The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: ORBITAL ENSEMBLE – CONTINUA
SPILL ALBUM REVIEW: JEFF MILLS – THE TRIP TO VEGA
SPILL ALBUM REVIEW: VARIOUS ARTISTS – JUST LOOK INSIDE THE COVER – SONGS OF PETE HAM
SPILL ALBUM REVIEW: VARIOUS ARTISTS – STANZE FREDDE VOL. 3
SPILL NEW MUSIC: RESA SAFFA PARK UNVEILS HAUNTING NEW SINGLE “LOVE IS A LONELY FEELING”
SPILL NEW MUSIC: NEW VIDEO BY ETHEREAL DREAM POP ARTIST SHIPS IN THE NIGHT “INSIDE” | FROM ‘PROTECTION SPELLS’ ALBUM OUT NOW ON METROPOLIS RECORDS
SPILL NEWS: QUICKSAND CHANNEL MINOR THREAT & NEGATIVE APPROACH ON OG DISS TRACK “COOL GUY” | FIRST LP IN FIVE YEARS ‘BRING ON THE PSYCHICS’
SPILL NEW MUSIC: PICKLE JUICE – “BACK 40”
SPILL VIDEO PREMIERE: MICHELLE OWEN & THE WORKS – “A MOUTHFUL OF CAVITIES”
SPILL NEWS: MADDIE ZAHM ANNOUNCES NEW ALBUM ‘EVERYTHING ALL THE TIME’ OUT SEPTEMBER 25 | SWEEPING TITLE TRACK OUT NOW | TOUR DATES
SPILL FEATURE: KINGSTON CELEBRATES THE TRAGICALLY HIP
SPILL NEW MUSIC: AMY MILLAN TEAMS UP WITH THE ACCLAIMED MARTHA WAINWRIGHT TO RELEASE “CALLING ALL ANGELS” | A COVER OF A JANE SIBERRY ORIGINAL FEATURING K.D. LANG
SPILL NEW MUSIC: 19-YEAR-OLD 7-TIME CANADIAN FOLK MUSIC AWARD NOMINEE IRISH MILLIE RELEASES “ALLISON” | A FIDDLE TRIBUTE TO THE TEACHER WHO SHAPED HER
SPILL NEW MUSIC: LARS – “NO STRANGER”
SPILL NEW MUSIC: 50 YEARS OF PUNK AND THE DICKIES ARE STILL OUT TO GETCHA | THEY’VE EVEN BROUGHT GIGANTOR ALONG WITH THEM
SPILL NEWS: 2026 POLARIS MUSIC PRIZE ALBUM LONG LIST NOMINEES REVEALED
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
140
previous article
SPILL ALBUM REVIEW: PERSONAL TRAINER - WHAT WAS THERE BEFORE?
next article
SPILL BOOK REVIEW: JOE MATERA - LOUDER THAN WORDS: BEYOND THE BACKSTAGE PASS

SPILL ALBUM REVIEW: ACCEPT – HUMANOID

Accept

ACCEPT
HUMANOID
NAPALM RECORDS

Accept can be considered one of the most legendary German heavy metal bands to have formed in 1976. Since their inception, they have not only become one of the most successful German acts, but they have also made a significant impact on the global metal scene. With their innovative style, powerful vocals, and hard-hitting riffs, Accept has paved the way for many other bands in the heavy metal genre. Their music has inspired countless artists and has been instrumental in shaping the industry. Over the years, they have released numerous critically acclaimed albums, including “Balls To The Wall”, “Metal Heart”, and “Restless And Wild”. Their music is characterized by its intensity, aggression, and raw energy, making them one of the most influential bands of their time. With 17 albums under their belt, Accept stands on the shoulders of their new release, Humanoid.

After the success of 2021’s Too Mean To Die, Humanoid breathes a different yet very traditional kind of energy that displays that with age comes grace. Committed to their agitated and energetic three-pronged guitar soundscape since the return of frontman Mark Tornillo, the crew have once again found themselves in a state of renewed agency, one that feels like a late rebirth and one of new and fiery confidence. Accept looks to new horizons with their new release, aware of who they are and what they want their music to become moving forward.

Continuing to embrace their core metal soundscapes yet embracing some melodic and hard-rock passages, Accept’s overall simple, no-frills approach continues to be the bread and butter of what makes Humanoid and their sound such an attractive and nuanced listen.

Founding guitarist Wolf Hoffman continues to show his untapped potential to find creative brilliance in the most interesting of places within his classical roots, transforming such inspiration into something pulverulent and melodically abstract, a concept that has continued to evolve within their career of 48 years.

The opening track of the album, “Diving Into Sin”, effortlessly draws the listener in with its evocative and nostalgic allure, reminiscent of those moments of returning to a familiar place after a long absence.  Featuring a combination of gritty and abrasive guitar riffs, interwoven with Hoffman’s dissonant melodic cadence, this dynamic interplay creates a multi-dimensional soundscape that shimmers with brilliance and intensity, setting the stage for other fascinating moments that can be expected throughout the rest of the album. Overall, “Diving Into Sin” is an excellent introduction to the album, showcasing Accept’s musical prowess and their ability to create a captivating listening experience.

