The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: WHITECHAPEL ANNOUNCES SPECIAL 20th ANNIVERSARY HEADLINING TOUR THIS FALL
SPILL NEWS: SOFT CELL ANNOUNCES ‘DANCETERIA’ | THE FINAL ALBUM FROM MARC ALMOND AND DAVE BALL
SPILL FEATURE: CHOOSE YOUR OWN ADVENTURE – A CONVERSATION WITH JOEL PLASKETT OF JOEL PLASKETT EMERGENCY
SPILL NEWS: CIMA AND MUSICONTARIO LAUNCH LIVE MUSIC TORONTO | UNITING INDEPENDENT VENUES, FESTIVALS, PROMOTERS, PRESENTERS ACROSS CANADA’S LARGEST LIVE MUSIC MARKET
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)
SPILL NEWS: EXISTENTIAL INDUSTRIAL GLAM MAVERICK PIG ANNOUNCES NORTH AMERICAN HURT PEOPLE TOUR | NEW ALBUM ‘HURT PEOPLE HURT’ OUT NOW
SPILL FEATURE: RAISING HELL – A CONVERSATION WITH HIP-HOP HISTORIAN AND AUTHOR JAYQUAN
SPILL FEATURE: BETWEEN THE LIGHT AND THE LEAVING – HELD. ON THEIR DEBUT ALBUM ‘GREY’
SPILL FEATURE: TO BE OR NOT TO BE: FROM POPULAR FRONT TO LOW TIMES APLENTY – A CONVERSATION WITH RON HAWKINS OF LOWEST OF THE LOW
SPILL FEATURE: A BEAUTIFUL, CRAZY KIND OF ART FORM – A CONVERSATION WITH JON SPENCER
SPILL NEWS: NEW RELEASE FROM MIKE D “TRUE COLORS” OUT NOW | TOUR DATES
SPILL NEWS: CINDY BLACKMAN SANTANA SHARES “ILLUMINATION” | ANNOUNCES NEW ALBUM ‘COHERENCE’ OUT JULY 31
SPILL NEW MUSIC: TAXI GIRLS SHARE NEW SINGLE “SECRET HANDSHAKE”
SPILL NEW MUSIC: CHARLOTTE CARDIN’S “TAKE ME BACK” IS A CINEMATIC MASTERPIECE
SPILL NEW MUSIC: MELØ RELEASES “FALLING THROUGH ETERNITY” | A GLAM-DRIVEN ALT-POP ANTHEM
SPILL NEWS: BROKEN SOCIAL SCENE WORLD TOUR BEGINS | DOCUMENTARY PREMIERE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
356
Editor Pick
previous article
SPILL ALBUM REVIEW: MAX ROACH - MEMBERS, DON'T GIT WEARY
next article
SPILL ALBUM REVIEW: THE FIXX - EVERY FIVE SECONDS

SPILL ALBUM REVIEW: PRINCE AND THE REVOLUTION – PRINCE AND THE REVOLUTION: LIVE

Prince And The Revolution

Prince And The Revolution
Prince And The Revolution: Live
Sony Music

While released for a limited time in 2020 – a time when everyone was seemingly dropping new and archived live releases and streams – the Prince estate has officially released Prince And The Revolution: Live. Recorded at the Carrier Dome in Syracuse, New York, on March 30, 1985, the latest live album captures Prince and one of his most revered bands on the Purple Rain Tour – one of the greatest eras in not only Prince’s career but also pop music as a whole.

The album opens to the roar of thunderous applause and a calm, yet firm, declaration from centre stage “my name is Prince and I have come to play with you” before kicking off the concert with “Let’s Go Crazy”. The band is in fighting shape with each member performing at their best, making for a tighter than tight performance that never seems to falter. This is immediately apparent from the up-tempo classic of an opener and the following tracks, “Delirious” and “1999”. To say Prince, himself, was exceptional feels equally unnecessary and an understatement. Most impressively, beyond his vocals and guitar playing (something he doesn’t get enough credit for, despite shredding like Eddie Van Halen) is his stage presence, something that can be heard through this live record. There is a power and weight to his presence, making Prince And The Revolution: Live an immersive listening experience.

Clocking in at just under two hours, Prince And The Revolution: Live is a true spectacle and can stand among some of the greatest live albums ever. Among the 20 tracks, there are a number of highlights which see some of Prince’s greatest songs largely from the 1999 and Purple Rain era (1982-1984) be brought to life in a new and exciting light. From the seamless transitions between “Little Red Corvette” into “Take Me With U” and “Do Me Baby” into “Irresistible Bitch” to the jazzy and soulful performance of “How Come U Don’t Call Me Anymore”, featuring a solo Prince on both vocals and piano – similar in style to 2018’s Piano & A Microphone 1983 release. Additionally, Prince’s performances on “Compute Blue”, “Darling Nikki”, “The Beautiful Ones” and “I Would Die 4 U” are stunning. Lastly, extended sections, solos, and jams on “When Doves Cry”, “Baby I’m A Star”, and the closing, near twenty-minute rendition of “Purple Rain” are unbelievably captivating.  While Prince would spend much of his career reinventing his live show, there was no concert experience quite like Prince And The Revolution: Live.

