The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: YTTLING JAZZ & BOBBY GILLESPIE SHARE NEW VIDEO FOR “STRANGE” CO-DIRECTED BY GILLESPIE 
SPILL NEW MUSIC: THE ALARM RELEASES “LIVE TODAY” | THE FINAL VIDEO FEATURING THE LATE MIKE PETERS
SPILL FEATURE: CELTIC MUSIC IS SO MALLEABLE, YOU CAN DO REALLY ANYTHING WITH IT – A CONVERSATION WITH IRISH MILLIE
SPILL ALBUM REVIEW: KAELEY JADE – THE GREAT UNKNOWN
SPILL ALBUM REVIEW: RICHARD BARBIERI – HAUNTINGS
SPILL ALBUM REVIEW: SPARKLER – GLIDEWINDER
SPILL ALBUM REVIEW: PRYMEK & SAGE – SHELTER
SPILL ALBUM REVIEW: TIGERCUB – NETS TO CATCH THE WIND
SPILL ALBUM REVIEW: FISHBONE – IN YOUR FACE / COVER YOUR FACE (40th ANNIVERSARY REISSUE)
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
SPILL ALBUM REVIEW: HOLLY HUMBERSTONE – CRUEL WORLD
SPILL ALBUM REVIEW: AYSANABEE – TIMELINES
SPILL FEATURE: BEATIN’ LIKE A DRUM – A CONVERSATION WITH MARC JORDAN
SPILL NEWS: SONIC BOOM, TORONTO’S ICONIC INDEPENDENT RECORD STORE, TURNS IT UP FOR INTERNATIONAL RECORD STORE DAY 2026
SPILL NEW MUSIC: ROSE HOTEL SHARES NEW SINGLE “MY SATELLITE” VIA STROLLING BONES RECORDS
SPILL NEWS: LOWEST OF THE LOW CELEBRATE 35 YEARS OF ‘SHAKESPEARE MY BUTT’ | ‘SHAKESPEARE MY BUTT: ANNIVERSARY EDITION’ & ‘LIMBOTOWN REVISITED’ ARRIVES MAY 8
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
243
Editor Pick
previous article
SPILL ALBUM REVIEW: LETTERS FROM TAYLOR - STILL ASKING
next article
SPILL FEATURE: WHEN THERE IS NO PLEASURE IN THIS ANYMORE, IT IS TIME TO CALL IT A DAY - A CONVERSATION WITH JOHN WELLBY OF LAST TOURIST

SPILL ALBUM REVIEW: WOLVES AT THE GATE – WASTELAND

Wolves At The Gate

WOLVES AT THE GATE
WASTELAND
SOLID STATE RECORDS

At times, becoming ensnared in the labyrinth of your own mind can be the most suffocating experience imaginable. It’s as if your thoughts conspire to overwhelm your entire being, drowning out every flicker of joy and banishing any trace of positivity. This onslaught of negativity envelops you, transforming your mental landscape into a dark, infinite abyss filled with anxiety and emotional turmoil. For many, this shadowy space remains concealed in the depths of our inner selves, hidden away from the world until we find the courage to unlock the emotions trapped within and release them into the light.

For the metalcore band Wolves At The Gate, the journey of emotional exploration through profound narratives has long been woven into the very fabric of their sound. With their sixth album, Wasteland, they delve even deeper into this murky, shadow-laden realm of mental suffering, navigating the treacherous path of clawing and struggling to escape the suffocating grip of despair before it consumes one entirely.

From the beginning, Wolves At The Gate spares no expense in creative, gritty energies, phenomenal lyric work, and rich, cinematic, atmospheric textures that adorn its pitch black walls of disquiet and internal sense of panic with first impressions, “INT[r]O”, “[The Wasteland] PAIN”, “PARASITE”, and “SYNTHETIC SUN”. Something Wolves At The Gate proves very early in this album is that if this band wanted an album that shows that they can tango with the heavy hitters in the metalcore scene, Wasteland is it. A dynamic metalcore ballet of subaqueous, dreamy elements that gorgeously blanket the frenetic and well-paced heavy instrumental work, these huge, gravid experiences open the door for more of these energies to flourish and grow within the cracks of this quaking landscape of complex emotions.

Tracks “wandering”, “LAW OF THE [Waste]LAND,” and album highlight “SMOKE [False Devils]” intricately weave a tapestry that plunges us deeper into an unsettling yet captivating mental landscape, characterized by a haunting blend of aimlessness and decay. Each composition envelops one in its dynamic soundscapes and evocative vocal expressions, creating an atmosphere rife with emptiness, simmering anger, profound pain, and lingering despair. This unsettling ambiance is masterfully punctuated by a lyricism that poignantly captures the struggle of reconciling with one’s own shadowy depths, illuminating the relentless cycle of revisiting this painful existence time and again, as if drawn to the darkness, yet yearning for understanding and solace.

