The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
595
previous article
SPILL LIVE REVIEW: OUR LADY PEACE @ FIRSTONTARIO CONCERT HALL, HAMILTON
next article
SPILL ALBUM REVIEW: GEORGE FITZGERALD - ALL THAT MUST BE

SPILL ALBUM REVIEW: ACID DAD – ACID DAD

Acid Dad

Acid Dad
Acid Dad
Greenway Records

New York City’s Acid Dad have returned with their first ever full length, self-titled album.  Acid Dad follows the alternative rock outfit’s 2016 debut EP, Lets Plan A Robbery, and gives fans a long awaited release that continues deeper down an alternative, vintage, and slightly quirky path in which they ventured since their inception.

Opening with the ambient sounds of “Die Hard”, the song grows from an electronic groove under a droning synthesizer with muted vocals over top to a rhythmic and crunching rocker reminiscent of The Strokes. It’s rough, raw, and exciting. The record continues to blend such a contrast of mild modern punk – in tone of The Clash with elements of Pearl Jam and REM – along with softer and more atmospheric elements. Songs like “Mr. Major” and “Child” are both heavy soundscapes which feel hazy with the sense of a thick fog over the band’s alternative punk sound.

While there are a number of tracks that embrace a more straight ahead rock feel, Acid Dad is at its best when the songs combine the often contrasting nature of these styles to create a sound that is highly unique to themselves. Songs like “Marine” and “Ci” and hazy rockers with a sense of drive to them while “Mistress” is as explosive, dissonant, and experimental as the band gets.  While songs like the final two tracks “No Answer” and “Dissin’” embody such a fusion, the one thing that stops Acid Dad from being a truly incredible record is the lack of versatility. Many of the songs share a similar pace, style, and tone, that it takes away from the excitement of a full length record. That being said, the experimental nature of Acid Dad’s sound is one that, with enough momentum, can play a greater influence for both modern alternative and indie rock.

Acid Dad is a unique collection of 11 tracks.  While the band has a certain disregard to what is popular or expected, their debut full length album takes a strong rock element and dresses it in an ambient and slow haze that, at times, shares a commonality with popular indie bands of the day. In this sense, Acid Dad is a highly unique record, and while it may lack a strong sense of dynamics, the album is one that feels truly original and makes for a strong debut that will leave fans excited for what has yet to come.



Artist Links

facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: ACID DAD – ACID DAD

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
8.0
7.0
Total Spill Rating
8.0
Total Fan Rating
4 ratings
You have rated this
Album Reviews
2ciacid dadalbum reviewsgreenway records
2ci, acid dad, album reviews, greenway records
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
acid dadalbum reviewsgreenway records
 
7.0

SPILL ALBUM REVIEW: ACID DAD – TAKE IT FROM THE DEAD

by Dan Kennard on July 16, 2021
Acid Dad Take It From The Dead Greenway Records/The Reverberation Appreciation Society Following their 2018 self-titled debut, Acid Dad has returned with newly released LP Take It From the Dead, co-released by Greenway Records and The [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE
9.0
 
SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS
8.0
 
SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK...
10
 
SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE
8.0
 
SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
919
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
864
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
687
 
SPILL ALBUM REVIEW: NOFX – A TO H
669
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
621
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
619
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
617
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
594
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
529
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
467
 
SPILL ALBUM REVIEW: CHARLOTTE DE WITTE – CHARLOTTE DE WITTE
465
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
462
 
SPILL ALBUM REVIEW: THE SAINTS – LONG MARCH THROUGH THE JAZZ AGE
458
ENTERTAINMENT HEADLINES