The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: SODA GUMBALL – SUPER HONEY TEASPOON!
SPILL ALBUM REVIEW: HUNTER AS A HORSE – LEVIATHAN
SPILL ALBUM REVIEW: JOHN FORD – BETWEEN A ROCK AND A HARD PLACE
SPILL NEW MUSIC: THUNDER QUEENS ANNOUNCE SOPHOMORE ALBUM ‘DEEP BELOW’ & SHARE TITLE TRACK
SPILL CONTEST: WIN A PAIR OF TICKETS TO THE HAMMER SLAMMER FESTIVAL ON AUGUST 8 AT THE CORKTOWN PUB IN HAMILTON!
SPILL NEW MUSIC: GOLDIE RETURNS WITH BRAND NEW SINGLE “JUNGLE DAZE” FEATURING NATALIE WILLIAMS
SPILL NEW MUSIC: LAURA HICKLI ANNOUNCES NEW ALBUM OUT OCTOBER 16 | SINGLE “THE FOOL” OUT NOW
SPILL NEW MUSIC: SIBLING INDIE-PUNK TRIO LOKI’S FOLLY FACE INSOMNOLENT DOUBT ON NEW SINGLE “MIDNIGHT MYSTERY”
SPILL NEWS: ITALIAN DOOM METALLERS MESSA PRESENT “AT RACES (COLD CAVE REMIX)”
SPILL NEWS: CANADIAN ROCK ICON BIF NAKED RETURNS WITH NEW SINGLE “LIFT ME UP”
SPILL NEW MUSIC: DHANI HARRISON AND NIGEL GODRICH UNVEIL NEW BAND DRAGONFLIES | ANNOUNCE SELF TITLED DEBUT ALBUM OUT SEPTEMBER 18 VIA DARK HORSE RECORDS/BMG
SPILL VIDEO PREMIERE: DAZIES – “EXPOSURE”
SPILL NEWS: CHARLATANS UK SHARE NEW REMIX OF “DEEPER AND DEEPER” | NORTH AMERICAN HEADLINE TOUR BEGINS SEPTEMBER 3
SPILL NEW MUSIC: DREW RYDER SMITH – “MEMORY”
SPILL NEWS: PARCELS’ NOAH HILL ANNOUNCES SOLO DEBUT ALBUM ‘OK OK NOW’
SPILL NEWS: NOISE OF THE VOID ANNOUNCES INAUGURAL HAMMER SLAMMER FESTIVAL | TAKES PLACE IN HAMILTON AT CORKTOWN PUB SATURDAY AUGUST 8
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
1103
previous article
SPILL ALBUM REVIEW: FILTER - THE AMALGAMUT (20th ANNIVERSARY EDITION)
next article
SPILL ALBUM REVIEW: PETER DALTREY & THE KNOW ESCAPE - RUNNING THROUGH CHELSEA

SPILL ALBUM REVIEW: THE WHO – THE WHO WITH ORCHESTRA: LIVE AT WEMBLEY

The Who

The Who
The Who With Orchestra: Live At Wembley
Universal Music

Six decades into their career, The Who continues to experiment with its performances, justifying its worth as one of the greatest bands of its era. Their 2019 tour saw the British invasion pioneers collaborate with the Isobell Griffiths Orchestra. The result is their latest live album, The Who With Orchestra: Live At Wembley.

Opening with a string of hits including “Who Are You”, “Eminence Front”, and “Pinball Wizard”, the addition of the orchestra ebbs and flows between subtle and vastly apparent, fitting within the song seamlessly and highlighting the strength of the songwriting force that is guitarist Pete Townshend and vocalist Roger Daltrey. With the orchestra largely taking a back seat during the opening “Who Are You”, the power of the band is showcased first and foremost: Daltrey’s voice still robust and Townshend’s Stratocaster cutting. From the subtleties of the orchestra during “Who Are You” to their bold stand immediately following in “Eminence Front”, the Isobel Griffiths Orchestra makes for a welcome addition.

