The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: SIGNALS FROM THE FUTURE: INTRODUCING THE LUCY DREAMS PERFUME
SPILL NEW MUSIC: KMFDM – “ENEMY (INHALT GELD ’88 REMIX)”
SPILL NEW MUSIC: RUSH CONTINUE ‘FIFTY SOMETHING’ CELEBRATION WITH ‘2112 (50TH ANNIVERSARY)’ AND ‘THE SPIRIT OF RADIO: GREATEST HITS 1974-1987’
SPILL ALBUM REVIEW: THE MOUNTAIN GOATS – DAYS
SPILL ALBUM REVIEW: CANCER BATS – GIVE ME DIRT
SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?
SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHIODOS IN TORONTO AT THE CONCERT HALL ON AUGUST 19!
SPILL NEW MUSIC: ARIANA FIG – “I HOPE YOU LOVE ME”
SPILL NEW MUSIC: ARK IDENTITY DELIVERS A TENSE, SURREAL JOURNEY ON GENRE-DEFYING NEW SINGLE “SIGNALS”
SPILL VIDEO PREMIERE: SLEDDING – “MY GOLDEN TEMPO”
SPILL MUSIC PREMIERE: GO PUBLIC – “DREAM OVER”
SPILL NEW MUSIC: M. WOODROE RELEASE BRAND NEW SINGLE “CARTE BLANCHE” VIA VENN RECORDS | DEBUT EP ‘THE TREATMENT OF FRACTURES’ ARRIVES SEPTEMBER 18
SPILL NEWS: CAT CLYDE ANNOUNCES CO-HEADLINE TOUR WITH DEAN JOHNSON IN WESTERN U.S. & CANADA | ACCLAIMED NEW ALBUM ‘MUD BLOOD BONE’ OUT NOW
SPILL NEWS: BETTY MOON’S 2003 ALBUM ‘DOLL MACHINE’ ARRIVES ON STREAMING PLATFORMS FOR THE FIRST TIME
SPILL NEWS: BARENAKED LADIES OFFER WISDOM & WIT ON TENDER NEW SONG “CAREFUL (FOR DEE)”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
3099
Editor Pick
previous article
SPILL FEATURE: DURAND JONES
next article
SPILL ALBUM REVIEW: ORBS - PAST LIFE REGRESSION

SPILL ALBUM REVIEW: YOUNG GUN SILVER FOX – WEST END COAST

Young Gun Silver Fox

Young Gun Silver Fox
West End Coast
Wax Poetics
RATING

“Whenever I’m feeling blue, you make me better.
Whatever I’m going through, you make me feel better.”

~ “Better,” Young Gun Silver Fox

Good things come to those who wait. In 2012, Andy Platts (U.K. soul-rock band, Mamas Gun) and Shawn Lee, a multi-instrumentalist producer (AM & Shawn Lee; Shawn Lee’s Ping Pong Orchestra – “Kiss the Sky” feat. Nino Moschella) began to work on an album they had wanted to make for nearly 10 years. The result: West End Coast, a soon-to-be critically acclaimed album that pays homage to the warm, analogue So-Cal pop-rock classics of the mid-to-late 1970s. Classified as Yacht Rock, Young Gun Silver Fox have created a debut album that is a testament to the AOR Studio Sound. Hands down, West End Coast is sonic gold.

Young Gun Silver Fox is the talented UK-based duo comprised​ of Platts, a.k.a. Young Gun, and Lee, the “Silver Fox” who hails from Wichita, Kansas. Independently, Platts and Lee have over forty album credits to their names (Lee leads with about 33 albums) including work with Jeff Buckley, Kelis, Amy Winehouse, Rod Temperton, John Oates, Brian Jackson and Ben Oncle Soul. 

“Tasteful, soulful and very real” are words Lee, who relocated to London, England after spending seven years in Los Angeles, uses to describe the album. “Speaking for myself, this is an album I’ve wanted to make for some time and Andy was the only person I felt I could make it with. Andy understands the classic melodic pop side as well as the soul funky side that was absolutely vital to the creation of this music. What a voice!”

Platts calls Lee a “mechanic” for his ability to take a pop song apart and put it back together. Together, Young Gun Silver Fox have created a “musician’s album”, rich with complex instrumental melodies, smooth vocals, and positive lyrics.

West End Coast has been compared to America, Hall & Oates, Loggins & Messina, Fleetwood Mac, Steely Dan, The Doobie Brothers, Carly Simon, and Ambrosia. The album’s vocal harmonies, lyrics, and production echo Prince, Stevie Wonder, and Earth Wind and Fire. Platts and Lee’s infectious chemistry deliver again and again. What’s old is definitely new again in West End Coast’s original material.

It’s hard to pick favourite tracks from such a solid album. As soon as I hear Lee’s smooth guitar riff in the opening track “You Can Feel It”, a smile creeps over my face and induces a fuzzy, heart-warming buzz that recalls the seemingly more simple times of yesteryear. This was actually the last song written for the album, inspired by a riff and some chords Lee texted to Platts one night.  “By the morning, Andy had written and demo’d the song ready for production,” Lee explains.

The lyrics and hook from “Better” are contagious and make you want to cruise down California’s Highway 1. The lush orchestration and wah-wah syncopation in “Long Way Back” recalls Curtis Mayfield. The harmonica riffs, horn lines, fat bass lines from “In My Pocket” evoke Hall & Oates, Prince, and Earth Wind and Fire. But Young Gun Silver Fox make the catchy synth pop licks and short electric guitar solo digestible.