The album continues to take the listener on a thrilling journey. From the title track and gradually building up to more polished and technically impressive tracks such as “Frankenstein” and “The Reckoning”. Accept’s use of forceful dissonance adds a distinctive edge to the album, propelling it forward into more punchy and sinewy numbers like “Nobody Gets Out Alive”, creating an experience that is a rich and captivating one, brimming with magnetic charm and the raw power of the 80s.

Other junctures such as mood-driven ballads, “Ravages of Time” show a softer and more passionate side to Accept’s raw and intense wall of sound up to this point, giving a bit of respite from all of the antagonistic energies while also giving listeners some new ear candy to digest before moving into other dynamically compelling experiences on the record such as “Mind Games” and best and final track on the album “Southside of Hell.”

Humanoid showcases a stunning collection of tracks, each with its unique nuanced charm and style. However, the final track, “Southside of Hell” stands out as one of the most compelling experiences on the album. Flashy and intense, “Southside To Hell” leaves a lasting effect on the listener, featuring precision and melodicism that are nothing short of impressive, razor-sharp guitar riffs, and glossy production adding to its allure.

Despite the band’s long and detailed history, there is no hint of complacency in this album. The trio of Hoffman, Uwe Lulis, and Philip Shouse continues to enthrall the listeners with their smooth and enthusiastic leads and harmonies, blending the best of both classical and metal worlds into each experience. Unapologetically nostalgic, the band sticks true to what has worked for them in the past yet is refreshing and modern at the same time. Amidst its powerful and heavy atmosphere, Accept broadcasts some softer, more melodic opportunities that allow the listener to catch their breath and appreciate the stunning musicianship on display.

Humanoid is an album that showcases the German metal legends’ commitment to preserving the rich history of their music. The record is a testament to the band’s meticulous attention to sound, seamlessly blending their trademark edgy and corrosive style with a hint of classical opulence. With its powerful impact, Humanoid stands out as one of their most cohesive works yet. The album is a triumphant addition to the band’s storied career, proving that they still possess the talent and creativity to craft a brilliant record.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: ACCEPT – HUMANOID

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
8.0
Total Spill Rating
10
Total Fan Rating
1 rating
You have rated this
Album Reviews
acceptalbum reviewalbum reviewsfrankensteinhumanoidnapalm records
accept, album review, album reviews, frankenstein, humanoid, napalm records
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
acceptalbum reviewalbum reviews
 
Accept

SPILL NEWS: GERMAN HEAVY METAL GIANTS ACCEPT RELEASE THRILLING THIRD NEW SINGLE “FRANKENSTEIN”

by SPILL NEWS on April 26, 2024
GERMAN HEAVY METAL GIANTS ACCEPT RELEASE THRILLING THIRD NEW SINGLE “FRANKENSTEIN” NEW STUDIO ALBUM HUMANOID OUT NOW VIA NAPALM RECORDS ACCEPT is gearing up for the release of their new full-length album Humanoid, out today, by unleashing the [...]
 
Accept

SPILL NEWS: GERMAN HEAVY METAL LEGENDS ACCEPT REVEAL SECOND NEW SINGLE “THE RECKONING” | NEW STUDIO ALBUM ‘HUMANOID’ OUT APRIL 26 VIA NAPALM RECORDS

by SPILL NEWS on March 27, 2024
GERMAN HEAVY METAL LEGENDS ACCEPT REVEAL SECOND NEW SINGLE “THE RECKONING” NEW STUDIO ALBUM HUMANOID OUT APRIL 26 VIA NAPALM RECORDS Once again finalized by leading metal producer Andy Sneap (Judas Priest, Amon Amarth, Testament, Saxon, etc.) at [...]
 
Monsters Of Rock

SPILL NEWS: MONSTERS OF ROCK CRUISE 2024 SET FOR MARCH 2-7 | THE ULTIMATE HARD ROCK AND HEAVY METAL FESTIVAL ON THE HIGH SEAS

by SPILL NEWS on August 14, 2023
MONSTERS OF ROCK CRUISE 2024 SET FOR MARCH 2-7 | THE ULTIMATE HARD ROCK AND HEAVY METAL FESTIVAL ON THE HIGH SEAS ALL-STAR LINEUP FEATURES OVER 30 ARTISTS INCLUDING JOE SATRIANI, EXTREME, ACE FREHLEY, THE DARKNESS, KK’S PRIEST, QUEENSRŸCHE, [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: ORBITAL ENSEMBLE – CONTINUA
8.0
 
SPILL ALBUM REVIEW: JEFF MILLS – THE TRIP TO VEGA
7.0
 
SPILL ALBUM REVIEW: VARIOUS ARTISTS – JUST LOOK INSIDE THE CO...
9.0
 
SPILL ALBUM REVIEW: VARIOUS ARTISTS – STANZE FREDDE VOL. 3
8.0
 
SPILL ALBUM REVIEW: ST. DIVINE – THE DEVIL YOU KNOW
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1217
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
801
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
747
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
654
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
596
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
588
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
582
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
573
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
539
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
487
 
SPILL ALBUM REVIEW: FLEA – HONORA
418
 
SPILL NEW MUSIC: NEW RELEASE FROM THE TRAGICALLY HIP, CITY AND COLOUR, RUBY WATERS, BOI-1DA & CANADA SOCCER “AHEAD BY A CENTURY”
415
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
412
ENTERTAINMENT HEADLINES