The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: FAITH, FRACTURE AND THE SPACE BETWEEN – A CONVERSATION WITH DAVE KRYSL OF HASTE THE DAY
SPILL NEWS: SAINT AGNES RELEASE NEW SINGLE “GET THEM OUT” INCLUDING NINE INCH NAILS VIDEO HOMAGE + NEW STUDIO ALBUM ‘YOUR GOD FEARING DAYS ARE ABOUT TO BEGIN’ OUT MAY 29
SPILL NEWS: POP MONTREAL 25th ANNIVERSARY – THE FIRST NAMES
SPILL NEW MUSIC: MOCK MEDIA SHARE NEW SINGLE “MOCK CITY ROCK” | FORTHCOMING ALBUM ‘RAT BASTARD’ DUE JULY 17 VIA MAC’S RECORD LABEL
SPILL NEWS: EVERCLEAR ANNOUNCES THE LUCKY 7 TOUR WITH SPECIAL GUESTS AMERICAN HI-FI
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEWS: TRICKY ANNOUNCES US & CANADA DATES FOR THIS FALL | NEW ALBUM ‘DIFFERENT WHEN IT’S SILENT’ OUT JULY 17
SPILL NEW MUSIC: NEW RELEASE FROM THE TRAGICALLY HIP “FIFTY-MISSION CAP” / “LOCKED IN THE TRUNK OF A CAR”
SPILL NEW MUSIC: TORONTO’S LILY FROST EXPRESSES HOPE FOR HUMANITY ON NEW SINGLE “MORE LOVE”
SPILL NEW MUSIC: NEXT WEEK’S WASHING – “ALL YOU FEAR IS ALL YOU FEEL”
SPILL FEATURE: IT’S OUR BOLDEST RECORD – A CONVERSATION WITH GARY JARMAN OF THE CRIBS
SPILL MUSIC PREMIERE: JULIA GREENBERG – “SOMETIMES THE SEA”
SPILL NEW MUSIC: THE CHOVIES (NYC/INDIEROCK/POWERPOP/JEFF BERNER) DEBUT LP + FOCUS TRACK OUT MAY 15
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEW MUSIC: 5TH PROJEKT RELEASE FIRST LIVE EP ‘LIVE IN LONDON’
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHAPTERHOUSE PERFORM THE ALBUM ‘WHIRLPOOL’ AT THE CONCERT HALL ON MAY 21!
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
191
previous article
SPILL MUSIC PREMIERE: AIDAN LECLAIRE BAND - "FIND ME"
next article
SPILL ALBUM REVIEW: KIM DEAL - NOBODY LOVES YOU MORE

SPILL ALBUM REVIEW: FATHER JOHN MISTY – MAHASHMASHANA

Father John Misty

FATHER JOHN MISTY
MAHASHMASHANA
SUB POP RECORDS

Josh Tillman, also known as Father John Misty, has been making music for over 20 years. Since 2012’s Fear Fun, the majority of releases are under the name Father John Misty. Mahashmashana is Father John Misty’s first album since 2022’s Chloё And The Next 20th Century. His album, Greatish Hits: I Followed My Dreams and My Dreams Said to Crawl, included one song from Mahashmashana, (“I Guess Time Just Makes Fools Of Us All”) which did not give anything away in terms of the new album.

Mahashmashana, refers to the Sanskrit word for “great cremation ground”. Given the title, this album may be less optimistic than his last, but as with any Father John Misty albums, there is a lot to discover throughout the whole album. The opening track, for example, “Mahashmashana” is a full-scale rock opera. Beautiful, melodic, and incredibly moving. It is epic in scope. “She Cleans Up” follows, and this is more of a straight-ahead rock song, more sparse, whereas “Josh Tillman And The Accidental Dose” taps into early-solo Paul McCartney, and makes an excellent use of the electric piano. The arrangement, however, shifts and the use of strings brings to mind The Beatles circa 1967.

Father John Misty’s voice has never sounded better, and the end result is a brilliant album. “Mental Health” is trademark Father John Misty, which is always a good thing. Father John Misty always expands his musical journeys, but it is always comforting to hear him do what he does best.

Father John Misty continues to write remarkably strong songs, both lyrically and musically. He does not stick to one particular style or genre, but instead, feels the freedom to move into different sounds and arenas and he has the talent to do so. Once again, he is working with very talented musicians, who help him bring his vision to the recorded world. Mahashmashana continues to demonstrate just how gifted this artist is and how comfortable he is with experimentation. He never sacrifices any song for the sake of being different, but rather expands the boundaries of a song.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: FATHER JOHN MISTY – MAHASHMASHANA

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
9.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsfather john mistymahashmashanashe cleans upsub pop records
album review, album reviews, father john misty, mahashmashana, she cleans up, sub pop records
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsfather john misty
 
9.0
Peter Frampton
8.3

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands
8.2

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
8.3
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
8.2
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3522
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1111
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
951
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
916
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
907
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
775
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
750
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
682
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
618
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
614
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
554
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
542
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
540
ENTERTAINMENT HEADLINES