The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: IT’S OUR BOLDEST RECORD – A CONVERSATION WITH GARY JARMAN OF THE CRIBS
SPILL MUSIC PREMIERE: JULIA GREENBERG – “SOMETIMES THE SEA”
SPILL NEW MUSIC: THE CHOVIES (NYC/INDIEROCK/POWERPOP/JEFF BERNER) DEBUT LP + FOCUS TRACK OUT MAY 15
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEW MUSIC: 5TH PROJEKT RELEASE FIRST LIVE EP ‘LIVE IN LONDON’
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHAPTERHOUSE PERFORM THE ALBUM ‘WHIRLPOOL’ AT THE CONCERT HALL ON MAY 21!
SPILL MUSIC PREMIERE: PRIMITIVE RING – “THE CALLOUS MAN”
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1917
previous article
SPILL LIVE REVIEW: GORAN BREGOVIĆ: THREE LETTERS FROM SARAJEVO @ THE SONY CENTRE FOR THE PERFORMING ARTS, TORONTO
next article
SPILL ALBUM REVIEW: ANCHORSONG - COHESION

SPILL ALBUM REVIEW: THE STRUTS – YOUNG & DANGEROUS

The Struts
Young & Dangerous
Interscope Records

English-Canadian rock outfit, The Struts, have had an amazing year. While busy with their own headlining tour across North America and Europe to promote the release of their single, “Body Talks”, the band had the opportunity to open for none other than The Foo Fighters on their Concrete And Gold tour – which featured a killer stop at Toronto’s Rogers Centre. Now, to top off what has already been a huge year, while also setting them up for an even bigger 2019, The Struts have returned with Young & Dangerous, their second full-length album, and their first release since 2017’s Live And Unplugged.

Opening with their two lead singles, “Body Talks” and “Primadonna Like Me”, The Struts confidently step in Young & Dangerous with a stride that is equally as strong as it is cool. “Body Talks” features a slick verse driven by a gritty shuffle before exploding into a catchy as hell chorus while the latter, “Primadonna Like Me”, is a Queen-inspired rocker that very well may be even catchier – and pairs excellently with its Vegas-themed music video, complete with a cameo from none other than Alice Cooper.

As the album continues, The Struts prove that they are among some of the strongest new rock bands taking the scene by storm, but are also writing some of the catchiest tracks. Nearly every song on Young & Dangerous is fueled by tight grooves, crunchy guitars, and the infectious lyrics and powerful vocals from Luke Spiller amounting to an album’s worth of songs that are easy and fun to sing along to. The Queen influence becomes even more apparent when the band indulges in pop sensibilities on tracks like “Bulletproof Baby”, “Who Am I”, and the funky dirty rock of “I Do It So Well”, along with the largely acoustic ballad, “Somebody New”, however, “Tatler Magazine”, featuring a lush range of vocal harmonies set over a hard-rocking vibe, is perhaps the most influenced by Freddie Mercury and Brian May with Spiller’s energetic vocal performance and Adam Slack’s sleek guitar solo and tone. Naturally, with their strong and original songwriting voice, their ability to channel Queen only adds to the appeal of Young & Dangerous.

All in all, having found their sound early on, The Struts continue to develop as one of the most interesting new rock bands around. Young & Dangerous is a record that lives up to their acclaimed live performances – if you’ve seen them in concert, that alone says enough. Truly, there is no doubt that The Struts have taken classic rock, particularly that of the 1970s and ‘80s, and re-envisioned it for today in a manner that feels seamless, stylish, and highly entertaining.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: THE STRUTS – YOUNG & DANGEROUS

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.6
8.0
Total Spill Rating
9.6
Total Fan Rating
18 ratings
You have rated this
Album Reviews
album reviewalbum reviewsinterscope recordsthe strutsyoung and dangerous
album review, album reviews, interscope records, the struts, young and dangerous
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsinterscope records
 
9.0
Peter Frampton
9.0

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands
8.2

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
9.0
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
8.2
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3512
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1095
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
949
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
913
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
904
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
770
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
744
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
670
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
610
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
607
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
550
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
539
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
538
ENTERTAINMENT HEADLINES