The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: WHITECHAPEL ANNOUNCES SPECIAL 20th ANNIVERSARY HEADLINING TOUR THIS FALL
SPILL NEWS: SOFT CELL ANNOUNCES ‘DANCETERIA’ | THE FINAL ALBUM FROM MARC ALMOND AND DAVE BALL
SPILL FEATURE: CHOOSE YOUR OWN ADVENTURE – A CONVERSATION WITH JOEL PLASKETT OF JOEL PLASKETT EMERGENCY
SPILL NEWS: CIMA AND MUSICONTARIO LAUNCH LIVE MUSIC TORONTO | UNITING INDEPENDENT VENUES, FESTIVALS, PROMOTERS, PRESENTERS ACROSS CANADA’S LARGEST LIVE MUSIC MARKET
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)
SPILL NEWS: EXISTENTIAL INDUSTRIAL GLAM MAVERICK PIG ANNOUNCES NORTH AMERICAN HURT PEOPLE TOUR | NEW ALBUM ‘HURT PEOPLE HURT’ OUT NOW
SPILL FEATURE: RAISING HELL – A CONVERSATION WITH HIP-HOP HISTORIAN AND AUTHOR JAYQUAN
SPILL FEATURE: BETWEEN THE LIGHT AND THE LEAVING – HELD. ON THEIR DEBUT ALBUM ‘GREY’
SPILL FEATURE: TO BE OR NOT TO BE: FROM POPULAR FRONT TO LOW TIMES APLENTY – A CONVERSATION WITH RON HAWKINS OF LOWEST OF THE LOW
SPILL FEATURE: A BEAUTIFUL, CRAZY KIND OF ART FORM – A CONVERSATION WITH JON SPENCER
SPILL NEWS: NEW RELEASE FROM MIKE D “TRUE COLORS” OUT NOW | TOUR DATES
SPILL NEWS: CINDY BLACKMAN SANTANA SHARES “ILLUMINATION” | ANNOUNCES NEW ALBUM ‘COHERENCE’ OUT JULY 31
SPILL NEW MUSIC: TAXI GIRLS SHARE NEW SINGLE “SECRET HANDSHAKE”
SPILL NEW MUSIC: CHARLOTTE CARDIN’S “TAKE ME BACK” IS A CINEMATIC MASTERPIECE
SPILL NEW MUSIC: MELØ RELEASES “FALLING THROUGH ETERNITY” | A GLAM-DRIVEN ALT-POP ANTHEM
SPILL NEWS: BROKEN SOCIAL SCENE WORLD TOUR BEGINS | DOCUMENTARY PREMIERE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
773
Editor Pick
previous article
SPILL ALBUM REVIEW: HOW TO DRESS WELL - I AM TOWARD YOU
next article
SPILL LIVE REVIEW: GOOD KID @ THE DANFORTH MUSIC HALL, TORONTO

SPILL ALBUM REVIEW: INCUBUS – MORNING VIEW XXIII

Incubus

INCUBUS
MORNING VIEW XXIII
VIRGIN MUSIC

Morning View remains a pivotal moment for not only Incubus, but for the alternative rock as the genre grew out of the ‘90s and into the early aughts. At a time where much of rock was trying to recapture the magic of the early stages of the previous decade, Incubus’ 2001 album was a refreshing breakthrough that saw the band find their sound. Now, in celebration of the its 23rd anniversary, the band has rerecorded the album, live off the floor at the original studio – alongside new bassist, Nicole Row – making Morning View XXIII a strong reminder to the creative power of Incubus.

Opening with a slow building ambient soundscape, Morning View XXIII kicks off with an extended intro at the start of “Nice To Know You”. As Mike Einziger’s guitar swells and Brandon Boyd’s soft vocals echo over Jose Pasillas’ drums, there is something orchestral about this, almost reminiscent of a symphony tuning before their performance. As the song actually begins, Incubus sound strikingly strong. As a band that thrives in the live context, there is an explosive energy to “Nice To Know You”. Boyd’s vocals, in particular, have aged gracefully, still powerful but with a sense of refinement that comes with decades of recording and touring. Aided by lush vocal harmonies, “Nice To Know You” sets the tone for Morning View XXIII in exciting fashion.