West End Coast is a warm ray of sunshine on a dreary day. It soothes some of life’s harsh edges through its laid-back west coast vibe. Ironically, the album’s title references both sunny California, as well as grey West London, where the album was written and recorded at Lee’s Trans-Yank Studio.

“The most important thing is to make good music that you love and put it out into the world,” Lee, the “Silver Fox”, explains in an online video. “When your music lives out in the world, independently of you, that’s a beautiful thing.”

Many iconic musicians may have left us in 2016, but we also gained West End Coast. As we shake off troubling headlines and over-produced, digitized pop, Young Gun Silver Fox brings back cozy love songs and hopeful anthems to help us glide over the snares that life throws at us, reminding us there is hope in life’s chaotic ups and downs. Whatever your personal connection to Yacht Rock or the ‘70s, West End Coast is a much needed audio-ceutical for many. It will warm you up, open your heart, and take you back to the simple things.

Young Gun Silver Fox is wrapping up a European tour and will hopefully visit us across the pond by next summer. Live, the band includes Adrian Meehan (drums) and David Page (bass and vocals). Platts plays the Rhodes and does lead vocals while Lee plays the smooth, lead guitar.


Artist Links

facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: YOUNG GUN SILVER FOX – WEST END COAST

Author

Talia Wooldridge

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
15.1
10
Total Spill Rating
15.1
Total Fan Rating
13 ratings
You have rated this
Album Reviews
album reviewsam & shawn leeandy plattsbettermamas gunshawn leewax poeticswest end coastyou can feel ityoung gun silver fox
album reviews, am & shawn lee, andy platts, better, mamas gun, shawn lee, wax poetics, west end coast, you can feel it, young gun silver fox
About the Author
Talia Wooldridge
Talia Wooldridge is an avid music lover, composer and ethnomusicologist who contributes artist interviews, live concerts, festivals and album reviews for Spill Magazine. She has written extensively on the intersection of music, personal identity and cultural symbolism with an early focus on Latin American Hip Hop and female Cuban rappers. In her spare time, Talia writes, composes music and manages Music Can Heal, a non-profit that brings live, award-winning musicians to inspire healing in hospitals, hospices and communities in need. Her next project is an interactive music-travelogue exploring music cultures and music travel around the globe. Follow her here: www.taliawooldridge.com + www.movetoyourownbeat.com.
RELATED ARTICLES
album reviewsandy plattsbetter
 
8.0
The Mountain Goats

SPILL ALBUM REVIEW: THE MOUNTAIN GOATS – DAYS

by Nathan Pike on August 7, 2026
THE MOUNTAIN GOATS DAYS CADMEAN DAWN RECORDS Reviewing a Mountain Goats album can be a bit of a tall order. It’s like trying to describe the taste of an apple to an apple virgin. There are so many variables and textures and tastes that [...]
 
8.0
Cancer Bats
8.8

SPILL ALBUM REVIEW: CANCER BATS – GIVE ME DIRT

by Gerrod Harris on August 7, 2026
CANCER BATS GIVE ME DIRT BAT SKULL RECORDS/NEW DAMAGE RECORDS Riding high off the 20-year anniversary of their debut album, Birthing The Giant, which was celebrated with a triumphant cross-Canada tour, Cancer Bats have returned with Give Me [...]
 
9.0
Strawberry Alarm Clock
8.5

SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?

by Aaron Badgley on August 7, 2026
STRAWBERRY ALARM CLOCK WHERE’S ONE? BIG STIR RECORDS When Strawberry Alarm Clock formed in 1967, it was really the coming together of two bands (Thee Sixpence and Waterfyrd Traene), and when they released their debut single, “Incense and [...]
 
10
John Carpenter
6.5

SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL

by Samantha Andujar on August 7, 2026
JOHN CARPENTER CATHEDRAL SACRED BONES RECORDS  John Carpenter has long been known for turning nightmares into something tangible. For Carpenter’s new album, Cathedral, this is no different. In many ways, it grimly depicts a setting befitting of [...]
 
7.0
Charlie Edward
9.0

SPILL ALBUM REVIEW: CHARLIE EDWARD – PUSHING MY LUCK

by Gerrod Harris on July 31, 2026
CHARLIE EDWARD PUSHING MY LUCK ADA/WARNER MUSIC CANADA When not sharing the stage with Big Wreck, Joe Perry, Mötley Crüe, or Greta Van Fleet, Toronto’s Charlie Edward has spent much of the last year writing and recording the follow-up to his [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE MOUNTAIN GOATS – DAYS
8.0
 
SPILL ALBUM REVIEW: CANCER BATS – GIVE ME DIRT
8.0
8.8
 
SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?
9.0
8.5
 
SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL
10
6.5
 
SPILL ALBUM REVIEW: CHARLIE EDWARD – PUSHING MY LUCK
7.0
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
979
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
777
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
748
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
727
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
659
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
657
 
SPILL FEATURE: I AM OK WITH BEING OPTIMISTIC – A CONVERSATION WITH JOHN DOUGLAS OF TRASHCAN SINATRAS
651
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
554
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
540
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
525
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
488
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
451
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
448
ENTERTAINMENT HEADLINES