The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: ORQUESTA AKOKÁN RELEASE “N ME VOY” AHEAD OF FULL-LENGTH ALBUM ‘AMÉRICA!’
SPILL NEW MUSIC: WESTISLONELY RETURNS WITH STRIKING SINGLE “BAD DOG” AHEAD OF HER NEWLY ANNOUNCED SUMMER EP MAN’S RUIN
SPILL NEW MUSIC: BLUMS ANNOUNCES DEBUT ALBUM | SHARES OPERATIC SUMMER TRACK “CASHOUT”
SPILL NEW MUSIC: THOMAS DUXBURY AND NEW MOTHER NATURE – “NIGHT IS YOUNG”
SPILL NEWS: BEDOUIN SOUNDCLASH RETURN WITH NEW SINGLE “BANG-A-LANG” FT. COLLIE BUDDZ | FESTIVAL & FIFA LIVE DATES
SPILL MUSIC PREMIERE: GREAT FALLS – “BLUE BRICKS”
SPILL NEWS: A PERFECT CIRCLE RE-EMERGE WITH “STARLESS” | NEW SINGLE ARRIVES AHEAD OF BAND’S EUROPEAN TOUR
SPILL NEWS: GLITTER PUNK HAYLEY AND THE CRUSHERS RELEASE DEFIANT NEW SINGLE/VIDEO “CRINGEWORTHY”
SPILL NEW MUSIC: CEVILAIN – “O’DEAR”
SPILL NEW MUSIC: NOAH KAHAN – “DOORS”
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL FEATURE: FROM OBSCURE CUTS TO NEW CLASSICS – A CONVERSATION WITH VINCE CLARKE, NEIL ARTHUR & BENGE OF DOUBLESPEAK
SPILL NEW MUSIC: DURAN DURAN RELEASE NEW “FREE TO LOVE” DOUBLE REMIX SINGLE
SPILL FESTIVAL REVIEW: MOVEMENT MUSIC FESTIVAL 2026 @ HART PLAZA, DETROIT – TAMMY LAKKIS
SPILL FESTIVAL REVIEW: MOVEMENT MUSIC FESTIVAL 2026 @ HART PLAZA, DETROIT – BEIGE
SPILL NEW MUSIC: CAR SEAT HEADREST IS STILL IN DENIAL 10 YEARS LATER
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
100
previous article
SPILL ALBUM REVIEW: LUCIUS - LUCIUS
next article
SPILL ALBUM REVIEW: ABIGAIL LAPELL - ANNIVERSARY & MORE SONGS ABOUT LOVE

SPILL ALBUM REVIEW: SHARON JONES & THE DAP-KINGS – NATURALLY (20th ANNIVERSARY EDITION)

Sharon Jones & The Dap Kings

SHARON JONES & THE DAP-KINGS
NATURALLY (20th ANNIVERSARY EDITION)
DAPTONE RECORDS

Twenty years ago, the late Sharon Jones, alongside backing band The Dap-Kings, released their sophomore album Naturally. The record was a milestone for not only Jones or the newly founded label Daptone Records, but more importantly marked the early stages of a modern soul revival. Now, to commemorate two decades of the iconic album, Daptone has released Naturally (20th Anniversary Edition), an expanded collection that sees the original album remastered along with an instrumental cut of each song.

Jones’ vocal delivery captures the sound of an era long gone. From the opening verse of “How Do I Let A Good Man Down?”, this is immediately clear to the listener as they follow her intricate melodies that weave around the band’s shuffling ostinato. As the remaining nine tracks of the original album continue, this is only further developed through songs like the bouncy “Natural Born Lover” and the sauntering rendition of “This Land Is Your Land”. Without a weak moment, this is perhaps best demonstrated on the breakneck pace of “My Man Is A Mean Man”, the groovy “How Long Do I Have To Wait For You?”, and the lush closing ballad, “All over Again”. It is clear to see how instrumental Jones and The Dap-Kings were to the ascent of both Daptone Records and a cult-cultural interest in classic soul – Naturally remains a modern classic.

The second, expanded half of the record, is entirely instrumental. With this, The Dap-Kings are prominently featured as the backing band takes the lead. Through this, we see how tight of an ensemble they are, demonstrating a level of restraint in their performance that is faithful to the genre and, ultimately, is simply begging to be sampled. Moments like the precisely displaced arrangement of “Your Thing Is A Drag” to the hypnotic “Stranded In Your Love”, and the stomping heft of “Fish In The

Dish” to the longing of “You’re Gonna Get It” captures a sense of versatility and a greater level of musicianship among the band, justifying the title they would earn as the baddest band in the land.

Twenty years on, Naturally remains an incredible body of work that sounds and feels as though it was unearthed from the vaults of a long defunct studio in Memphis. In 2005, Jones & The Dap-Kings did the impossible by curating a sound that very well could have emerged from the ‘60s and, while Jones steals the show with that stunning voice, a spotlight is shines on The Dap-Kings through the instrumental cuts, demonstrating how incredible of a band they are. If anything, Naturally (20th Anniversary Edition) is an important reminder to the timelessness of both Sharon Jones & The Dap-Kings and soul music.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: SHARON JONES & THE DAP-KINGS – NATURALLY (20th ANNIVERSARY EDITION)

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsdaptone recordshow do i let a good man down?naturally (20th anniversary edition)sharon jones & the dap kings
album review, album reviews, daptone records, how do i let a good man down?, naturally (20th anniversary edition), sharon jones & the dap kings
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsdaptone records
 
7.0
J.C. Thomaz and the Missing Slippers

SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J.C. THOMAZ AND THE MISSING SLIPPERS

by Aaron Badgley on May 22, 2026
J.C. THOMAZ AND THE MISSING SLIPPERS J.C. THOMAZ AND THE MISSING SLIPPERS SLOVENLY RECORDINGS From Rotterdam, NL, comes the gritty punk/post punk of J.C. Thomaz and The Missing Slippers. Reportedly this debut album was two decades in the making [...]
 
8.0
The Cranberries
10

SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION)

by John Porter on May 22, 2026
THE CRANBERRIES EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION) ISLAND RECORDS There’s something achingly beautiful and achingly sad about hearing these songs all over again on the 33rd (a peculiar choice, but perhaps [...]
 
8.0
Hush

SPILL ALBUM REVIEW: HUSH – FOR DOLLY

by Ljubinko Zivkovic on May 22, 2026
HUSH FOR DOLLY SIMONE RECORDS How do you craft a debut album to make exactly the right impact? Do you rush into it while the inspiration is red-hot, or do you take it slow to make sure everything sounds exactly as you envisioned? For Montreal [...]
 
8.0
Future Islands

SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH

by John Porter on May 22, 2026
FUTURE ISLANDS FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH 4AD Has it really been two decades since Future Islands found their way onto the airwaves for the first time? It certainly has, and From a Hole in the Floor to a Fountain of Youth is [...]
 
9.0
Peter Frampton
8.3

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J....
7.0
 
SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING...
8.0
10
 
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
8.0
 
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOO...
8.0
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
8.3

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3553
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1160
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
954
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
921
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
781
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
752
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
715
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
628
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
627
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
572
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
562
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
548
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
543
ENTERTAINMENT HEADLINES