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SPILL NEW MUSIC: NOFX RELEASE OFFICIAL SOUNDTRACK + ORIGINAL SCORE OF CAREER-SPANNING DOCUMENTARY ’40 YEARS OF FUCKIN’ UP’
SPILL NEW MUSIC: ANDREW W.K. RETURNS WITH ‘TEMPTATION TO EXIST’ | HIS FIRST NEW ALBUM IN FIVE YEARS
SPILL NEWS: FOGHAT RELEASES THE VIDEO FOR “MY BABE” | THE FIRST SINGLE FROM ‘LIVE & LOUD ACROSS THE U.S.A.’ RELEASING ON OCTOBER 30
SPILL NEWS: NAMELESS FRIENDS RELEASE NEW SINGLE AND MUSIC VIDEO FOR “CLARA” AS CROSS-CANADA TOUR DATES HEAT UP
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SPILL LIVE REVIEW: IRON MAIDEN w/ MEGADETH @ SCOTIABANK ARENA, TORONTO
SPILL NEW MUSIC: NEXT WEEK’S WASHING – “WHERE DID I GO WRONG”
SPILL ALBUM REVIEW: ASHER WHITE – LOVE AGGREGATES
SPILL NEW MUSIC: CRIMINAL HERO DELIVERS DETROIT-POWERED ROCK ON DEBUT ALBUM ‘WALK THROUGH THE FIRE’
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
SPILL ALBUM REVIEW: BEARTOOTH – PURE ECSTASY
SPILL ALBUM REVIEW: DINOSAUR JR. – THERE NEAR
SPILL ALBUM REVIEW: PULP – LIVE!
SPILL ALBUM REVIEW: THE JAYHAWKS – SANCTUARY PARK
SPILL ALBUM REVIEW: BANANARAMA – TRUE CONFESSIONS (40th ANNIVERSARY EDITION)
SPILL ALBUM REVIEW: NIGHT RANGER – BEST OF
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Album Reviews
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SPILL ALBUM REVIEW: ST GERMAIN - TOURIST (20th ANNIVERSARY TRAVEL VERSIONS)

SPILL ALBUM REVIEW: THE BESNARD LAKES – THE BESNARD LAKES ARE THE LAST OF THE GREAT THUNDERSTORM WARNINGS

The Besnard Lakes

The Besnard Lakes
The Besnard Lakes Are The Last Of The Great Thunderstorm Warnings
Flemish Eye/FatCat/Full Time Hobby

On their sixth album, The Besnard Lakes Are The Last of the Great Thunderstorm Warnings, Montreal’s The Besnard Lakes demonstrates its studio chops and musicianship in equal sums. TBLATLOTGTW is modern rock woven together by psychedelic, progressive, and classic rock, and at 72 minutes, it flows effortlessly from beginning to end.

Introducing the story, a glittering hum of churning keyboards and droopy guitar strums part the prairie fog mists of “Blackstrap” Mountain. Gentle voices are “waiting on this tower to call her”, and ground control wryly rigged two buttons from an old telephone through a couple guitar amps. The earth calls back via Jace Lasek’s spacey vocals in “Raindrops,” its plaintive, bass lead progression culminating in an angelic, harmonized Olga Goreas vocal epiphany. With densely-packed swells of indeterminate instrumental origin, no percussion, and whacked-out falsetto cloudbursting, the challenging “Christmas Can Wait” exposes the album’s lack of coherent lyrical signposts. What are they are going on about?

The need to know becomes dichotomous on album apex “Our Heads, Our Hearts On Fire Again.” It almost doesn’t matter; the 3/4 waltz and uplifting, celestial harmonies trigger catharsis anyway—such a gift. “New Revolution” returns to traditional rock rhythmic territory, if that also involves contrapuntal bass leads and gospel-like choral passages. We finally get our narrative clarity when “The Father Of Time Wakes Up” and enunciates, “With love there is no death”, followed by a cosmic guitar solo that at last draws the line connecting Boston (the band) to Prince.

Every track is generous, beautiful, and essential. If you use music as medicine, this record will give you what you need. If you want to be overtaken, transported, and delivered safely back home, TBLATLOTGTW is yours.



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SPILL ALBUM REVIEW: THE BESNARD LAKES – THE BESNARD LAKES ARE THE LAST OF THE GREAT THUNDERSTORM WARNINGS

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Charles T. Stokes

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album reviewalbum reviewsfatcatflemish eyefull time hobbyour heads our hearts on fire againthe besnard lakesthe besnard lakes are the last of the great thunderstorm warnings
album review, album reviews, fatcat, flemish eye, full time hobby, our heads our hearts on fire again, the besnard lakes, the besnard lakes are the last of the great thunderstorm warnings
About the Author
Charles T. Stokes
Charles T. Stokes is a nonprofit resource development coordinator and donor researcher based in Denver, USA. He’s also a tennis player and writer looking to make a racket with his own noises. “There are places in the world where one cannot publicly listen to or perform whatever music they choose without fear of harassment or prosecution. The freedom to write about new music is power, a privilege.”
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