The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: IT’S NEVER YOUR FAULT – A CONVERSATION WITH LISA MOLINARO
SPILL NEW MUSIC: NEW SINGLE FROM LUCY DREAMS “Z&1” | ICELAND AIRWAVES ANNOUNCEMENT
SPILL NEW MUSIC: STEELHEART’S “WITHOUT YOU” OUT NOW
SPILL NEWS: LUDOVICO TECHNIQUE JOINS COMBICHRIST ON FALL TOUR
SPILL NEWS: BRAND NEW SONG FROM SYNTH POP LEGEND HOWARD JONES “STAND UP”
SPILL NEWS: THE LINDA LINDAS ANNOUNCE NEW ALBUM GOTTA GET OUT DUE AUGUST 28 VIA REPRISE/WARNER RECORDS | RELEASE NEW SINGLE + VIDEO “CLOSER (FEAT. HAYLEY WILLIAMS)”
SPILL NEW MUSIC: THE WOMACK SISTERS – “IF I LET YOU”
SPILL NEW MUSIC: 90s BAND SUNWHEEL REUNITE WITH A RENEWED ENERGY AND PURPOSE WITH NEW SINGLE “GLORIOUS WAYS”
SPILL NEW MUSIC: MANCHESTER NOISE POP NEWCOMERS BRICKHOUSE DEBUT WITH “ANGEL EYES”
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL
SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK GRISHAM AND THE LIFE UNDONE
SPILL ALBUM REVIEW: SWEET – THE ANSWER
SPILL NEW MUSIC: ATMOS BLOOM PONDER POWER DYNAMICS ON NEW SINGLE “IT’S ENOUGH” | DREAMY LONDON DUO’S ‘EVERYTHINGNESS’ LP OUT JULY 24 VIA SPIRIT GOTH RECORDS
SPILL ALBUM PREMIERE: DEARDARKHEAD – THE PENDULUM SWINGS
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
414
previous article
SPILL ALBUM REVIEW: PATRICK WATSON - LOVE SONGS FOR ROBOTS
next article
SPILL ALBUM REVIEW: BANDITOS - BANDITOS

SPILL ALBUM REVIEW: WARM SODA – SYMBOLIC DREAM

Warm Soda
Symbolic Dream
Castle Face Records
RATING

Warm Soda frontman Matthew Melton crafts tidy songs about summer. Actual lyrics be damned – the words themselves deemed irrelevant by the vibes, man. Warm Soda spins quick and catchy ditties meant to envelop you in a feel-good haze. An ice bucket filled with flavorless beers, a vague distant smell of charred meat, human flesh rotting underneath the hazardous rays of the sun. General bliss. Nostalgia for summers best viewed through the fogged goggles of time and distance.

I listened to Symbolic Dream. That feel-good vibe enveloped me. I listened to Symbolic Dream again, a third time. or did I? Had the album cycled around again? Was this the end or beginning? Was there any difference? I couldn’t tell when one song ended and another began. I gave the music my full and undivided attention, sensory deprivation, aka staring at the progress bar while the songs played. Here’s the ugly downside of focus. To listen to Warm Soda’s third full-length album as I would to a record that’s really hooked me, that’s engaged me on a visceral/emotional/intellectual level, revealed Symbolic Dream’s true identity: a one-note, rarely inspired exercise in monotony. The same wistful, wanting mid-tempo balladry foregrounding a rote set of drum cadences and sun-kissed guitar riffs in the name of aloof doo-wop-laced simplicity.

That said, let’s scale back on the harshness for just a second. In isolated bits and bites, Warm Soda’s tracks elicit the intended response. Easy rocking for a hipper sect. The album begins with “I Wanna Know Her,” a mélange of memories from that indistinct summer of 2004, a nostalgia trip with Melton’s angsty, velvety vocals. At not even two minutes long, there’s a want for more, but not just more, there’s a want for growth and expansion of these ideas. “Crying For a Love,” “I Wanna Go Fast,” “Can’t Erase This Feeling” – the rest of the tracks fall in line, avoiding crescendos and drama that might awake us from our waking slumber. Once you reach the end, however, “Lemonade Lullaby” slams on the breaks, turns up the distortion and recalls Marty McFly’s pre-rocking songs at the Enchantment Under the Sea Dance. This is the greatest tonal shift on the album.