Over the course of its 20-song set, Live At Wembley is a unique concert experience that can stand along not only The Who’s growing collection of live releases, but also those from other rock and metal bands performed alongside an orchestra. With stunning arrangements on “Love Reign O’er Me” and “Baba O’Riley”, The Who prove to be just as strong without the orchestra, as heard on a handful of tracks, most notably including “The Seeker” and the acoustically-performed “Won’t Get Fooled Again”, and “Behind Blue Eyes”. While the acoustic renditions of these classics made for an interesting choice, perhaps their performance would have benefited from the power of plugging in for some of their biggest hits.

The Who With Orchestra: Live At Wembley sees the classic rock outfit revive their material in a unique manner. With the help of the Isobel Griffiths Orchestra, Townshend and Daltrey have breathed a new sense of life into their classic material  that showcases the timelessness of their songwriting through a stellar performance.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: THE WHO – THE WHO WITH ORCHESTRA: LIVE AT WEMBLEY

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.5
8.0
Total Spill Rating
9.5
Total Fan Rating
2 ratings
You have rated this
Album Reviews
album reviewalbum reviewsbaba o’rileyisobell griffiths orchestrapete townshendroger daltreythe whothe who with orchestra: live at wembleyuniversal music
album review, album reviews, baba o’riley, isobell griffiths orchestra, pete townshend, roger daltrey, the who, the who with orchestra: live at wembley, universal music
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsbaba o’riley
 
8.0
Soda Gumball

SPILL ALBUM REVIEW: SODA GUMBALL – SUPER HONEY TEASPOON!

by Ljubinko Zivkovic on July 24, 2026
SODA GUMBALL SUPER HONEY TEASPOON! DEN TAPES Presenting a local music scene to a wider audience can be an arduous task if it is a scene that has already made a name for itself. Den Tapes (yes, just cassette tapes and Bandcamp) is one of those [...]
 
8.0
Hunter As a Horse

SPILL ALBUM REVIEW: HUNTER AS A HORSE – LEVIATHAN

by Aaron Badgley on July 24, 2026
HUNTER AS A HORSE LEVIATHAN METROPOLIS RECORDS Hunter As a Horse (HAAH) is, in actuality, one person. She is South African musician and vocalist Mia van Wyk, and Leviathan is her debut album. She has released EPs and singles since 2013, but [...]
 
9.0
John Ford

SPILL ALBUM REVIEW: JOHN FORD – BETWEEN A ROCK AND A HARD PLACE

by Aaron Badgley on July 24, 2026
JOHN FORD BETWEEN A ROCK AND A HARD PLACE ICONOCLASSIC RECORDS It has been five years since John Ford has released a solo album. He has been busy performing, helping his former bandmate David Cousins for the last Strawbs’ release, and working [...]
 
8.0
Tricky

SPILL ALBUM REVIEW: TRICKY – DIFFERENT WHEN IT’S SILENT

by Aaron Badgley on July 17, 2026
TRICKY DIFFERENT WHEN IT’S SILENT FALSE IDOLS Different When It’s Silent is Tricky’s 15th studio album and first full-length release under his own name in six years, since 2020’s Fall To Pieces. He did release Fifteen Days (as [...]
 
8.0
Tesla

SPILL ALBUM REVIEW: TESLA – HOMAGE

by Aaron Badgley on July 17, 2026
TESLA HOMAGE FRONTIERS MUSIC SRL Homage is Tesla’s ninth studio album, and their first since 2019’s Shock. They have released a few live albums during the past few years, but fans can celebrate because the band finally got back into the studio. [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: SODA GUMBALL – SUPER HONEY TEASPOON!
8.0
 
SPILL ALBUM REVIEW: HUNTER AS A HORSE – LEVIATHAN
8.0
 
SPILL ALBUM REVIEW: JOHN FORD – BETWEEN A ROCK AND A HARD PLACE
9.0
 
SPILL ALBUM REVIEW: TRICKY – DIFFERENT WHEN IT’S SILENT
8.0
 
SPILL ALBUM REVIEW: TESLA – HOMAGE
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1273
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
777
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
768
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
726
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
722
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
647
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
589
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
522
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
513
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
510
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
475
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
445
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
438
ENTERTAINMENT HEADLINES