The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL MUSIC PREMIERE: PRIMITIVE RING – “THE CALLOUS MAN”
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES
SPILL VIDEO PREMIERE: PETE FIJ – “DON’T BRING ME SUNSHINE”
SPILL MUSIC PREMIERE: UNTER STRØM – “ORYNTH”
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
SPILL BOOK REVIEW: TOM DOYLE – RINGO STARR: A FAB LIFE
SPILL FEATURE: TEENAGE LESSONS SET ME RIGHT – A CONVERSATION WITH STEPHEN PATMAN OF CHAPTERHOUSE
SPILL FEATURE: WE’RE PROBABLY MORE POPULAR THAN WE’VE EVER BEEN RIGHT NOW – A CONVERSATION WITH MORGAN ROSE OF SEVENDUST
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
862
previous article
SPILL ARTIST PORTRAIT BY DANIEL ADAMS: M83
next article
SPILL CANADIAN VIDEO PREMIERE: THE BLANK TAPES - L.A. BABY

SPILL ALBUM REVIEW: AESOP ROCK – THE IMPOSSIBLE KID

Aesop Rock

Aesop Rock
The Impossible Kid
Rhymesayers Entertainment
RATING

One of the most powerful things about hip-hop is it’s ability to present complex, dark, and deeply personal thoughts and feelings. In his latest album The Impossible Kid, rapper Aesop Rock, also known as Ian Matthias Bavitz, takes us on a tour of through his list of hang-ups, defeats, and demons in what can only be described as one of the most intense listening experiences that this talented artist has shared with us so far.

This deeply personal album doesn’t just showcase Bavitz’s unique penchant for wordplay, as well as a vocabulary which could make even the most seasoned writers jealous; it also takes the listener through a deeply personal narrative, almost stream-of-consciousness, which feels so raw and personal that it’s almost impossible not to relate to it in some way.

The album’s single, “Rings” discusses a love or art and a virtual arts career which Bavitz abandoned. He studied art professionally and shares the challenges faced by professional artists, stating: “Then it’s off to a school where it’s all that you do/ Being trained and observed by a capable few/ Back in New York, 5 peeps and a dog/ In a 2 bedroom doing menial jobs/ Plus, rhymin’ and stealin’ and being a clod/ Distractions free to maraud” and goes on to detail further regrets about allowing that side of his art to die while he pursued his music.

In “Blood Sandwich” Bravitz describes a scene of boys playing baseball in striking detail before admitting that the boys described in the song are his brothers, referred to with their “Tony Hawk hair”. He goes on to detail the struggles of growing up with parents who don’t understand, or are threatened by, their children’s musical tastes, stating: “It’s real youth in the palm of your hand/ When your mom thinks Satan is involved in a band” over retro-sounding synths.

Another reflective track is “Get Out of the Car” which describes Bravitz’s feelings of loss and grief over the death of his friend and colleague Camu Tao, who died of lung cancer in 2008. After stating “Ah, Watch the Impossible Kid / Everything that he touch turns promptly to shit / If I zoom on out I can finally admit / It’s all been a blur since Mu got sick” and describes having to leave town and take solace in the woods to clear his head and focus on his music.

With other exceptional tracks including “Rabies”, “Water Tower” and “Kirby” The Impossible Kid is an almost overwhelming listening experience because of the sheer power and magnitude of the emotion that Bravitz conveys through his words.

Even though Aesop Rock has been a mainstay in the rap scene for nearly 20 years, it’s clear that he still has a lot to say, and no shortage of catchy turns of phrase to express himself.

Artist Links

fbTwitter-iconinstagram-icon

Item Reviewed

SPILL ALBUM REVIEW: AESOP ROCK – THE IMPOSSIBLE KID

Author

Alyson Shane

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
11.5
10
Total Spill Rating
11.5
Total Fan Rating
16 ratings
You have rated this
Album Reviews
aesop rockalbum reviewsrhymesayers entertainmentringsthe impossible kid
aesop rock, album reviews, rhymesayers entertainment, rings, the impossible kid
About the Author
Alyson Shane
Alyson is a writer, content marketer and social media manager in Winnipeg, Manitoba. She holds a Bachelor of Arts in Rhetoric & Communications from the University of Winnipeg and runs her own business providing businesses and individuals with copyrighting services, and content marketing strategies and management. When not online she can be found gardening, riding her bike or sipping fancy coffee.
RELATED ARTICLES
aesop rockalbum reviewsrhymesayers entertainment
 
clipping.

SPILL NEWS: CALGARY’S SLED ISLAND MUSIC & ARTS FESTIVAL ANNOUNCES 2026 GUEST CURATOR CLIPPING.

by SPILL NEWS on December 9, 2025
CALGARY’S SLED ISLAND MUSIC & ARTS FESTIVAL ANNOUNCES 2026 GUEST CURATOR CLIPPING. EARLY BIRD PASSES GO ON SALE DECEMBER 12 On December 6th, Calgary’s Sled Island Music & Arts Festival announced LA-based experimental hip-hop [...]
 
8.0
Malibu Ken

SPILL ALBUM REVIEW: MALIBU KEN – MALIBU KEN

by Brian Capitao on January 18, 2019
Malibu Ken Malibu Ken Rhymesayers Entertainment As of 2016’s The Impossible Kid, it seems that Aesop Rock has been trying to make more accessible music. He and producer Tobacco, forming the duo “Malibu Ken”, go back to the basics for this [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0
 
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3496
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1049
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
947
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
897
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
764
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
625
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
596
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
596
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
543
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
533
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
527
ENTERTAINMENT HEADLINES