The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
1
new
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
372
previous article
SPILL ALBUM REVIEW: LEMON BUCKET ORKESTRA - IF I HAD THE STRENGTH
next article
SPILL ALBUM REVIEW: STRAWBS - THE FERRYMAN'S CURSE

SPILL ALBUM REVIEW: U-MEN – U-MEN

U-Men

U-Men
U-Men
Sub Pop Records

For true fans of the Seattle Underground, this album is long overdue. The U-Men were a band unlike any other on the infamous scene that was home to the likes of Soundgarden, Mother Love Bone, Pearl Jam, Mad Season and more. Called the “undisputed kings of the Seattle Underground” by Mark Arm (Mudhoney, Green River), The U-Men were electric forces to be reckoned with in the 80s.

Despite officially breaking up in ’89, the U-Men have gone down in grunge-rock history. This album is a complete catalogue of the band’s work completely remastered plus an additional five unreleased tracks. Put out by Sub-Pop records, nostalgia is the name of the game.

While Seattle is known for its classic grunge sound, The U-Men cross borders into several genres – garage rock, punk and surf.  Thick bass lines and superbly strange vocals make them stand apart from modern bands.

Kicking off the record is “Blight”, a spooky number with a surf bass line and low, raspy vocals. Fairly minimalistic and slightly humorous in its approach, it’s easy to imagine a group of teens banging their heads to the track in a garage or basement.  The songs all slam from one to the next without much in the way of interludes or connections.  The album thrashes through track after track for one long symphony of gritty, no fucks given sound.

Another solid track to watch out for is “Pay the Bubba”.  With thumping drums, distorted guitar all over the place and those classic U-Men vocals, this song sounds like one hyped up, balls to the wall version of a Cramps song.  From there, the band takes a turn for the simpler punk rock style tune- “Freezebomb.” It rocks hard, short and tight.

This catalogue release from the U-Men is an exciting addition for grunge lovers.  Long overdue, it’s homage to one of rock’s most pivotal bands and most pivotal scenes.  No matter how you listen, chances are you’ll dance.



Artist Links

website_flat_2016 facebook_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: U-MEN – U-MEN

Author

Gabrielle Mueller

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
6.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewsblightsub pop recordsu-men
album reviews, blight, sub pop records, u-men
About the Author
Gabrielle Mueller
Gabrielle Mueller is a lover of all things music, writing and charcuterie boards. Gabrielle has a particular passion for music of the 1960s and the hippie movement in Toronto’s Yorkville district. Gabrielle runs her own music website, The Hippie Historian, where she reviews concerts, interviews musicians and writes about music history that spans the ages.
RELATED ARTICLES
album reviewssub pop records
 
7.0
Pat Travers

SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004

by Aaron Badgley on June 26, 2026
PAT TRAVERS HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004 CLEOPATRA RECORDS Pat Travers continues to mine his live archive for never-before-released concerts for fans to enjoy. And it’s great that he does it too. This [...]
 
8.0
Cate Kennan

SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS

by Ljubinko Zivkovic on June 26, 2026
CATE KENNAN SHADOWS KRANKY Working in that not so defined musical ground between ethereal and dream pop can be a tricky affair, as it is currently populated by quite a few artists, and any relative newcomer is bound to be compared to somebody [...]
 
8.0
knitting

SPILL ALBUM REVIEW: KNITTING – SOUVENIR

by Ljubinko Zivkovic on June 26, 2026
KNITTING SOUVENIR MINT RECORDS Montreal’s knitting does love the sound of their guitars (quite evident on their debut Some Kind of Heaven from 2024), but simply labelling them as a slacker band, particularly listening to Souvenir, their [...]
 
8.0
proun

SPILL ALBUM REVIEW: PROUN – MAYBE LUCK

by Ljubinko Zivkovic on June 26, 2026
PROUN MAYBE LUCK GOOD ENGLISH RECORDS We can keep guessing (or not) at what Austin, TX trio proun had in mind when they named its debut album Maybe Luck, but it is hard to hear that the luck is involved in its music, as it can go from a whisper [...]
 
8.0
Missoula

SPILL ALBUM REVIEW: MISSOULA – DEATH DOULA

by Aaron Badgley on June 26, 2026
MISSOULA DEATH DOULA ORG MUSIC Missoula is an instrumental superstar project from drummer Brooks Wackerman (Avenged Sevenfold, Bad Religion) and guitarist John Konesky (Tenacious D). This is not surf or ambient or meditative instrumental music. [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED –...
7.0
 
SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS
8.0
 
SPILL ALBUM REVIEW: KNITTING – SOUVENIR
8.0
 
SPILL ALBUM REVIEW: PROUN – MAYBE LUCK
8.0
 
SPILL ALBUM REVIEW: MISSOULA – DEATH DOULA
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1239
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
809
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
760
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
754
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
671
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
629
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
618
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
597
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
593
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
551
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
493
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
461
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
450
ENTERTAINMENT HEADLINES