The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL VIDEO PREMIERE: PETE FIJ – “DON’T BRING ME SUNSHINE”
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
SPILL FEATURE: TEENAGE LESSONS SET ME RIGHT – A CONVERSATION WITH STEPHEN PATMAN OF CHAPTERHOUSE
SPILL FEATURE: WE’RE PROBABLY MORE POPULAR THAN WE’VE EVER BEEN RIGHT NOW – A CONVERSATION WITH MORGAN ROSE OF SEVENDUST
SPILL NEW MUSIC: NEW RELEASE FROM MIKE D “SWITCH UP” OUT NOW
SPILL NEW MUSIC: RIKAS RELEASE NEW EP ‘BEDROOM TAPES’ + SHARE “MEXICO CITY”
SPILL NEW MUSIC: NEW RELEASE FROM PAUL McCARTNEY & RINGO STARR “HOME TO US”
SPILL NEW MUSIC: ANN WILSON RELEASES “NOTHING BUT LOVE” | A SONG WRITTEN WITH BURT BACHARACH
SPILL NEWS: CANADA’S WALK OF FAMERS LIGHTHOUSE CELEBRATE 55th ANNIVERSARY OF ‘ONE FINE MORNING’ IN CONCERT HALL HOMECOMING JUNE 27
SPILL NEWS: SLED ISLAND MUSIC & ARTS FESTIVAL ANNOUNCES FULL LINEUP AND SCHEDULE FOR 2026
SPILL TRACK OF THE MONTH: WILLIAM BLEAK – “BLACK AND BLUE”
SPILL FEATURE: SONGS ARE JUST CONSTANTLY EVOLVING – A CONVERSATION WITH SPENCER KRUG
SPILL FEATURE: THE MORNING SUN STILL SHINES – A CONVERSATION WITH DON DANNEMANN OF THE CYRKLE
SPILL VIDEO PREMIERE: KRISTA HARTMAN – “MOON SALOON”
SPILL LIVE REVIEW: FLEA & THE HONORA BAND @ THE OPERA HOUSE, TORONTO
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
2
243
Editor Pick
previous article
SPILL ALBUM REVIEW: JETHRO TULL - RĂ–KFLĂ–TE
next article
SPILL ALBUM REVIEW: ABIGAIL LAPELL - STOLEN TIME (DELUXE EDITION)

SPILL ALBUM REVIEW: ENTER SHIKARI – A KISS FOR THE WHOLE WORLD

Enter Shikari

Enter Shikari
A Kiss For The Whole World
So Recordings

Enter Shikari has never been what you call ordinary when attempting to label the music they create within the post-hardcore scene. Establishing a unique and fresh electronicore soundscape with a wide array of other rock, alternative, and other ornate instrumental elements, Enter Shikari has become the kaleidoscopic enigma of the scene that is constantly evolving and unpredictably shaking up the genre since their 2007 debut album, Take To The Skies. Their unparalleled creative drive would further progress with 2021’s beautifully diverse Nothing is TRUE & everything is possible. Now the band continues their atmospheric and prototypical sound with their latest release, A Kiss For The Whole World.

Starting off with one of the most igneous openers on any album they have released up to this point, “A Kiss For The Whole World” brings in unequaled abrasive energy combined with opulent horns, showing off a bright and novel first experience that only a band like Enter Shikari is worthy of defining and pulling off, leading to other special moments within A Kiss For The Whole World.

This celestial and summer-drenched instrumental energy continues with “(pls) set me on fire”, a track with the ability to transcend into gorgeous synth-laden harmonies to effortlessly ping-ponging back and forth from heavy to more dulcet moments within this experience. Enter Shikari early on establishes why it is one of the best multi-genre electronicore bands in the scene, and it lies in their ability to utilize harmonies and massive overtones well.

The album rolls into a kinetic juncture, “It Hurts”. An experience that is one of the best uses of infectious lyrics and vocal tone inflections combined with great use of electronics, guitars, and high-impact percussive energies, this daydream of a track stands out from the many outstanding moments on A Kiss For The Whole World.

Other moments such as “Deadwood” are hauntingly beautiful and ornately distinct from the other tracks on A Kiss For The Whole World. With its lavish use of violin and cellos interweaved with starry-eyed EDM soundscapes and powerful arena-ready presence, Enter Shikari keeps expanding its experimental playbook while lovingly keeping in strides with its original sound that has made the band successful.

