The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: GRITTY INDIE ROCK ‘N’ ROLL – TWIN CITY UNLEASH HIGH OCTANE BANGER “SEEMS TO ME”
SPILL ALBUM REVIEW: MAX SUBAR – ANYTHING COULD BE
SPILL ALBUM REVIEW: CR & THE WHITE LIGHTS – MY OLD SELF
SPILL ALBUM REVIEW: LISA MOLINARO – BLIND TRUST
SPILL ALBUM REVIEW: THE AMPLIFIER HEADS – SUPER 8
SPILL NEW MUSIC: LEÆTHER STRIP IS HERE TO TEACH YOU SOME DISCIPLINE!!!
SPILL NEWS: EDDIE 9V ANNOUNCES NEW ALBUM ‘DOWN HERE’ PRODUCED BY THE BLACK KEYS’ DAN AUERBACH FOR EASY EYE SOUND
SPILL NEWS: SHE’S GREEN ANNOUNCE NORTH AMERICAN TOUR WITH SMUSH, WITCHES EXIST AND STARLING | NEW EP ‘SWALLOWTAIL’ OUT NOW
SPILL NEW MUSIC: HEAR DEEP SEA DIVER’S NEW COVER OF MASSIVE ATTACK’S “TEARDROP” + TWO PNW SHOWS WITH NATION OF LANGUAGE JULY 17-18
SPILL NEW MUSIC: CJ WILEY ANNOUNCES UPCOMING EP + SHARES NEW SINGLE
SPILL NEW MUSIC: WHEN IN ROME – “HUMAN NATURE”
SPILL FEATURE: WHAT RHYMES WITH DOULA? – A CONVERSATION WITH JOHN KONESKY OF MISSOULA
SPILL NEW MUSIC: 50 YEARS OF METAL EXCELLENCE – ACCEPT ENLISTS STAR-STUDDED LINEUP FOR CELEBRATORY ANNIVERSARY RECORD
SPILL NEW MUSIC: ORBITAL’S LEGENDARY GLASTONBURY 1994 PERFORMANCE SET FOR FIRST-EVER OFFICIAL RELEASE VIA LONDON RECORDS
SPILL NEW MUSIC: FAT MIKE OF NOFX RELEASES FIRST SINGLE “KIDS OF THE K-HOLE“ FROM THE ORIGINAL SCORE OF THE BAND’S CAREER-SPANNING DOCUMENTARY
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
472
previous article
SPILL LIVE REVIEW: 2022 POLARIS MUSIC PRIZE GALA @ THE CARLU, TORONTO
next article
SPILL VIDEO PREMIERE: CALEB NICHOLS (FEAT. ROGUE WAVE) - "WATERFALLS"

SPILL ALBUM REVIEW: MARIANNE FAITHFULL – SONGS OF INNOCENCE AND EXPERIENCE: 1965-1995

Marianne Faithfull

Marianne Faithfull
Songs Of Innocence And Experience: 1965-1995
Universal Music

Marianne Faithfull made her debut in 1965 with “As Tears Go By”, a year before The Rolling Stones released their version. The single was an instant worldwide hit. This was followed by three more top ten singles in 1965 and 1966. Marianne Faithfull was officially a pop star. But by 1967 her personal life and relationship with members of The Rolling Stones overshadowed her music and by 1969 she basically called it quits. That was also the year the first Marianne Faithfull compilation album hit the stores. Clearly, it was not the last. Since that time there have been over a dozen compilations, documenting her career and different eras. Of course she returned to recording in 1976, and since then released several critically acclaimed and quite successful albums. This compilation, Songs Of Innocence And Experience: 1965 – 1995, focuses on her first 30 years of recording.

However, Songs Of Innocence And Experience: 1965 – 1995 is a lot more than just a collection of hits, popular album cuts and critically acclaimed songs. This collection includes songs never before released, alternative and live versions, and obscure songs collected and available on CD for the first time. Well known hits, such as “Come And Stay With Me” are included along with a re-recorded version of “As Tears Go By”. A live recording of “Yesterday” (from the BBC) is included rather than the regular studio version. Even more interesting is the 12-in version of “Why’d You Do It”, rather than the much shorter album version. So, although this serves as a collection of hits and well-loved songs, there is enough here to keep the most avid fan/collector interested.

Marianne Faithfull was able to reinvent herself after the 1960s. She went from a folk/pop star to an artist who could give Lou Reed a run for his money. By the time she got to the point of recording her now classic Broken English (which includes the aforementioned “Why’d You Do It”), Faithfull had experienced a great deal in her life and not all of it was pleasant. This led to her music being much darker and much more interesting. In some ways, this compilation outlines how she got there through her music. Her 1971 version of Phil Ochs “Chords Of Fame” turns a country/pop song into a dirge, and the darker side of fame that Ochs was writing about comes through loud and clear. The same can be said of her cover of Dylan’s “It’s All Over Now, Baby Blue”. She takes Dylan’s anger and turns in on itself and she highlights the sadness of the song. These two songs, along with many others, explore Faithfull’s seemingly discomfort with the spotlight and that is what makes this album so great. In a very real sense, the selections and running order tells her story.

