New Video from Promising German Youngster
Debut album coming 22nd April 2016 via Caroline International
Max Gruber is Drangsal, though the man and his persona are so nervous that their turmoil makes them melt into one. Max rarely sleeps, he works restlessly on his music, day and night. He doesnβt dream, but his days are satiate with fantasies. βSeid lieb zu uns, wir sind noch Kinderβ βBe kind to us, we are only childrenβ, pleads the mastermind into his microphone, at once delicate and brutal at heart. The concert is sold out β and the crowd is not just kind, they are euphoric. Even though there are only a few demos so far. This young guy has got charm, thatβs for sure β his entrance promises a spectacle, and his energy lives up to that.Β Harieschaim, the 22-year-oldβs first album, is a succession of fast, pumped pop songs β letβs say: a pop prodigy? β, no breathing space, the referential decade of the 80s gets run down and broken.
Harieschaim, todayβs Herxheim, is a strange village too β Maxβs birth place, to be exact. Nowhere else in Germany has cannibalism existed as long as here, in the nearby place Hinterkaifeck an entire family was murdered, naturally distant relatives from Maxβs family tree. But Herxheim is where it all began: His father owned a pub, recorded mixtapes for it, played them to his boy in the car. The child became so addicted to the often English music that he would soon express himself bilingually. A popcultural childhood. At age 5 Max watched MTV with his parents, got lost in Marilyn Mansonβs The Dope Show. That was when he knew: I want to be something like that, somehow. A weirdo. At least when puberty had hit, he realised he already was one. But you might just as well call him a character. Now it was up to the determined youngster to find shapes for his diffuse being. And all of that in a little village in Germanyβs deeply Catholic southwest! It was a school of hard knocks for Max: βEither Iβll let them beat me up in the break, or Iβll paint my fingernails an even brighter colourβ.
At least this school has done no harm to his art. Neither has his autodidactic process of learning:Β βAt 14 I realised: If I want to make music, I have to pick up on this.β And no matter what he did, for Herxheim it would be too mad. So he leaves: In Landau he befriends Sizarr during their early days, moves through Mannheim to Leipzig and Berlin, always hunting for a way of expression. Early on he meets the later hit producer Markus Ganter. Back then Ganter is still a blank page himself,Β but Max decides: this is the guy Iβm going to work with someday. A few years later Ganter gives him a call: How about we make your album now? Max loses it. This thing is going off. Ever since the first songs, Max is supported by Ganterβs flagship, Benjamin Griffey alias Casper. Max owes him a lot.
Although there are points in this biography where one could call it fate, it is a troubled one at the same time, and left its traces. For instance on the tattoo-lined skin telling stories of Maxβs obsession with eccentric industrial protagonists or the obscure per se. This is where we meet a soul that knows darkness βΒ and yet the ten songs on Harieschaim appear remarkably catchy, sophisticated and friendly. One might even claim that several contradictions meet at once in the music of Max Gruber. And if there is so much abyss, then why does listening to it feel as if Max wanted to embrace the whole world? βIf I told people on the street about whatβs going on inside me, Iβd have issues β but when I sing about it, it makes people dance. And at the end of the day Iβd rather give them something to be happy about than something that harms them. Itβs as if I put all the bad stuff into a tube and what comes out on the other end is something that people like β thatβs seems like a nice thought to me.β His principle works like the idea of the Wolpertinger, the cross-breed creature from Bavarian mythology which he named a song after: All the things he wants to be, but canβt represent (because they donβt exist), he takes them apart, shapes them into one and becomes this being, who doesnβt only carry the contradiction within himself but proudly wears it on his sleeve.
Then another sentence tumbles out of Maxβs mouth and pretty much says it all: βMusic is often a substitute for tears, but in the end Iβd rather laugh than cry.β His music β from his teenage bedroom to the big stage β sends out an invitation to join in. And this is how Max Gruber arrives at life and brings his music into the world!
Drangsalβs debut album HarieschaimΒ will be out on Caroline International on 22nd April 2016.
Drangsal
Harieschaim
(Caroline International)
Release Date: April 22, 2016