The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: NOISE OF THE VOID ANNOUNCES INAUGURAL HAMMER SLAMMER FESTIVAL | TAKES PLACE IN HAMILTON AT CORKTOWN PUB SATURDAY AUGUST 8
SPILL NEW MUSIC: LEON BRIDGES ANNOUNCES ‘HAPPINESS ANYTIME’ | NEW ALBUM PRODUCED BY J LLOYD & LYDIA KITTO OF JUNGLE OUT SEPTEMBER 25 ON COLUMBIA RECORDS
SPILL VIDEO PREMIERE: TINY MAGNETIC PETS – “LOST MY GUIDING LIGHT (AGAIN)”
SPILL ALBUM REVIEW: TRICKY – DIFFERENT WHEN IT’S SILENT
SPILL ALBUM REVIEW: TESLA – HOMAGE
SPILL NEW MUSIC: GRITTY INDIE ROCK ‘N’ ROLL – TWIN CITY UNLEASH HIGH OCTANE BANGER “SEEMS TO ME”
SPILL ALBUM REVIEW: MAX SUBAR – ANYTHING COULD BE
SPILL ALBUM REVIEW: CR & THE WHITE LIGHTS – MY OLD SELF
SPILL ALBUM REVIEW: LISA MOLINARO – BLIND TRUST
SPILL ALBUM REVIEW: THE AMPLIFIER HEADS – SUPER 8
SPILL NEW MUSIC: LEÆTHER STRIP IS HERE TO TEACH YOU SOME DISCIPLINE!!!
SPILL NEWS: EDDIE 9V ANNOUNCES NEW ALBUM ‘DOWN HERE’ PRODUCED BY THE BLACK KEYS’ DAN AUERBACH FOR EASY EYE SOUND
SPILL NEWS: SHE’S GREEN ANNOUNCE NORTH AMERICAN TOUR WITH SMUSH, WITCHES EXIST AND STARLING | NEW EP ‘SWALLOWTAIL’ OUT NOW
SPILL NEW MUSIC: HEAR DEEP SEA DIVER’S NEW COVER OF MASSIVE ATTACK’S “TEARDROP” + TWO PNW SHOWS WITH NATION OF LANGUAGE JULY 17-18
SPILL NEW MUSIC: CJ WILEY ANNOUNCES UPCOMING EP + SHARES NEW SINGLE
SPILL NEW MUSIC: WHEN IN ROME – “HUMAN NATURE”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
189
previous article
SPILL ALBUM REVIEW: CHRISTOPHER CROSS - CHRISTOPHER CROSS (EXPANDED EDITION)
next article
SPILL ALBUM REVIEW: PUP - WHO WILL LOOK AFTER THE DOGS?

SPILL ALBUM REVIEW: MIYAVI – LOST IN LOVE, FOUND IN PAIN (DELUXE EDITION)

Miyavi

MIYAVI
LOST IN LOVE, FOUND IN PAIN (DELUXE EDITION)
RISE RECORDS

Miyavi can be best described as a multifaceted musician—a true jack of all trades who has mastered each one of them. He began his journey in 1999 with the visual Kei band Dué le Quartz, quickly establishing his presence in the music scene. In 2002, the international rock icon and “samurai” guitarist embarked on a solo career, leaving the band to forge his own path. Over the past two decades, through his solo endeavors and collaborations with bands like S.K.I.N. and The Last Rockstars, Miyavi has cultivated a distinctive sound characterised by gritty, dynamic guitars and a profound sense of catharsis. His music seamlessly melds various genres—from industrial and metal to punk and pop—transporting listeners through intricate narratives that explore themes of love, personal struggle, identity, the dualities of existence, hope, and resilience.

Each of his albums offers a unique instrumental and lyrical perspective on these experiences; however, his latest double album, Lost In Love, Found In Pain, elevates his artistry to new heights. This ambitious work represents a three-year odyssey of sonic exploration, reflecting his diverse experiences during tours, acting projects, and humanitarian efforts. Notably, this release marks the first time Miyavi has unveiled two albums united by a singular concept. Bold, high-energy, and musically progressive, Lost In Love, Found In Pain makes a triumphant return as a deluxe edition, featuring seven brand new tracks that enrich the album’s already impressive catalogue. This latest release invites listeners to dive deeper into Miyavi’s expansive musical realms and intimately personal storytelling.

Opening with a profoundly cinematic experience, the album begins with an “intro” that seamlessly transitions into the vibrant tracks “Broken Fantasy”, “Eat, Eat, Eat”, “We Stay Up All Night (La Da Da Da)”, and “Real Monsters”. Miyavi captivates listeners from the outset with explosive, grungy guitar riffs that weave around pop-infused, orchestral sonic landscapes. Each track deepens the album’s artistic immersion, showcasing Miyavi’s remarkable talent for melding grand instrumental elements with his magnetic vocal presence. As the album unfolds, it’s evident that his vocals and flair for experimentation have matured and flourished throughout his solo career, radiating an energy that carries through to the deluxe edition. The experience is nothing short of exhilarating, inviting fans on a journey through a rich kaleidoscopic journey of sound.

