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SPILL NEWS: THE JAYHAWKS ANNOUNCE NEW ALBUM, SANCTUARY PARK, OUT AUGUST 28TH VIA THIRTY TIGERS
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
SPILL NEWS: JULES IS DEAD PLAYING BURDOCK MUSIC HALL JUNE 25 | NEW EP ‘DIGITAL DEATH’ TO BE RELEASED JUNE 26
SPILL ALBUM REVIEW: HAIRCUT 100 – BOXING THE COMPASS
SPILL ALBUM REVIEW: ORBITAL ENSEMBLE – CONTINUA
SPILL ALBUM REVIEW: JEFF MILLS – THE TRIP TO VEGA
SPILL ALBUM REVIEW: VARIOUS ARTISTS – JUST LOOK INSIDE THE COVER – SONGS OF PETE HAM
SPILL ALBUM REVIEW: VARIOUS ARTISTS – STANZE FREDDE VOL. 3
SPILL NEW MUSIC: RESA SAFFA PARK UNVEILS HAUNTING NEW SINGLE “LOVE IS A LONELY FEELING”
SPILL NEW MUSIC: NEW VIDEO BY ETHEREAL DREAM POP ARTIST SHIPS IN THE NIGHT “INSIDE” | FROM ‘PROTECTION SPELLS’ ALBUM OUT NOW ON METROPOLIS RECORDS
SPILL NEWS: QUICKSAND CHANNEL MINOR THREAT & NEGATIVE APPROACH ON OG DISS TRACK “COOL GUY” | FIRST LP IN FIVE YEARS ‘BRING ON THE PSYCHICS’
SPILL FESTIVAL REVIEW: SLED ISLAND MUSIC & ARTS FESTIVAL: ILLUMINATI HOTTIES w/ THEE SOREHEADS, CIRCLING GIRL & SUB // CELL @ ROYAL CANADIAN LEGION NO. 1 BRANCH, CALGARY (AB)
SPILL NEW MUSIC: PICKLE JUICE – “BACK 40”
SPILL VIDEO PREMIERE: MICHELLE OWEN & THE WORKS – “A MOUTHFUL OF CAVITIES”
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SPILL ALBUM REVIEW: ENTER SHIKARI – A KISS FOR THE WHOLE WORLD

Enter Shikari

Enter Shikari
A Kiss For The Whole World
So Recordings

Enter Shikari has never been what you call ordinary when attempting to label the music they create within the post-hardcore scene. Establishing a unique and fresh electronicore soundscape with a wide array of other rock, alternative, and other ornate instrumental elements, Enter Shikari has become the kaleidoscopic enigma of the scene that is constantly evolving and unpredictably shaking up the genre since their 2007 debut album, Take To The Skies. Their unparalleled creative drive would further progress with 2021’s beautifully diverse Nothing is TRUE & everything is possible. Now the band continues their atmospheric and prototypical sound with their latest release, A Kiss For The Whole World.

Starting off with one of the most igneous openers on any album they have released up to this point, “A Kiss For The Whole World” brings in unequaled abrasive energy combined with opulent horns, showing off a bright and novel first experience that only a band like Enter Shikari is worthy of defining and pulling off, leading to other special moments within A Kiss For The Whole World.

This celestial and summer-drenched instrumental energy continues with “(pls) set me on fire”, a track with the ability to transcend into gorgeous synth-laden harmonies to effortlessly ping-ponging back and forth from heavy to more dulcet moments within this experience. Enter Shikari early on establishes why it is one of the best multi-genre electronicore bands in the scene, and it lies in their ability to utilize harmonies and massive overtones well.

The album rolls into a kinetic juncture, “It Hurts”. An experience that is one of the best uses of infectious lyrics and vocal tone inflections combined with great use of electronics, guitars, and high-impact percussive energies, this daydream of a track stands out from the many outstanding moments on A Kiss For The Whole World.

Other moments such as “Deadwood” are hauntingly beautiful and ornately distinct from the other tracks on A Kiss For The Whole World. With its lavish use of violin and cellos interweaved with starry-eyed EDM soundscapes and powerful arena-ready presence, Enter Shikari keeps expanding its experimental playbook while lovingly keeping in strides with its original sound that has made the band successful.

Electro/ pop-punk infused “Jailbreak” continues to keep things explosive and entertaining, showing nods to their roots while still exploring what that sound means to them as the band constantly enriches and redefines that sound with each release.

Major highlights, “Bloodshot” and “Bloodshot (Coda)” are undeniably captivating in their own ways. A vicious groove of ethereal electromagnetic waves underpinned with cunning self-aware lyricism and multidimensional vocals, it pirouettes into a breathtaking rendition of the same track, showing off Enter Shikari’s technical and cinematic brilliance.

“goldfish” brings things up to speed with its dominant instrumental vitality and continued use of exquisite lyric writing before closing out the album with final tracks “Giant Pacific Octopus (i don’t know you anymore)” and “giant pacific octopus swirling off into infinity”. With this magnificent wrap-up that is a lovely varicolored exhibition of all of their vocal and instrumental prowess, Enter Shikari brings the album to a confident close.

Enter Shikari is a band that can’t be boxed into one sound. A Kiss For The Whole World is lyrically beguiling and poignant while using a decadent sense of duality that is sublime and immensely vivacious. A listening experience where every track leaves you guessing, excited, and wanting more, Enter Shikari is constantly in a class all of its own, with its latest release defining what means to be a pioneer and trailblazer in the world of electronicore.



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SPILL ALBUM REVIEW: ENTER SHIKARI – A KISS FOR THE WHOLE WORLD

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Samantha Andujar

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a kiss for the whole world, album review, album reviews, bloodshot, enter shikari, so recordings
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
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