The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
2
new
SPILL NEW MUSIC: THE WHO’S CLASSIC ALBUM ‘THE WHO BY NUMBERS’ TO BE REVISITED AS A SUPER DELUXE EDITION FOR ITS 50th ANNIVERSARY
SPILL TRACK OF THE MONTH: BLACK DOLDRUMS – “COMPULSION”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
2
376
previous article
SPILL ALBUM REVIEW: THE SHEEPDOGS - KEEP OUT OF THE STORM
next article
SPILL FILM REVIEW: PAUL McCARTNEY - MAN ON THE RUN

SPILL ALBUM REVIEW: GORILLAZ – THE MOUNTAIN

Gorillaz

GORILLAZ
THE MOUNTAIN
KONG

The Mountain is the first Gorillaz album since 2023’s Cracker Island, and their ninth studio album overall. Gorillaz is really the brainchild of Damon Albarn and artist Jamie Hewlett and along with friends and like minded musicians, a new Gorillaz album appears every few years or so. The Mountain is a major achievement for Gorillaz for many reasons. It is the first independent release for the group since parting ways with their long-time label Parlophone (Warner Brothers) and this independence does change the overall direction for the band. On this album, Hewlett’s part of The Mountain is probably the most intricate, detailed and complex work he has ever done for Gorillaz.

Lyrically and musically, there is a lot to absorb with The Mountain. It is not a simple matter of listening once or twice, and it is certainly not background music. While it is melodic and very danceable, it is a heavy album focusing on world politics, loss and death. Together Albarn and Hewlett have created an album that invites the listener in to listen and, like a good novel, digest. While there are a number of guests on the album, such as Johnny Marr (who plays on a number of songs), IDLES, Sparks, Anoushka Shankar and Black Thought, to name a few, everyone comes together to create a cohesive and brilliant album. They use artists who have passed on, Mark E. Smith, Dennis Hopper (who seems to be very popular with musicians of late), Bobby Womack, Dave Jolicoeur, Proof and Tony Allen, helps accentuate the overall message and theme of the album.

The album opens with the title track, “The Mountain”, which features Anoushka Shankar and Dennis Hopper’s voice using the mountain as an allegory is quite stirring. Other songs, such as “The Happy Dictator”, which features Sparks, is a chance to comment on leaders, or rather dictators, of today. Trump is front and centre, and here is the song that addresses the loss of a nation. But, really The Mountain is about mortality. For example, Albarn himself sings on “Casablanca”, “I don’t know anything that feels like this/No I don’t know anything that hits like this.” He sums up the feeling quite well.

Perhaps the most difficult song on the album, but also one of the most important is “The Hardest Thing”. The late Tony Allen gently intone “We are ready (let’s go)” before Albarn sings the line “You know the hardest thing is to say goodbye to someone you love”. Heartbreakingly true and so beautifully articulated. And the album comes to a close with “The Sad God”, in which the listener gets God’s viewpoint. Not only is God disappointed with what has become of the world, but also questioning our self-destructive nature. It is a very powerful song, with a brilliant contribution from Black Thought.

The Mountain is a remarkable achievement for Gorillaz. Albarn and Hewlett have created a work of art with the album, with their ability to look unflinchingly yet not unsympathetically. The Mountain is that rare gem of an album that is personal to the artist, yet the listener can identify with many of the thoughts and emotions. It is also very thought provoking, and the world music aspect makes it even more interesting and crucial. With this mountain, the view is well worth the climb.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: GORILLAZ – THE MOUNTAIN

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
8.0
7.0
Total Spill Rating
8.0
Total Fan Rating
9 ratings
You have rated this
Album Reviews
album reviewalbum reviewsgorillazkongsparksthe happy dictatorthe mountain
album review, album reviews, gorillaz, kong, sparks, the happy dictator, the mountain
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsgorillaz
 
8.0
Mike D

SPILL ALBUM REVIEW: MIKE D – THANK YOU

by Gerrod Harris on August 28, 2026
MIKE D THANK YOU CAPITOL RECORDS/UNIVERSAL MUSIC CANADA Since the untimely 2012 passing of Adam Yauch, perhaps better known as MCA, things have been relatively quiet among the Beastie Boys camp. While surviving members, Mike D and Ad-Rock have [...]
 
9.0
Asher White
6.5

SPILL ALBUM REVIEW: ASHER WHITE – LOVE AGGREGATES

by Ljubinko Zivkovic on August 28, 2026
ASHER WHITE LOVE AGGREGATES JOYFUL NOISE RECORDINGS It just might be that as an artistic soul that dabbles in a number of art forms, musical, visual, and other, you would pour an emotional outburst through seemingly disparate modern music [...]
 
8.0
The Warning
8.7

SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING

by Samantha Andujar on August 28, 2026
THE WARNING EVERYTHING’S FALLING LAVA/REPUBLIC RECORDS Everything’s Falling is the kind of album that comes from a band that not only knows who they are, but also draws power from consistently staying on its own unique track. They don’t [...]
 
8.0
Beartooth
3.8

SPILL ALBUM REVIEW: BEARTOOTH – PURE ECSTASY

by Melinda Welsh on August 28, 2026
BEARTOOTH PURE ECSTASY FEARLESS RECORDS Beartooth is back with their sixth studio album, their first with Fearless Records, Pure Ecstasy. Frontman Caleb Shomo has no doubt written the most unashamed and open record Beartooth has done yet. He is [...]
 
8.0
Dinosaur Jr.
7.9

SPILL ALBUM REVIEW: DINOSAUR JR. – THERE NEAR

by Jasmine Bhoodwah on August 28, 2026
DINOSAUR JR.  THERE NEAR JAGJAGUWAR Dinosaur Jr. is a band with a long history. Originally formed in 1984, this American rock band has previously released a total of 12 albums, and is now gearing up to release their 13th project, There Near. [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MIKE D – THANK YOU
8.0
 
SPILL ALBUM REVIEW: ASHER WHITE – LOVE AGGREGATES
9.0
6.5
 
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
8.0
8.7
 
SPILL ALBUM REVIEW: BEARTOOTH – PURE ECSTASY
8.0
3.8
 
SPILL ALBUM REVIEW: DINOSAUR JR. – THERE NEAR
8.0
7.9

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
1059
 
SPILL FEATURE: I AM OK WITH BEING OPTIMISTIC – A CONVERSATION WITH JOHN DOUGLAS OF TRASHCAN SINATRAS
812
 
SPILL ALBUM REVIEW: JETHRO TULL – J-TULL DOT COM: ANOTHER CAST OF THE NET (DELUXE EDITION)
802
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
790
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
783
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
739
 
SPILL NEWS: BUTCHER BABIES ANNOUNCE NEW ALBUM ‘NIGHTBLOOM’ | UNVEIL NEW VIDEO FOR “BLAME IT ON THE WIND”
733
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
725
 
SPILL ALBUM REVIEW: THE WOMACK SISTERS – THE WOMACK SISTERS
718
 
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
708
 
SPILL MUSIC PREMIERE: COR DE LUX – “BLIND SMILE”
696
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
671
 
SPILL NEW MUSIC: ERIC SCHENKMAN – “HIT ON ME”
635
ENTERTAINMENT HEADLINES