The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: ALT-J’S JOE NEWMAN, AKA JJEROME87, RELEASES NEW TRACK “MR ALLIGATOR” | DEBUT ALBUM ‘THE CANYON’ OUT JUNE 26
SPILL NEW MUSIC: STARCLEANER REUNION RELEASE NEW SINGLE “WEATHER INSTRUMENT” AHEAD OF DATES w/ TAGABOW, JAMC & MORE
SPILL NEW MUSIC: PETER MURPHY – “SWOON (MAGIC WANDS REMIX)” | REMIX OF SONG FROM 2025 ALBUM BY ICONIC POST-PUNK SINGER
SPILL NEW MUSIC: SUGAR MINOTT – “I’M STILL HERE” B/W “I’M STILL HERE (VERSION)”
SPILL NEW MUSIC: KING LUDD RETURNS WITH FRENETICALLY CHARGED SINGLE “TIRED” | FEATURING MEMBERS OF DEAD TIRED, THE TREWS, MONSTER TRUCK AND MORE
SPILL MUSIC PREMIERE: BETS – “I’LL MAKE YOU MINE”
SPILL NEW MUSIC: GRETA VAN FLEET MAKE TRIUMPHANT RETURN TO WORLD STAGE WITH NEW SINGLE AND MUSIC VIDEO
SPILL ALBUM REVIEW: SHINEDOWN – EI8HT
SPILL ALBUM REVIEW: VIOLET GROHL – BE SWEET TO ME
SPILL ALBUM REVIEW: PAUL McCARTNEY – THE BOYS OF DUNGEON LANE
SPILL ALBUM REVIEW: WIDEMOUTH – NO GASOLINE
SPILL ALBUM REVIEW: PRIMULA – NOTHING NEW
SPILL ALBUM REVIEW: LEEROY STAGGER – PILGRIMAGE
SPILL ALBUM REVIEW: MAD IRIS – MAD IRIS
SPILL ALBUM REVIEW: THE ALARM – TRANSFORMATION
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
204
Editor Pick
previous article
SPILL ALBUM REVIEW: GREEN DAY - SAVIOURS
next article
SPILL ALBUM REVIEW: PACKS - MELT THE HONEY

SPILL ALBUM REVIEW: THE SPEAKEASY – THE SPEAKEASY

The Speakeasy

THE SPEAKEASY
THE SPEAKEASY
THOUSAND ISLANDS RECORDS

In the current era of punk music, it can be a challenging task to discover a piece of music that truly captivates and engages the listener. With an abundance of artists and bands vying for attention, it’s tough to find music that is genuinely unique and has the potential to leave a lasting impact on its audience. However, when you come across such a gem, it can be a transformative experience that makes you see the world of punk music in a new light. As music fans of the genre, whether it’s a lust for unabated nostalgia or its raw DIY’ism that intermingles with other genres to create something magical in its wake, we search for bands that constantly keep us coming back for more. When listening to bands like Montreal’s The Speakeasy, it’s easy to see why these guys will not only catch one’s interest in the genre but the way they approach making their sound that makes them so intriguing to listen to for the past two decades.

Hailing from the effervescent punk scene of Montreal’s North Shore, their energetic spunk and blend of heavy skatepunk would generate two EPs, gearing up to what is now the release of their self-titled third album. Since the release of their second album and being signed to Thousand Island, the band has turned a new page in their career. However, this isn’t just about a new record deal, it’s about restoring a sound that breaks creative chains of duress. The Speakeasy’s self-titled album transgresses the idea of a concept album and digs for something deeper. At its core, this album is all about breaking the rules. It’s a journey through twists and turns that detail raw expressions of the pandemic, the daily grind of work, the struggles of mental health, the grip of addiction, the complexities of love, the allure of sex, and the resilience found in getting knocked down and rising again.

Starting with a beautiful, dulcet piano and an aggressively-tinged anthem “lights”, their self-titled album’s first track is a captivating listen that takes them into “Brightside.” Gorgeously nuanced and melodic, The Speakeasy takes us back to the punk we all loved in the glory days of the 2000s while breaking the mold with some great lyricism and organic melodic cadence that will keep the listener engaged for the tracks that remain.

The instrumental richness, technical finesse, and poignant lyricism in “Gunpoint” and “Sticks and Stones” continue to electrify and show off The Speakeasy’s talent for continuously redrawing the line of what makes a good punk record. With infectious and robust guitar lines and indelible percussive vitality, The Speakeasy delivers an onslaught of infectious punk beatitude worthy of every moment.

