridled organ, fat bass and crisp, slightly anarchic drumming – to the late 70s with the album’s one aberration, “Disco Is The Thing Today”, this set contains all the band’s singles, both A and B sides, from this time, with rare mixes. Ensemble vocals start to appear around the time of ‘‘Look-Ka Py Py “and “Chicken Strut”, and “Do The Dirt” marks the move to Reprise and a shift of focus to “real” vocal numbers, but as the band’s sound became more sophisticated, they also made something of a move back to their roots, as on the Professor Longhair-ish “Cabbage Alley”. You’ll probably still play the earlier tracks much more though. Sound quality is wonderful, almost everything is remastered from original tape sources, and with the loving care this truly ground-breaking music deserves.



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SPILL ALBUM REVIEW: THE METERS – A MESSAGE FROM THE METERS

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a message from the metersalbum reviewalbum reviewsgeorge porter jr.joseph "ziggy" modelisteleo nocentellireal gone musicthe meters
a message from the meters, album review, album reviews, george porter jr., joseph "ziggy" modeliste, leo nocentelli, real gone music, the meters
About the Author
Norman Darwen
Norman Darwen grew up in north-west England admiring Elvis’ gold lamé jacket, Lord Kitchener’s way with words, and his much older brother’s and sister’s dancing to The Rolling Stones’ ‘Little Red Rooster’ on the telly. He’d wind aforementioned brother up by reading the entire contents of an R’n’B magazine he used to have to collect from his local shop for him and then reciting back as much as he could remember. Some years later he’d wind up his own friends by telling them who these people were that Led Zeppelin etc were covering – Willie Dixon, Howling Wolf, Otis Rush etc. These days he still listens to the blues, but has added a taste for reggae, zouk, rap, folk and anything else that takes his fancy…
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SPILL ALBUM REVIEW: TOKYO TEA ROOM – FEEL FOREVER
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SPILL ALBUM REVIEW: DAVID MYHR – EVERYTHING IS ALL ABOUT YOU
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SPILL ALBUM REVIEW: UNCLE ACID & THE DEADBEATS – SHAPES ...
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