Symbolic Dream reminds me of a concept album, some sort of Warhol-brand experiment that hypothesizes the listener will sit through an entire record without recognizing that all the tracks are exactly the same. Click through the track list, select any random moment; it’ll sound just like that last. Out of context, excised from the record any individual track offers a fleeting moment of utility. But don’t let those moments delude you. This is a record with one rock solid, time-tested idea played on a loop. This is the soundtrack of summer, played in the background when nobody’s really paying attention.

– James David Patrick (Twitter @30hertzrumble)

Band Website: warmsoda.org
Label Website: castlefacerecords.com

Item Reviewed

SPILL ALBUM REVIEW: WARM SODA – SYMBOLIC DREAM

Author

James David Patrick

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
5.0
Total Spill Rating
10
Total Fan Rating
You have rated this
Album Reviews
album reviewssymbolic dreamwarm soda
album reviews, symbolic dream, warm soda
About the Author
James David Patrick
James David Patrick has a B.A. in film studies from Emory University, an M.F.A in Creative Writing from the University of Southern Maine. His fiction and non-fiction has appeared in PANK, Monkeybicycle, Squalorly, Specter Lit, and Bartleby Snopes among other wordy magazines. While he does not like to brag (much), he has interviewed Tom Hanks and James Bond and is pretty sure you haven't. He bl-gs about music, movies, and nostalgia at thirtyhertzrumble.com and hosts the Cinema Shame Podcast. James lives in Pittsburgh, PA.
RELATED ARTICLES
album reviews
 
8.0
The Rolling Stones

SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES

by Gerrod Harris on July 10, 2026
THE ROLLING STONES FOREIGN TONGUES  UNIVERSAL MUSIC The Rolling Stones are back. While 2023’s Hackney Diamonds may have given the impression of a fitting conclusion to perhaps one of pop culture’s greatest sagas, and despite questioning if they [...]
 
9.0
sundayclub

SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB

by John Porter on July 10, 2026
SUNDAYCLUB SUNDAYCLUB PAPER BAG RECORDS sundayclub has been riding something of a wave of momentum among those lucky enough to have heard about them since 2025’s Bannatyne, and with good reason; their combination of modern production, honest, [...]
 
8.0
she's green

SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL

by Mercedes Chircop on July 10, 2026
SHE’S GREEN SWALLOWTAIL PHOTO FINISH RECORDS With Swallowtail, she’s green has crafted an EP that feels less like a collection of songs and more like an immersive experience. Beautifully written and thoughtfully composed, every track flows [...]
 
7.0
Jack Grisham and the Life Undone

SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK GRISHAM AND THE LIFE UNDONE

by Gerrod Harris on July 10, 2026
JACK GRISHAM AND THE LIFE UNDONE JACK GRISHAM AND THE LIFE UNDONE LOST IN BERLIN RECORDS T.S.O.L.’s Jack Grisham has made a triumphant solo return with his new band, Jack Grisham And The Life Undone, with the release of their debut, eponymous [...]
 
8.0
Sweet

SPILL ALBUM REVIEW: SWEET – THE ANSWER

by Aaron Badgley on July 10, 2026
SWEET THE ANSWER METALVILLE The Answer was originally released in 1992 under the name Andy Scott’s Sweet rather than just Sweet. It was also originally released with the title A and was originally Sweet’s 10th album. It was released only in [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
8.0
 
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
9.0
 
SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL
8.0
 
SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK G...
7.0
 
SPILL ALBUM REVIEW: SWEET – THE ANSWER
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1256
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
819
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
770
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
759
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
722
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
680
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
639
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
612
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
603
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
559
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
502
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
501
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
489
ENTERTAINMENT HEADLINES