Prince And The Revolution: Live is a timeless piece of history. Purple Rain remains the definitive Prince album in the collective consciousness of pop culture and this album delivers Prince at one of his many musical and creative peaks in all its glorious excess. Beyond the showstopping performance – the musical equivalent of watching Jordan in the ’93 playoff series – Prince And The Revolution: Live also contextualizes the creative transition Prince was already in the midst of with the upcoming release of Around The World In A Day, less than a month after this concert. Not only was the album a dramatic shift which fused rock and pop with world music influences in a manner that had not been done since the ‘60s, but his live show would also shift into a more stripped down affair that let the music, and the extensive jams, speak for themselves, without the grandiose visuals and choreography of the Purple Rain Tour, This of course marked the beginning of the end for the Revolution and, eventually, led to Sign ‘O’ The Times, perhaps Prince’s greatest creative statement ever. This is where the significance of Prince And The Revolution: Live lies. Not only is this a larger than life look at Prince from his most culturally vital era – at least, in the eyes of the mainstream – but it also represents all the excess that Prince sought to escape through his upcoming releases. The Purple Rain Tour required a calculated approach to succeed and Prince sought experimentation and improvisation while further indulging in influences that pushed him further from the mainstream of ‘80s pop. While he would spend the rest of his career as an enigmatic figure who could still sell our arenas, this was, arguably, the last time Prince would be the biggest star in the world, making Prince And The Revolution: Live a truly special affair.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: PRINCE AND THE REVOLUTION – PRINCE AND THE REVOLUTION: LIVE

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
10
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewscarrier domelet's go crazyprinceprince and the revolutionprince and the revolution: livepurple rain toursony musicsyracuse
album review, album reviews, carrier dome, let's go crazy, prince, prince and the revolution, prince and the revolution: live, purple rain tour, sony music, syracuse
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewscarrier dome
 
9.0
Kaleo

SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)

by Aaron Badgley on June 10, 2026
KALEO A/B (10th ANNIVERSARY DELUXE EDITION) RHINO RECORDS Kaleo formed in Mosfellsbær, Iceland in 2012 and is still going strong. In 2016 they released a landmark album that earned them numerous accolades, awards and high chart placements. When [...]
 
8.0
Lee Scratch Perry

SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS – SPATIAL, NO PROBLEM

by Aaron Badgley on June 5, 2026
LEE “SCRATCH” PERRY & MOUSE ON MARS SPATIAL, NO PROBLEM DOMINO RECORDS Lee “Scratch” Perry passed away on August 29, 2021. The music world lost a true original and an artist who had worked with just about everyone. But that didn’t mean he [...]
 
9.0
Fucked Up

SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY

by Jacob Vandergeer on June 5, 2026
FUCKED UP YEAR OF THE MONKEY TANKCRIMES As the second chapter in Fucked Up’s ambitious Grass Can Move Stones trilogy, Year of the Monkey uses a sprawling mythological framework to explore themes of identity, growth, purpose, and [...]
 
9.0
Jalen Ngonda

SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE

by Aaron Badgley on June 5, 2026
JALEN NGONDA DOCTRINE OF LOVE DAPTONE RECORDS Jalen Ngonda burst on the scene in 2023 with his debut album, Come Around And Love Me, and justifiably earned critical acclaim for his own style of soul music that owes a great deal of debt to Motown [...]
 
8.0
Throttle Body M/C

SPILL ALBUM REVIEW: THROTTLE BODY M/C – ALL THAT WAS

by Aaron Badgley on June 5, 2026
THROTTLE BODY M/C ALL THAT WAS GREEN MONKEY RECORDS Throttle Body M/C is really a project for Jerry Hammack, a well-known engineer, producer, writer, and musician. Hammack played all the instruments, produced, wrote, and engineered the album, so [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDIT...
9.0
 
SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS –...
8.0
 
SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY
9.0
 
SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE
9.0
 
SPILL ALBUM REVIEW: THROTTLE BODY M/C – ALL THAT WAS
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1209
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
933
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
796
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
758
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
734
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
646
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
585
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
584
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
565
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
560
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
558
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
532
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
477
ENTERTAINMENT HEADLINES