GUZMAN (INTRODUCTION BY MICHAEL AZERRAD) – FAMILY VALUES: KURT, COURTNEY & FRANCES BEAN
POWERHOUSE BOOKS
BOOK REVIEW BY VICTORIA LOVE-RAINBOW
Opening with the iconic figures Kurt Cobain and Courtney Love, the essay, written by Michael Azerrad, cleverly mocks the conservative “Family Values Night” events hosted by the Republican party while also highlighting Pat Robertson’s radical plans to undermine traditional families. The shattered family dynamic of Cobain and Love, apparent to those growing up in the 90s, is explored briefly, touching on the ongoing struggle with gender roles, which is still relevant and transcends after nearly three decades.
The essay questions whether some aspects captured in this photograph were planned, referring to it as the “charmed offensive.” Despite their efforts to present something different from their turbulent past, the essence of their relationship is presented by Guzman in a collection of beautifully captured photographs. Mentioning some interesting details that diehard fans would appreciate, such as Cobain’s use of milk of magnesia and his habit of wearing sunglasses during photoshoots.
Moving on through the imagery, the essay notes nothing particularly spectacular about them. Opening with relatively grainy imagery, I believe this adds to the atmosphere, giving a sense of dazedness, much like you feel as a new parent. Love is depicted in her signature baby doll attire, while Cobain stands out with his blond hair, donning a rich maroon silk dressing gown. The photos primarily capture the essence of a family without any underlying reasons or hateful messages. The essays accompanying the photographs provide additional value, although they mostly reiterate what is already known about Cobain and Love. There is an aesthetic appeal of the images, with a mix of monochrome and colour, allowing the viewer to immerse themselves in the Cobain/Love story.
They showcase the typical family moments, including shots of Love, Cobain, and Francis Bean together, which are lovely and represent what a family photo shoot should be. The inclusion of graffiti messaging across Cobain and Loveβs torsos adds a subtle touch of social commentary, which we should expect from the royalty of grunge, although its impact may not be as significant now as it was back then.
Overall, the portraits in the collection are well-executed and resonate with those familiar with their story. The photographs capture moments that evoke a sense of nostalgia and perhaps even a shudder for those aware of the couple’s tragic fate. It is interesting to note that Cobain is depicted holding the baby in the more refined photos at the beginning, but as the series progresses, the focus shifts towards Love’s story, and there is a real value in the maternal bond apparent in the relationship β truly a beautiful and important piece.