The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: DOWNGIRL TURN FEAR INTO FURY ON “CPR”
SPILL ALBUM REVIEW: THE DIRTY NIL – LIVE AT THE DINE ALONE STORE
SPILL ALBUM REVIEW: KIRA METCALF – LESSONS IN MAJESTIC HUMILIATION
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
SPILL ALBUM REVIEW: FINE YOUNG CANNIBALS – FYC40
SPILL NEWS: TORONTO’S WINTERFOLK XXIV ANNOUNCES PARTIAL LINEUP AND LAUNCHES ADVANCE TICKET SALES
SPILL NEWS: GUNS N’ ROSES DEBUTS HIGHLY ANTICIPATED NEW SONG “NOTHIN'” AHEAD OF WORLDWIDE 2026 TOUR
SPILL TRACK OF THE MONTH: ROB STUART’S ELECTRONIC DREAM FACTORY – “indEX:51”
SPILL NEW MUSIC: UNRELEASED SCOTT WEILAND SONG “IF I COULD FLY” OUT NOW | MARKS 10th ANNIVERSARY OF ICONIC FRONTMAN’S PASSING
SPILL NEW MUSIC: THE DAMNED’S NEW SINGLE/VIDEO FOR PINK FLOYD COVER “SEE EMILY PLAY” OUT TODAY
SPILL NEW MUSIC: JENNY PALACIOS – “IYKYK”
SPILL NEWS: GIPSY KINGS FEATURING TONINO BALIARDO NEW ALBUM ‘HISTORIA’ TO BE RELEASED ON MAY 15 | LISTEN TO THE FIRST SINGLE “SEÑORITA”
SPILL NEWS: XIU XIU ANNOUNCES NEW COVERS COMPILATION ‘XIU MUTHA FUCKIN’ XIU: VOL. 1′ | SHARES “CHERRY BOMB” (THE RUNAWAYS COVER) b/w “SOME THINGS LAST A LONG TIME” (DANIEL JOHNSTON COVER)
SPILL NEW MUSIC: CHARLOTTE SANDS ANNOUNCES NEW ALBUM ‘SATELLITE’ OUT MARCH 6 + RELEASES NEW TRACK “ONE EYE OPEN”
SPILL NEWS: ALTER BRIDGE RETURN WITH LATEST SINGLE “PLAYING ACES” FROM THEIR SELF-TITLED 8th STUDIO ALBUM
SPILL NEWS: CHARLOTTE DAY WILSON SHARES NEW SINGLE “HIGH ROAD” VIA STONE WOMAN MUSIC/XL RECORDINGS
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
723
previous article
SPILL BOOKS: AARON TANNER - FACE TO FACE: 25 YEARS OF SOCAL PUNK, THE VISUAL HISTORY
next article
SPILL ALBUM REVIEW: YES - TOPOGRAPHIC DRAMA - LIVE ACROSS AMERICA

SPILL ALBUM REVIEW: STRFKR – VAULT VOL. 3

STRFKR

STRFKR
Vault Vol. 3
Polyvinyl

Vault Vol. 3 is the third installment in STRFKR’s Vault series. Packed with previously unreleased tracks that have been salvaged from frontman Joshua Hodges’ dying laptop, the Vault series offers insights into the experimentation and inspiration behind STRFKR’s sound.

The opening track, “Shot Gun,” begins the album with a tinge of musique concrète as sampled voices and phone ringers meld with upbeat synthesizers to create an energetic and danceable tune. Further into the Vol. 3 things start to sound a bit more familiar with songs like “Vincent’s Dancer” and “Alaska” packing riffs and tones that are reminiscent of STRFKR’s previous releases. These early demos provide valuable insights into the creative process behind STRFKR’s decade-spanning back catalogue.

While many of the songs on Vault Vol. 3 carry STRFKR’s standard brand of indie-synth pop, a few tracks do deviate from the norm and give a more cacophonous and experimental sound. On tracks such as “Lunar Sunrise” and “Bla”, vocal samples are featured heavily as wildly swinging synthesizers layer to create some of the most memorable and complex moments within the entire Vault series.

Many of Vol. 3’s nineteen songs are purely instrumental however a couple of tracks do manage to incorporate hints of the intelligent and often maudlin lyricism that Hodges is known for infusing within his songs. In place of sung lyrics, many of the Vault’s songs feature vocal sample. These include most notably lectures by Alan Watts whose philosophical ideas have been spliced into STRFKR’s albums stretching back to their 2008 self-titled debut.