What continues to make Wasteland such an immersive listen is how each interlude beautifully links the chapters of one’s descent into extreme mental withering before diving into the next batch of songs that powerfully show off the band’s increased level of talent and artistry since 2023’s Lost In Translation, the vocal work in “DEATH CLOCK” impressively showing off how much the vocals have been stretched and tested, with the payoff being one of the best numbers on the album alongside the interlude “wasting” and “MEMENTO MORI”. An evocative and moving point of the album, Wolves At The Gate have not only created something that has really brought out the best of them, but an album that shows the lengths they have gone to tell such a deeply personal story, yet finds a way to make this theatrically intriguing without losing all the best parts of their unique heaviness that has defined the band since 2008.

The album concludes with an extraordinary final interlude and a powerful track, “wanting” paired with “UNREST.” This culmination bursts forth with an unrelenting, pulsating energy that echoes through its electrifying soundscapes, driven by melodically decadent, raw-throated vocals, towering guitars, and dynamic percussive elements. Wolves At The Gate reserve one of their most unforgettable experiences for the finale, wrapping up this monumental work on an exhilaratingly high note and cleverly weaving the album back around to the first track, inventively showing the very human ways in which one repeatedly goes back to the world that provides them so much misery, yet in a way is the only way one knows comfort is within these tortured walls of affliction that enter every experience on this album.

Wolves At The Gate has set an ambitious standard for themselves with their sixth installment. Wasteland transcends mere storytelling; it’s a raw and honest exploration of navigating the infinite, shadowy depths of the human psyche, beautifully illustrating the struggles that linger within our minds. This album showcases the band’s remarkable capacity to craft music that is not only lyrically impactful but also instrumentally innovative, delivering a cohesive journey that resonates powerfully from the very first note to the last.



Artist Links

website_flat_2016 facebook_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: WOLVES AT THE GATE – WASTELAND

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
8.3
10
Total Spill Rating
8.3
Total Fan Rating
3 ratings
You have rated this
Album Reviews
album reviewalbum reviewsdeath clocksolid state recordswastelandwolves at the gate
album review, album reviews, death clock, solid state records, wasteland, wolves at the gate
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviewswasteland
 
8.0
Kaeley Jade

SPILL ALBUM REVIEW: KAELEY JADE – THE GREAT UNKNOWN

by Ljubinko Zivkovic on April 10, 2026
KAELEY JADE THE GREAT UNKNOWN INDEPENDENT Country music used to be full of formulas that begged to be broken, and for a while now Americana and alternative country artists did a great job in doing so. Joining those ranks is Edmonton-based Métis [...]
 
8.0
Richard Barbieri

SPILL ALBUM REVIEW: RICHARD BARBIERI – HAUNTINGS

by Ljubinko Zivkovic on April 10, 2026
RICHARD BARBIERI HAUNTINGS KSCOPE David Sylvian-led Japan became legends of ‘80s electronic music, and Sylvian himself had a renowned solo career with a series of more and more experimental releases. Yet quite a few fans of the genre sometimes [...]
 
8.0
Sparkler

SPILL ALBUM REVIEW: SPARKLER – GLIDEWINDER

by Ljubinko Zivkovic on April 10, 2026
SPARKLER GLIDEWINDER À LA CARTE RECORDS Longtime shoegaze fans and followers surely have certain sound combinations in their minds that they would love to hear, and one such a combination would probably involve My Bloody Valentine and Slowdive [...]
 
9.0
Prymek & Sage

SPILL ALBUM REVIEW: PRYMEK & SAGE – SHELTER

by Ljubinko Zivkovic on April 10, 2026
PRYMEK & SAGE SHELTER AKP RECORDINGS If somebody would mention ambient music at this very moment, the first thing that might come to mind would be meandering electronics sounds. Yet the variation and spectrum of ambient music these days has [...]
 
7.0
Tigercub
10

SPILL ALBUM REVIEW: TIGERCUB – NETS TO CATCH THE WIND

by Jasmine Bhoodwah on April 10, 2026
TIGERCUB NETS TO CATCH THE WIND LOOSEGROOVE RECORDS Alternative rock is a genre that has tons of history. Emerging from underground shoegaze and the uprising of grunge, alternative rock became mainstream around the 90s. Since then, the category [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: KAELEY JADE – THE GREAT UNKNOWN
8.0
 
SPILL ALBUM REVIEW: RICHARD BARBIERI – HAUNTINGS
8.0
 
SPILL ALBUM REVIEW: SPARKLER – GLIDEWINDER
8.0
 
SPILL ALBUM REVIEW: PRYMEK & SAGE – SHELTER
9.0
 
SPILL ALBUM REVIEW: TIGERCUB – NETS TO CATCH THE WIND
7.0
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3312
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
931
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
883
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
854
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
844
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
722
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
711
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
674
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
669
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
662
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
517
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
504
 
SPILL NEW MUSIC: BECK SHARES NEW ALBUM ‘EVERYBODY’S GOTTA LEARN SOMETIME’ | PHYSICAL COPIES AVAILABLE FEBRUARY 13
502
ENTERTAINMENT HEADLINES