Electro/ pop-punk infused “Jailbreak” continues to keep things explosive and entertaining, showing nods to their roots while still exploring what that sound means to them as the band constantly enriches and redefines that sound with each release.

Major highlights, “Bloodshot” and “Bloodshot (Coda)” are undeniably captivating in their own ways. A vicious groove of ethereal electromagnetic waves underpinned with cunning self-aware lyricism and multidimensional vocals, it pirouettes into a breathtaking rendition of the same track, showing off Enter Shikari’s technical and cinematic brilliance.

“goldfish” brings things up to speed with its dominant instrumental vitality and continued use of exquisite lyric writing before closing out the album with final tracks “Giant Pacific Octopus (i don’t know you anymore)” and “giant pacific octopus swirling off into infinity”. With this magnificent wrap-up that is a lovely varicolored exhibition of all of their vocal and instrumental prowess, Enter Shikari brings the album to a confident close.

Enter Shikari is a band that can’t be boxed into one sound. A Kiss For The Whole World is lyrically beguiling and poignant while using a decadent sense of duality that is sublime and immensely vivacious. A listening experience where every track leaves you guessing, excited, and wanting more, Enter Shikari is constantly in a class all of its own, with its latest release defining what means to be a pioneer and trailblazer in the world of electronicore.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: ENTER SHIKARI – A KISS FOR THE WHOLE WORLD

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
9.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
a kiss for the whole worldalbum reviewalbum reviewsbloodshotenter shikariso recordings
a kiss for the whole world, album review, album reviews, bloodshot, enter shikari, so recordings
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviewsenter shikari
 
9.0
Midge Ure

SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS

by Stephen Lussier on May 12, 2026
MIDGE URE A MAN OF TWO WORLDS CHRYSALIS It has been 12 years since Midge Ure released a studio album of new material (in 2024 he did release The Sessions (Backstage Lockdown Club) which was a studio album of him revisiting older songs recorded [...]
 
8.0
The Lemon Twigs
10

SPILL ALBUM REVIEW: THE LEMON TWIGS – LOOK FOR YOUR MIND!

by Joseph Mastel on May 8, 2026
THE LEMON TWIGS  LOOK FOR YOUR MIND! CAPTURED TRACKS  You can always count on brothers Brian and Michael D’Addario of The Lemon Twigs to deliver excellently crafted pop and rock gems with a fresh spin. They have become known for their amazing [...]
 
8.0
Dee Long
10

SPILL ALBUM REVIEW: DEE LONG – WATER IS MAGIC

by Aaron Badgley on May 8, 2026
DEE LONG WATER IS MAGIC DEE LONG MUSIC It has been far too long since the last Dee Long album, 2011’s Life AfterLife. While there had been some singles and an EP, Long’s voice and guitar playing had been missing. But he is back with his new [...]
 
8.0
Simon Bromide and The Bromides

SPILL ALBUM REVIEW: SIMON BROMIDE AND THE BROMIDES – FOREST MOUNTAIN FOREST

by Ljubinko Zivkovic on May 8, 2026
SIMON BROMIDE AND THE BROMIDES FOREST MOUNTAIN FOREST SCRATCHY RECORDS Carrying the torch of great artists and bands is not as easy as some listeners might think. That torch could be damn heavy if you haven’t picked up all the right cues [...]
 
8.0
Abigail Lapell

SPILL ALBUM REVIEW: ABIGAIL LAPELL – SHADOW CHILD

by Ljubinko Zivkovic on May 8, 2026
ABIGAIL LAPELL SHADOW CHILD OUTSIDE MUSIC Some readers might get the impression that Abigail Lapell is kind of a Spill Magazine favorite. Ok, so they might be right, but the reasons for that do not lie solely with the fact that she’s from [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
9.0
 
SPILL ALBUM REVIEW: THE LEMON TWIGS – LOOK FOR YOUR MIND!
8.0
10
 
SPILL ALBUM REVIEW: DEE LONG – WATER IS MAGIC
8.0
10
 
SPILL ALBUM REVIEW: SIMON BROMIDE AND THE BROMIDES – FOREST M...
8.0
 
SPILL ALBUM REVIEW: ABIGAIL LAPELL – SHADOW CHILD
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3495
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1031
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
947
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
896
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
840
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
761
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
621
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
594
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
586
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
541
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
532
ENTERTAINMENT HEADLINES