Despite the Vault series being intrinsically less “finished” than most of STRFKR’s studio releases, these collections of lesser known songs add immensely to the appreciation that you can have for the audio products that STRFKR creates. Taken in its entirety, STRFKR’s Vault series is an undeniably quirky and enjoyable menagerie of songs that play an essential role within STRFKR’s ever-growing discography.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016 soundcloud_flat_2016 bandcamp_flat_2016 spotify_flat_2016 itunes_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: STRFKR – VAULT VOL. 3

Author

Joel Weatherly

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
7.9
8.0
Total Spill Rating
7.9
Total Fan Rating
1 rating
You have rated this
Album Reviews
album reviewsamieepolyvinylsensitivestrfkrvault vol. 3
album reviews, amiee, polyvinyl, sensitive, strfkr, vault vol. 3
About the Author
Joel Weatherly
I am an Edmonton based musicophile and photographer who loves experiencing music whether it's live or on my turntable. I play seven instruments and go to a lot of concerts.
RELATED ARTICLES
album reviewspolyvinylstrfkr
 
8.0
The Dirty Nil

SPILL ALBUM REVIEW: THE DIRTY NIL – LIVE AT THE DINE ALONE STORE

by Gerrod Harris on December 5, 2025
THE DIRTY NIL LIVE AT THE DINE ALONE STORE DINE ALONE RECORDS Having wrapped up their Canadian tour in support of their sixth full-length studio EP, The Lash, The Dirty Nil is closing out their 2025 with Live At The Dine Alone Store. The live [...]
 
8.0
Kira Metcalf

SPILL ALBUM REVIEW: KIRA METCALF – LESSONS IN MAJESTIC HUMILIATION

by Ljubinko Zivkovic on December 5, 2025
KIRA METCALF LESSONS IN MAJESTIC HUMILIATION SYMPHONIC Has the singer-songwriter categorization, as a genre, lost its meaning? If you think of it solely in the sense of its origins (a solo artist with an acoustic instrument, such as an acoustic [...]
 
7.0
The Waterboys

SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR

by Aaron Badgley on December 5, 2025
THE WATERBOYS THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR SUN RECORDS The Waterboys, in particular Mike Scott, the founder and only original member from 1981, have never done what was expected of them. For example, in April 2025, [...]
 
7.0
Fine Young Cannibals

SPILL ALBUM REVIEW: FINE YOUNG CANNIBALS – FYC40

by Roxy Macdonald on December 5, 2025
FINE YOUNG CANNIBALS FYC40 LONDON RECORDS It seems unusual for a band that was only active for a few years to get a deluxe 40th-anniversary treatment, but Fine Young Cannibals is a band with a long and storied history that reads like a who’s who [...]
 
8.0
Singer. Mattress. Cat.

SPILL ALBUM REVIEW: SINGER. MATTRESS. CAT. – SUBTROPICAL PERSONALITY

by Ljubinko Zivkovic on December 1, 2025
SINGER. MATTRESS. CAT. SUBTROPICAL PERSONALITY INDEPENDENT There’s one question that might be looming among the melody-oriented indie rock fans; is bedroom pop a dying breed, or are they going into a sort of merger? If you ask Australian [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE DIRTY NIL – LIVE AT THE DINE ALONE STORE
8.0
 
SPILL ALBUM REVIEW: KIRA METCALF – LESSONS IN MAJESTIC HUMILI...
8.0
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RI...
7.0
 
SPILL ALBUM REVIEW: FINE YOUNG CANNIBALS – FYC40
7.0
 
SPILL ALBUM REVIEW: SINGER. MATTRESS. CAT. – SUBTROPICAL PERS...
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2025 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: RICHARD ASHCROFT – LOVIN’ YOU
832
 
SPILL ALBUM REVIEW: CHAMELEONS – ARCTIC MOON
829
 
SPILL ALBUM REVIEW: BIG WRECK – THE REST OF THE STORY
684
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
650
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
639
 
SPILL ALBUM REVIEW: STEVE PORCARO – THE VERY DAY
595
 
SPILL LIVE REVIEW: QUEENS OF THE STONE AGE w/ PARIS JACKSON @ MASSEY HALL, TORONTO
588
 
SPILL ALBUM REVIEW: SLOAN – BASED ON THE BEST SELLER
575
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
529
 
SPILL ALBUM REVIEW: ODC – TWISTED LOVE
475
 
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE MEN WITHOUT HATS AT THE MOD CLUB ON NOVEMBER 20!
473
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
438
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
435
ENTERTAINMENT HEADLINES