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SPILL NEW MUSIC: HEAVY SHOEGAZE BAND LOCKSTEP SHARE NEW SINGLE AND VIDEO “WEAVE” + ANNOUNCE ‘ARRIVAL’ EP OUT MAY 19
SPILL NEW MUSIC: HANNAH GEORGAS SHARES NEW SINGLE “THIS TOO SHALL PASS” ON ARTS & CRAFTS
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SPILL FEATURE: HOPE FOR THE FUTURE: THE IMPOSSIBLE DREAM – A CONVERSATION WITH BLAIR PACKHAM (THE JITTERS)
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SPILL ALBUM REVIEW: STEW – HOT

Stew

Stew
Hot
Independent

Hailing from Sweden, Stew very well may be among some of the most interesting rock revivalists around as they take classic rock from the late 1960s to mid ‘70s and blend it with a rich sense of the blues and early soul. The power trio — consisting of bassist and vocalist Markus Åsland, guitarist Nicklas Jansso, and drummer Nicklas Dahlgren – have clearly got a great thing going on with their debut four track EP, Hot.

Opening with the Hendrix-inspired riffs and soloing of “Might Be Keeping You”, I find myself immediately hooked. As Åsland’s vocals come in, he can shift from a warm tone reminiscent of Cream’s Jack Bruce to a tone bursting with energy and fire. “Might Be Keeping You” perfectly sets the tone as an explosive bluesy, funky rocker. In contrast, Stew embraces a groovier and more traditional blues approach on “If This Will Be The End”. As a dynamic ballad that grows from soft lows into a high intensity chorus, the song is further accented by Jansso’s lead lines he rips in between Åsland’s vocal melodies.

“Tongue Tied” opens with yet another Hendrix-inspired solo, so clean and dirty all at the same time, as the band dives head first into a sludgy halftime groove. With an extended guitar solo, this very well may be my favourite track on the album; that is, however, until the closing song, “Dig For Gold” a heavy track in tone with early Black Sabbath comes on. While most will miss the connection between Sabbath and the blues, Stew make it more than apparent with the latter half of their EP – an end that is even stronger than the great introduction.

While only four songs in length, Hot is an incredible debut putting Stew near the top of my list for bands to keep an eye on. While I was first intrigued by the guitars, the band’s songwriting and manner of channelling the ‘60s and ‘70s for a modern audience kept me thoroughly entertained throughout the course of the record with flavours reminiscent of Hendrix, Cream, Black Sabbath, and Stevie Ray Vaughan. Where my only complaint is that four songs simply is not enough, Stew prove to be a highlight among the countless rock revivalists that are currently sweeping across North America.



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About the Author
Gerrod Harris
A passion for music has always been a part of Gerrod’s life. As a young boy, he was raised on a steady diet of the music from The Chili Peppers, Aerosmith, The Stones, Prince, and others from his mum. Raised in the GTA, Gerrod continued to foster his love for music by attending a wide range of concerts and learning the drums. His unapologetic passion for music has no bounds and has spread to a wide variety of styles, whether it be the 90’s rock that sound tracked his teenage years, the jazz he studied in university, or his newfound love for hip-hop. He recently received his bachelors in music and education from York University and is passionate about writing and reviewing good (and less than good) music. Gerrod is also the drummer and songwriter for a Toronto based rock & roll band, One In The Chamber.
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