Obed Calvaire, Bob Franceschini, Kevin Hays & Orlando Le Fleming
Whole Lotta Love: The Music Of Led Zeppelin
Chesky Records
I went to jazz school and in a first-year jazz performance workshop, a guitarist bent a note in his solo, to which my professor β truly one of the greatest guitar players Iβve witnessed β called the band to a halt as he yelled, βno fucking vibrato! Do you think this is Led Zeppelin?β That moment lives rent free in my mind and I canβt help but smirk as I review Whole Lotta Love: The Music Of Led Zeppelin, a collection of Zeppelinβs greatest hits orchestrated, arranged, and performed in the context of jazz by Obed Calvaire, Bob Franceschini, Kevin Hays, and Orlando Le Fleming. What easily could have fallen flat as a novelty soars due to a strong performance from the band that ultimately breathes a new sense of life into the classic catalogue and songwriting of Jimmy Page and Robert Plant.
Opening with the titular track, the sound of softly swung drums, a plucked upright bass, and the warm echo of a piano as accented but the sharp tone of an alto saxophone that cuts through the air, performing the iconic riff and Plantβs vocal melodies. The song is very recognizable until the band breaks into the solo sections and, when returning to the hook at the end, shift from the upbeat swung pulse into a driving, straight ahead beat. This band pulls no punches. βDazed And Confusedβ only furthers this with a spacious and atmospheric direct reinterpretation of the original. Over the five-minute performance, the band bounces between the different parts of the song, ensuring that every note played counts. The conviction in this performance is crucial. βImmigrant Songβ sees them flex their abilities as arrangers and performing a loose interpretation of the original. Trading in the bombast and hard rock nature of the original comes a haunting and melancholic mood, effectively turning βImmigrant Songβ into a ballad.
Every song on Whole Lotta Love: The Music Of Led Zeppelin is a highlight all to itself. βKashmirβ is an atypical and polyrhythmic journey into the mysticism that Zeppelin only hinted about while βFor Your Lifeβ and βCustard Pieβ both flaunt an effortless strut. βThe Battle Of Evermoreβ takes the tone of a stirring and soaring ballad whereas βIn My Time Of Dyingβ delivers a funky groove coloured by blue notes and unique harmonies without disrupting the lingering darkness of the original. The album comes to a strong close with an absolutely stunning cover of βNo Quarterβ.
Whole Lotta Love: The Music Of Led Zeppelin demonstrates a band in top form as they take these songs, tracks that are considered quintessential to the rock βnβ roll lexicon, and flip them into what sounds as if theyβre jazz standards. Their ability to do so lies in their excellent performance β the musicality from all members is stellar β and their conviction. A lesser band would have played a note for note transcription with a swung element and called it a day; however, Calvaire, Franceschini, Hays, and Fleming outclass their peers and bring justice to the legacy of Led Zeppelin. Furthermore, this album speaks bounds to the songwriting and performance of Zeppelin; there is something universally timeless to their work and Whole Lotta Love: The Music Of Led Zeppelin emphasises just that at its heart. Calvaire, Franceschini, Hays, and Fleming have delivered an incredible and passionate album, front to back, and will leave you feeling genuinely thrilled with such a revitalized rendition of some of Zeppelinβs greatest songs β just donβt tell the jazz police.
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SPILL ALBUM REVIEW: OBED CALVAIRE, BOB FRANCESCHINI, KEVIN HAYS & ORLANDO LE FLEMING – WHOLE LOTTA LOVE: THE MUSIC OF LED ZEPPELIN
Gerrod Harris