It is no coincidence to end the album with “The Stars Line Up” from 1995’s A Secret Life. “The stars line up for me tonight,” she sings. “To see who we are tonight” she concludes. It brings the double set to a close and sets up a sequel for a collection of her music from 1996 to present. But there is a lot to explore and enjoy with Songs Of Innocence And Experience: 1965 – 1995. Her version of Shel Silverstein’s “The Ballad of Lucy Jordan” is the definitive version, and the original mix featured here brings out the melancholy and sheer joy of the song. And the B-side, “Over Here (No Time For Justice)”, is a lost gem and a wonderful addition to the collection. Also, a chance to hear Faithfull sing 1965’s “Summer Nights” in French is an unexpected pleasure. Cap all these off with her cover of “The First Time (Ever I Saw Your Face) (Faithfull Forever Version)”, which is a beautiful, sparse arrangement. It is breathtaking.

Overall, a very well-put-together collection of some of the highlights of Marianne Faithfull’s career. There are a number of songs from Broken English, but I would recommend buying that album as it is perfect from beginning to end and hearing them here out of their home is a little bit jarring, like running into your teacher when grocery shopping with your mom when you were a kid. It just doesn’t seem right. But again, fans and non-fans will get a great deal out of this package. It is a beautiful tribute to a unique artist who has refused to be defined or confined to one genre or role. Just listen to her version of “Strange Weather”.

Faithfull broke ground throughout her career. Singing about sexual assault (“Why’d You Do It”), or drug addiction (“Sister Morphene), or her own life were almost taboo subjects, especially for female artists at the time. A lot of people who owe a lot of their career to her and Songs Of Innocence And Experience: 1965 – 1995 go a great distance to explain why that debt is owed. A brilliant and well-put-together compilation and a great example of how effective and strong ‘best ofs’ can be.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: MARIANNE FAITHFULL – SONGS OF INNOCENCE AND EXPERIENCE: 1965-1995

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsas tears go bysongs of innocence and experience: 1965-1995
album review, album reviews, as tears go by, songs of innocence and experience: 1965-1995
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviews
 
8.0
Max Subar

SPILL ALBUM REVIEW: MAX SUBAR – ANYTHING COULD BE

by Ljubinko Zivkovic on July 17, 2026
MAX SUBAR ANYTHING COULD BE MERGE RECORDS If by looking at the cover for Max Subar’s album, Anything Could Be, you get the impression that you are looking at (and possibly will listen to) a typical singer-songwriter album, you would be [...]
 
8.0
CR & The White Lights

SPILL ALBUM REVIEW: CR & THE WHITE LIGHTS – MY OLD SELF

by Ljubinko Zivkovic on July 17, 2026
CR & THE WHITE LIGHTS MY OLD SELF MAGIC DOOR RECORDS If My Old Self would. be your first encounter with CR & The White Lights you could easily think that these guys are hiding somewhere in a Nashville suburb where alt Americana thrives [...]
 
8.0
Lisa Molinaro

SPILL ALBUM REVIEW: LISA MOLINARO – BLIND TRUST

by Aaron Badgley on July 17, 2026
LISA MOLINARO BLIND TRUST INDEPENDENT Lisa Molinaro has had a fascinating career in music. Beyond her own writing and performing, she has been part of The National (their touring band), The Decemberists (their touring band), Modest Mouse, and [...]
 
7.0
The Amplifier Heads

SPILL ALBUM REVIEW: THE AMPLIFIER HEADS – SUPER 8

by Aaron Badgley on July 17, 2026
THE AMPLIFIER HEADS SUPER 8 RUM BAR RECORDS Sal Baglio is part of rock and roll history. In 1977, he was a founding member of the classic Boston-based band The Stompers (who are in the New England Music Hall Of Fame) and although they never [...]
 
9.0
Holy Wave

SPILL ALBUM REVIEW: HOLY WAVE – I’M DADA

by Ljubinko Zivkovic on July 10, 2026
HOLY WAVE I’M DADA SUICIDE SQUEEZE RECORDS As time passes by, the critics have come up with so many genres and sub-genres in modern music seemingly to make it simpler for audiences to pick up their preferences. Yet, more and more, current [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MAX SUBAR – ANYTHING COULD BE
8.0
 
SPILL ALBUM REVIEW: CR & THE WHITE LIGHTS – MY OLD SELF
8.0
 
SPILL ALBUM REVIEW: LISA MOLINARO – BLIND TRUST
8.0
 
SPILL ALBUM REVIEW: THE AMPLIFIER HEADS – SUPER 8
7.0
 
SPILL ALBUM REVIEW: HOLY WAVE – I’M DADA
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1264
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
773
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
760
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
724
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
701
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
641
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
617
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
606
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
528
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
508
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
506
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
501
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
462
ENTERTAINMENT HEADLINES