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SPILL FEATURE: WHERE HISTORY RESONATES – A CONVERSATION WITH PÄR SUNDSTRÖM OF SABATON ON COMPOSITION, COMMUNITY, AND HEAVY METAL’S FUTURE
SPILL FEATURE: WE’RE GOING ON TOUR, SO WHY NOT HAVE A LITTLE BONUS – A CONVERSATION WITH WES MARSKELL OF THE DARCYS
SPILL FEATURE: HOPE AND LOOKING UP – A CONVERSATION WITH CAROLINE MARIE BROOKS
SPILL NEWS: THE ANNUAL ANDY KIM CHRISTMAS RETURNS TO TORONTO’S MASSEY HALL ON DECEMBER 2
SPILL NEWS: MENAHAN STREET BAND SHARE NEW SINGLE “THERE BEFORE THE SUN” | ‘ILLUSIONS’ OUT NOVEMBER 13 VIA DIAMOND WEST
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SPILL NEWS: ORBITAL ANNOUNCE NEW ALBUM ‘OTHER’ OUT MARCH 19 | NEW SINGLE “MOTHER, MAIDEN & CRONE” FT. MAXINE PEAKE OUT NOW
SPILL NEW MUSIC: NORMAL BIAS DROPS HIGHLY ANTICIPATED NEW EBM SINGLE “SOFT POWER”
SPILL FEATURE: THE ART OF BEING SEEN – A CONVERSATION WITH LIAM GUINANE & JUSTIN KEURNTJES OF WINDWAKER
SPILL FEATURE: NOTHING LEFT TO SAY, TOMORROW STARTS TODAY – A CONVERSATION WITH ALEXANDRA ROSE OF THE CRYSTAL TEARDROP
SPILL ALBUM REVIEW: SABATON – LEGENDS
SPILL ALBUM REVIEW: DARREN HAYMAN – I’M YOUR TEAM
SPILL ALBUM REVIEW: SO FAINT – SO FAINT
SPILL ALBUM REVIEW: BRIAN ENO – ANOTHER DAY ON EARTH & DRAWN FROM LIFE (REISSUES)
SPILL ALBUM REVIEW: EXPLODING FLOWERS – ALPHABET WINDOW
SPILL ALBUM REVIEW: ELLA THOMPSON – TRIUMPH AND SADNESS
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SPILL NEWS: JULIANA HATFIELD ANNOUNCES NEW RECORD AND UPCOMING TOUR

SPILL ALBUM REVIEW: BLANCK MASS – WORLD EATER

Blanck Mass

Blanck Mass
World Eater
Sacred Bones Records

Blanck Mass presents us with a schizophrenic, maddening record that takes us on a roller coaster ride with intense heights and trance-like troughs. The opening track “John Doe’s Carnival of Error” does the deed of slowly introducing us to the realm of World Eater with a somewhat beautiful and mysterious synth that can easily get stuck in ones head. But the progression begins to drop us into the other side of the record that those unfamiliar with Blanck Mass will be gripping their chairs to. The unrelenting bass kicks and saws of “Rhesus Negative” transition and juxtapose with the previous track perfectly, and ready the listener for the rest of the album. It’s jarring and gets your blood boiling to the point of emotional, ear straining exhaustion but manages to fit in a key melodic structure throughout the piece that keeps the track strangely palatable. We take a trip back to the soothing synths with “Please” but with more emotional depth and a combination of claps, kicks and reverse snares to nod your head to. It is here when the record reaches its most memorable and euphoric state, only to be transitioned back into the chaos by “The Rat” and then back out with ‘Silent Treatment’, but certainly not in a bad way. Closing out the album we have two tracks that truly encompass and summarize the trip the record puts you on. In “Minnesota / Eas Fors / Naked”, the conflicting genres and moods are separated in the timeline with the ear melting drums in the beginning, an experimental soundscape of sub-bass, chimes and chord progressions in the middle, and a distorted, radio-recording-like groove sequence at the end. In comparison, Hive Mind meshes everything together from dance worthy drum patterns, vocal chopped melodies, head pounding kicks and even the dreamy harp-esque plucking. Blanck Mass clearly knew what he wanted to do with World Eater and he does it almost effortlessly. The album combines two sides of the emotional and even musical spectrum into one unique cluster of a project that is still oddly cohesive and seamless. Even through the punching drums that fill many of the tracks, the harmonies and melodic journeys mold the overall aesthetic of the piece together. It’s an album that pushes the envelope for the experimental electronic genre, while still having a motive behind every sound, composition and layer.



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SPILL ALBUM REVIEW: BLANCK MASS – WORLD EATER

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album reviewsblanck masshive mindpleasesacred bones recordsworld eater
album reviews, blanck mass, hive mind, please, sacred bones records, world eater
About the Author
Justin Diezmo
Justin is a videographer, photographer and filmmaker from Niagara Falls, currently studying Film Studies at Ryerson University. With a passion for electronic music and the art of film, he combines the two together to bring the life of a concert and festival to your screen through visual mediums and live reviews.
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