Few bands could allow for mellow, groove centered verses to collide with choruses driven by such punishing waves of distorted riffs as Incubus. This is one of the greatest strengths behind Morning View XXIII. In addition to a series of anthemic choruses, the band sounds phenomenal and their performance is expertly dynamic, capturing hypnotic melodies alongside monstrous moments. Their performance of Morning View is very faithful to the original savea handful of minor moments. The most apparent is the use of backing vocal harmonies scattered across the record, something which Row proves to be a central part of. Beyond this, some of Einziger’s lead lines have an improvised and modern stylistic tone to them, particularly in “Are You In?” and “Echo” features an all-new outro section that feels significantly more climatic. Across the 13 tracks present, additional highlights include “Warning”, “11 am”, “Circles”, “Wish You Were Here”, and “Aqueous Transmission”. That being said, just as with the original, there is not a moment of weakness on Morning View XXIII.

Morning View XXIII is purely built upon the notion of nostalgia; however, rather than repackage their seminal album with demos and live cuts from decades past, Incubus has chosen to revisit its seminal album in a truly meaningful way. By no means does this new version of Morning View overshadow the original, instead, it feels like a necessary companion piece that demonstrates the longevity of Incubus, while celebrating its past creative triumphs – a model that should prove inspiring for other bands to consider for future anniversary releases. Most impressively, this only stands as a strong addition to the original album’s legacy, demonstrating a sense of longevity to the band’s songwriting and enduring artistry, making Morning View XXIII an essential piece of the Incubus catalogue.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: INCUBUS – MORNING VIEW XXIII

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
6.4
9.0
Total Spill Rating
6.4
Total Fan Rating
2 ratings
You have rated this
Album Reviews
album reviewalbum reviewsincubusmorning viewmorning view xxiiivirgin musicwish you were here
album review, album reviews, incubus, morning view, morning view xxiii, virgin music, wish you were here
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsincubus
 
9.0
Kaleo

SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)

by Aaron Badgley on June 10, 2026
KALEO A/B (10th ANNIVERSARY DELUXE EDITION) RHINO RECORDS Kaleo formed in Mosfellsbær, Iceland in 2012 and is still going strong. In 2016 they released a landmark album that earned them numerous accolades, awards and high chart placements. When [...]
 
8.0
Lee Scratch Perry

SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS – SPATIAL, NO PROBLEM

by Aaron Badgley on June 5, 2026
LEE “SCRATCH” PERRY & MOUSE ON MARS SPATIAL, NO PROBLEM DOMINO RECORDS Lee “Scratch” Perry passed away on August 29, 2021. The music world lost a true original and an artist who had worked with just about everyone. But that didn’t mean he [...]
 
9.0
Fucked Up

SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY

by Jacob Vandergeer on June 5, 2026
FUCKED UP YEAR OF THE MONKEY TANKCRIMES As the second chapter in Fucked Up’s ambitious Grass Can Move Stones trilogy, Year of the Monkey uses a sprawling mythological framework to explore themes of identity, growth, purpose, and [...]
 
9.0
Jalen Ngonda

SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE

by Aaron Badgley on June 5, 2026
JALEN NGONDA DOCTRINE OF LOVE DAPTONE RECORDS Jalen Ngonda burst on the scene in 2023 with his debut album, Come Around And Love Me, and justifiably earned critical acclaim for his own style of soul music that owes a great deal of debt to Motown [...]
 
8.0
Throttle Body M/C

SPILL ALBUM REVIEW: THROTTLE BODY M/C – ALL THAT WAS

by Aaron Badgley on June 5, 2026
THROTTLE BODY M/C ALL THAT WAS GREEN MONKEY RECORDS Throttle Body M/C is really a project for Jerry Hammack, a well-known engineer, producer, writer, and musician. Hammack played all the instruments, produced, wrote, and engineered the album, so [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDIT...
9.0
 
SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS –...
8.0
 
SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY
9.0
 
SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE
9.0
 
SPILL ALBUM REVIEW: THROTTLE BODY M/C – ALL THAT WAS
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1209
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
933
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
796
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
758
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
734
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
647
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
585
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
585
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
566
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
560
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
558
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
532
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
477
ENTERTAINMENT HEADLINES