The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: PUNK DUO THE MEFFS REVEAL NEW SINGLE “DISORDER (WAKE UP)” + OFFICIAL VIDEO
SPILL NEW MUSIC: UGLY OZO ‘DIVE’ EP OUT NOW VIA REX RECS
SPILL NEW MUSIC: MISSOULA (BROOKS WACKERMAN OF AVENGED SEVENFOLD & JOHN KONESKY OF TENACIOUS D) RELEASE NEW SINGLE “CRIMSON”
SPILL NEW MUSIC: ANNA KATARINA – “BACKGROUND NOISE”
SPILL NEW MUSIC: DOVE – “AFTER ALL THE RAIN HAS GONE” B/W “GRIND ON”
SPILL ALBUM REVIEW: HASTE THE DAY – DISSENTER
SPILL ALBUM REVIEW: SEVENDUST – ONE
SPILL NEW MUSIC: MONTREAL’S TAXI GIRLS KICK DOWN THE DOORS WITH NEW SINGLE “SAY IT!”
SPILL ALBUM REVIEW: A BOOK FOR WANDERERS – MOTION POTION
SPILL ALBUM REVIEW: MODERN WOMAN – JOHNNY’S DREAMWORLD
SPILL ALBUM REVIEW: VALLEY BOY – CHILDREN OF DIVORCE
SPILL ALBUM REVIEW: KACEY MUSGRAVES – MIDDLE OF NOWHERE
SPILL ALBUM REVIEW: ANDERVEL – IRONCLAD & PALM TREES
SPILL ALBUM REVIEW: TAJ MAHAL & THE PHANTOM BLUES BAND – TIME
SPILL ALBUM REVIEW: CHARMIAN DEVI – DIAMOND HOUR
SPILL ALBUM REVIEW: MAYA HAWKE – MAITREYA CORSO
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
108
previous article
SPILL ALBUM REVIEW: MIYAVI - LOST IN LOVE, FOUND IN PAIN (DELUXE EDITION)
next article
SPILL ALBUM REVIEW: DOPE LEMON - GOLDEN WOLF

SPILL ALBUM REVIEW: PUP – WHO WILL LOOK AFTER THE DOGS?

PUP

PUP
WHO WILL LOOK AFTER THE DOGS?
LITTLE DIPPER/RISE RECORDS

Toronto punk rock icons Pup have returned with their fifth album, Who Will Look After The Dogs? Recorded over a three week span in Los Angeles with producer John Congleton (St. Vincent, Death Cab For Cutie, Mannequin Pussy) and is their first major release since 2022’s THE UNRAVELING OF PUPTHEBAND. The result is a cathartically hard-hitting LP that explores themes of isolation with a yearning for personal growth.

Who Will Look After The Dogs? opens with “No Hope”, an anthemic opener full of crushing distortion, ripping, fuzzed guitar licks, and waves of feedback. For all the sonic bedlam, the song is catchy as all hell, with a chorus of backing vocals designed to be sung back to the band by a sold-out audience. “No Hope” sets the bar for Who Will Look After The Dogs? for the band to follow with “Olive Garden”, the final single to drop before the album. Through an onslaught of power chords, the verses of this track are seriously heavy and find a sense of balance through another chorus that benefits from pop sensibilities.

Pup walks such a line throughout not only the remaining singles – “Paranoid”, “Hallways”, and “Get Dumber”, featuring Jeff Rosenstock – but a majority of the material on Who Will Look After The Dogs? The result is an album that marks a step up in songwriting, but nonetheless feels safer than one may want from their punk rock. Still, among the twelve tracks, there are moments of greatness. The first comes in the shape of the obliterating and melodic “Get Dumber”, a track that embraces an abrasive edge alongside harmonically and rhythmically dissonant riffs. Similarly, “Paranoid” soars for its post-rock aesthetic and driving chorus.  While Pup appears to be at their strongest when embracing a heavier, punk sound with a sense of reckless abandon, the closing ballad, “Shut Up” is a vulnerable track that resonates with an echoing sense of longing.

Pup does a great job of dressing up radio friendly alternative rock as chaotic on Who Will Look After The Dogs? For their fourth outing, the band has honed their songwriting, developing a sound that benefits from and underlying sense of refinement underneath the distorted, fuzzed out, and massive reverberation that has become the heart of Pup’s sound. Through this, the band continues to grow into uncharted territory on Who Will Look After The Dogs?



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: PUP – WHO WILL LOOK AFTER THE DOGS?

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
7.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewslittle dipperparanoidpuprise recordswho will look after the dogs?
album review, album reviews, little dipper, paranoid, pup, rise records, who will look after the dogs?
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewslittle dipper
 
10
Haste the Day

SPILL ALBUM REVIEW: HASTE THE DAY – DISSENTER

by Samantha Andujar on May 1, 2026
HASTE THE DAY DISSENTER SOLID STATE RECORDS There are two different kinds of comeback albums. There are albums that return a band into the world, and there are albums where that return feels more internal than external. Coming into Haste the [...]
 
9.0
Sevendust

SPILL ALBUM REVIEW: SEVENDUST – ONE

by Jasmine Bhoodwah on May 1, 2026
SEVENDUST ONE NAPALM RECORDS The music industry is, as many know, a hard one to gain notoriety in. While some bands can make it to insane amounts of fame, there are some bands that have fans in a ‘medium’ level. In the rock and metal genres in [...]
 
7.0
A Book for Wanderers
10

SPILL ALBUM REVIEW: A BOOK FOR WANDERERS – MOTION POTION

by Gerrod Harris on May 1, 2026
A BOOK FOR WANDERERS MOTION POTION INDEPENDENT Anthony Botting, the singer and guitarist from the St. Catharines-based independent punk outfit, The Cocktails, has released his debut solo record under the name A Book For Wanderers. Aside from a [...]
 
8.0
Modern Woman
10

SPILL ALBUM REVIEW: MODERN WOMAN – JOHNNY’S DREAMWORLD

by Roxy Macdonald on May 1, 2026
MODERN WOMAN JOHNNY’S DREAMWORLD ONE LITTLE INDEPENDENT RECORDS Johnny’s Dreamworld, the debut album from English alt-rock band Modern Woman, isn’t for the faint of heart. It’s a screeching, squealing, whirling hurricane of sounds and emotions [...]
 
8.0
Valley Boy
10

SPILL ALBUM REVIEW: VALLEY BOY – CHILDREN OF DIVORCE

by Ljubinko Zivkovic on May 1, 2026
VALLEY BOY CHILDREN OF DIVORCE INDEPENDENT With a fresh moniker that is Valley Boy, and a debut album titled Children of Divorce, initially you just might think that you are encountering the music of this Valley Boy (real name James Alan Ghaleb [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: HASTE THE DAY – DISSENTER
10
 
SPILL ALBUM REVIEW: SEVENDUST – ONE
9.0
 
SPILL ALBUM REVIEW: A BOOK FOR WANDERERS – MOTION POTION
7.0
10
 
SPILL ALBUM REVIEW: MODERN WOMAN – JOHNNY’S DREAMWORLD
8.0
10
 
SPILL ALBUM REVIEW: VALLEY BOY – CHILDREN OF DIVORCE
8.0
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3457
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
939
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
908
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
878
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
872
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
777
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
750
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
739
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
736
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
567
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
556
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
526
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
525
ENTERTAINMENT HEADLINES