 The Speakeasy is a musical masterpiece that continues to showcase the band’s creative genius. Two of the standout tracks on the album are “Keep Me Where You Are” and “Breakfast Drugs,” both of which are melodic triumphs. “Keep Me Where You Are” is a beautifully composed song that captures the essence of love and longing. Poetic and emotional, the melody is hauntingly beautiful. “Breakfast Drugs,” on the other hand, is a more intimate and vulnerable track that explores the theme of addiction, more stripped down than the rest of the tracks, with the focus on the raw vocals and poignant lyrics. It’s a powerful and moving piece of music that demonstrates the depth and range of The Speakeasy’s talent.

The album comes to a close with two dynamic and powerful tracks, “Teaparty” and “Signs of Spring.”  High-energy, catchy, and memorable, “Teaparty” creates a driving and potent next-to-last experience that takes the listener to “Signs of Spring.” Embodying the band’s versatility and ability to create emotionally resonant moments, the track features a simple yet beautiful melody that is perfectly complemented by the singer’s sweet-toned, unvarnished vocals.

The Speakeasy reflects the band’s growth and progress. It reflects the musicians’ unique confidence and maturity earned through experience and their ability to construct a strong and complex record. The Speakeasy is more than just a story about breaking away from what one has always known; it’s an album that takes risks while finding strength in vulnerability.



Artist Links

website_flat_2016 facebook_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: THE SPEAKEASY – THE SPEAKEASY

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
9.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsthe speakeasythousand islands records
album review, album reviews, the speakeasy, thousand islands records
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviews
 
8.0
Shinedown

SPILL ALBUM REVIEW: SHINEDOWN – EI8HT

by Melinda Welsh on May 29, 2026
SHINEDOWN EI8HT ATLANTIC RECORDS Hard-hitting Florida rockers Shinedown have released their eighth studio album appropriately titled Ei8ht, and it packs just as much of a punch as over the past two decades with the band has. “Safe and Sound,” [...]
 
8.0
Violet Grohl

SPILL ALBUM REVIEW: VIOLET GROHL – BE SWEET TO ME

by Gerrod Harris on May 29, 2026
VIOLET GROHL BE SWEET TO ME AURORA RECORDS/REPUBLIC RECORDS Having sung backup vocals for Foo Fighters for nearly a decade, even making appearances on 2021’s Medicine at Midnight and 2023’s But Here We Are, Violet Grohl has emerged with her own [...]
 
10
Paul McCartney

SPILL ALBUM REVIEW: PAUL McCARTNEY – THE BOYS OF DUNGEON LANE

by Aaron Badgley on May 29, 2026
PAUL McCARTNEY THE BOYS OF DUNGEON LANE MPL/UNIVERSAL It has been over five years since Paul McCartney’s last studio album, McCartney III, and McCartney has noted that during those years, he took his time with what became The Boys of Dungeon [...]
 
8.0
Widemouth

SPILL ALBUM REVIEW: WIDEMOUTH – NO GASOLINE

by Ljubinko Zivkovic on May 29, 2026
WIDEMOUTH NO GASOLINE URBAN SCANDAL RECORDS Chicago quartet Widemouth probably had other ideas (or maybe not?) when they named their debut album No Gasoline, but they somehow foresaw what is currently going on with it. At the same time, the [...]
 
8.0
Primula

SPILL ALBUM REVIEW: PRIMULA – NOTHING NEW

by Ljubinko Zivkovic on May 29, 2026
PRIMULA NOTHING NEW FLAK RECORDS When somebody mentions that a certain indie band is including jazz elements within its music, the usual first impression is that of a few classic jazz elements brought into the usual pop or rock setting. Yet, the [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: SHINEDOWN – EI8HT
8.0
 
SPILL ALBUM REVIEW: VIOLET GROHL – BE SWEET TO ME
8.0
 
SPILL ALBUM REVIEW: PAUL McCARTNEY – THE BOYS OF DUNGEON LANE
10
 
SPILL ALBUM REVIEW: WIDEMOUTH – NO GASOLINE
8.0
 
SPILL ALBUM REVIEW: PRIMULA – NOTHING NEW
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3556
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1169
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
954
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
922
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
782
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
753
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
717
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
629
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
627
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
575
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
564
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
548
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
545
ENTERTAINMENT HEADLINES