The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHAPTERHOUSE PERFORM THE ALBUM ‘WHIRLPOOL’ AT THE CONCERT HALL ON MAY 21!
SPILL MUSIC PREMIERE: PRIMITIVE RING – “THE CALLOUS MAN”
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES
SPILL VIDEO PREMIERE: PETE FIJ – “DON’T BRING ME SUNSHINE”
SPILL MUSIC PREMIERE: UNTER STRØM – “ORYNTH”
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
SPILL BOOK REVIEW: TOM DOYLE – RINGO STARR: A FAB LIFE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
291
previous article
SPILL ALBUM REVIEW: FRESH SNOW - ONE
next article
SPILL NEWS: GORD DOWNIE ANNOUNCES 'SECRET PATH'‏

SPILL ALBUM REVIEW: OKKERVIL RIVER – AWAY

Okkervil River

Okkervil River
Away
ATO Records
RATING

Okkervil River’s newest album, Away, is ambitious but it may have overshot the mark. There is no bad song on the album but there are lots of forgettable tracks. Almost every song is too long and the album is missing some of the high energy of Okkervil River’s earlier releases. That being said, there are a few good songs and some songs that could have been great, most likely if they were a couple minutes shorter.

“Okkervil River R.I.P.” is the first track on the album. It is laid back but pointed, has some great lyrics and a really fantastic united feeling throughout the musicians but at six minutes and 41 seconds it is also the first of the songs that could have been shortened. The second track on the album is longer but earns the time it takes. One of the best songs on the album, “Call Yourself Renee,” is slightly more than seven minutes long but it is pleasant and engaging. Almost trancelike at moments the instrumentalists have some wonderful moments to show off during the track and Will Sheff seems very at home working with the rambling melody of the song. “The Industry” is the shortest track on the album, at four minutes and 31 seconds. Sheff makes some interesting comments during “The Industry” and it is one of the more energetic songs on Away. “Judey on a Street” does some interesting things with echoes on Sheff’s vocals but it is hard to retain interest in the lyrics. The instrumentalists on this track are wonderful and the arrangement is beautiful, making it very easy to get lost in the keys and other percussion while forgetting Sheff almost entirely. “Frontman In Heaven” is nearly eight minutes long and incredibly repetitive, melodically. The first couple times the harmony joins Sheff’s vocal line is a bit of a relief but as it is nearly eight minutes long, eventually the harmony just becomes part of the seemingly endless circuit that “Frontman In Heaven”’s melody runs through over and over. At three minutes the song seems like fun but after that watching the seconds tick up towards the end of the song is like watching water boil. “Days Spent Floating (In The Halfbetween)” is an excellently arranged track with fantastic instrumentals. The titular phrase may be repeated a little too often, making the song again longer than needed, but it is a great end to the album.

Some of the songs off Away could have been great tracks if edited down a bit and spaced throughout a few different albums. The greatest moments on Away are very interesting lyrically and are beautifully arranged but the worst moments on Away are exhausting and much more common. The tragedy is that in the album’s vast, trance-like arrangements the audience loses sight of the most interesting thing about Okkervil River: Will Sheff himself.

Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: OKKERVIL RIVER – AWAY

Author

Daniel Mallett

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
5.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewsato recordsawayokkervil river
album reviews, ato records, away, okkervil river
About the Author
Daniel Mallett
Daniel Mallett is a young journalist from London, Ontario pursuing a career in arts and entertainment writing. He enjoys music, theatre and visual arts and hopes to learn as much as possible about the artists working in Canada today. Mallett is also one half of the Toronto based folk duo Howl & Other Problems.
RELATED ARTICLES
album reviewsato recordsaway
 
9.0
Peter Frampton

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands
8.6

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
8.6
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3498
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1063
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
948
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
900
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
765
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
632
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
602
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
600
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
544
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
534
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
530
ENTERTAINMENT HEADLINES