“Mirror, Mirror”, “Tragedy Of Us”, and “You Already Know” plunge listeners into a dark rabbit hole of emotional turmoil, each track employing distinct vocal styles and innovative musical concepts that maintain the album’s captivating allure. This engaging sonic journey takes an exhilarating turn with “I’m So Amazing,” featuring the legendary funk maestro George Clinton, whose unmistakable groove infuses the track with infectious energy. Following this, the album dives into a bass-rich electronic experience with “If You Know How To Dance”, providing a refreshing contrast, with its remix featuring Lexie Liu further extending the infectious nature and electronic zeal to the experience. These diverse moments not only showcase an artist at the pinnacle of confidence but also reveal a true visionary capable of conveying a wide spectrum of emotional tension through a rich tapestry of musical textures.

The mood shifts to a more seductive and evocative tone with “Put Your Hands On Me”, where a vibrant blend of pop and jazz infuses his sound, setting the stage for a captivating musical journey. This fluid transition smoothly glides into airy, classic rock anthems like “One More Time” and the poignant rock ballad “Found In Pain”. In these tracks, he masterfully blends powerful rock instrumentation with elegant choir choruses and club-inspired electronic textures, enriching the album with added depth and lyrical potency that complements the already impressive array of tracks leading up to this point.

Lost In Love, Found In Pain starts to gear down with the remaining Celestial trap-infused moment, “Don’t Make Me Love You Like The Last Time” offering up a dreamy yet abrasive musical landscape before the deluxe edition comes to a thrilling conclusion with a series of bright, punchy punk-infused tracks such as “Not Strong Enough”, alongside the beautifully edgy jazz piece “Sanctuary”. The closing track, a heartfelt piano-driven composition titled “Last Breath”, transcends genres and leaves a lasting impression.

Miyavi has always been an artist that refuses to confine himself to a single genre. His deep understanding of the language of music and the creative inspiration it takes to construct engaging narratives shines through. Lost In Love, Found In Pain stands as the most complete and profound collection of music he has crafted throughout his career, showcasing his evolution as a solo artist.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: MIYAVI – LOST IN LOVE, FOUND IN PAIN (DELUXE EDITION)

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
9.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewseat eat eatlost in love found in pain (deluxe edition)miyavirise records
album review, album reviews, eat eat eat, lost in love found in pain (deluxe edition), miyavi, rise records
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviewsrise records
 
8.0
Tricky

SPILL ALBUM REVIEW: TRICKY – DIFFERENT WHEN IT’S SILENT

by Aaron Badgley on July 17, 2026
TRICKY DIFFERENT WHEN IT’S SILENT FALSE IDOLS Different When It’s Silent is Tricky’s 15th studio album and first full-length release under his own name in six years, since 2020’s Fall To Pieces. He did release Fifteen Days (as [...]
 
8.0
Tesla

SPILL ALBUM REVIEW: TESLA – HOMAGE

by Aaron Badgley on July 17, 2026
TESLA HOMAGE FRONTIERS MUSIC SRL Homage is Tesla’s ninth studio album, and their first since 2019’s Shock. They have released a few live albums during the past few years, but fans can celebrate because the band finally got back into the studio. [...]
 
8.0
Max Subar

SPILL ALBUM REVIEW: MAX SUBAR – ANYTHING COULD BE

by Ljubinko Zivkovic on July 17, 2026
MAX SUBAR ANYTHING COULD BE MERGE RECORDS If by looking at the cover for Max Subar’s album, Anything Could Be, you get the impression that you are looking at (and possibly will listen to) a typical singer-songwriter album, you would be [...]
 
8.0
CR & The White Lights

SPILL ALBUM REVIEW: CR & THE WHITE LIGHTS – MY OLD SELF

by Ljubinko Zivkovic on July 17, 2026
CR & THE WHITE LIGHTS MY OLD SELF MAGIC DOOR RECORDS If My Old Self would. be your first encounter with CR & The White Lights you could easily think that these guys are hiding somewhere in a Nashville suburb where alt Americana thrives [...]
 
8.0
Lisa Molinaro

SPILL ALBUM REVIEW: LISA MOLINARO – BLIND TRUST

by Aaron Badgley on July 17, 2026
LISA MOLINARO BLIND TRUST INDEPENDENT Lisa Molinaro has had a fascinating career in music. Beyond her own writing and performing, she has been part of The National (their touring band), The Decemberists (their touring band), Modest Mouse, and [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: TRICKY – DIFFERENT WHEN IT’S SILENT
8.0
 
SPILL ALBUM REVIEW: TESLA – HOMAGE
8.0
 
SPILL ALBUM REVIEW: MAX SUBAR – ANYTHING COULD BE
8.0
 
SPILL ALBUM REVIEW: CR & THE WHITE LIGHTS – MY OLD SELF
8.0
 
SPILL ALBUM REVIEW: LISA MOLINARO – BLIND TRUST
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1271
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
777
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
766
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
725
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
708
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
644
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
624
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
578
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
516
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
509
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
508
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
469
 
SPILL NEW MUSIC: NEW RELEASE FROM THE TRAGICALLY HIP, CITY AND COLOUR, RUBY WATERS, BOI-1DA & CANADA SOCCER “AHEAD BY A CENTURY”
461
ENTERTAINMENT HEADLINES