The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: CALLUM PITT – IN THE BALANCE
SPILL ALBUM REVIEW: LAURA WOLF – SHELF LIFE
SPILL ALBUM REVIEW: RORY McBRIDE – SONIC LULLABY
SPILL ALBUM REVIEW: NIALL CONNOLLY – THE PATIENCE OF TREES
SPILL ALBUM REVIEW: STEVE FORBERT – STREETS OF THIS TOWN: REVISITED
SPILL ALBUM REVIEW: GLORYHAMMER – RETURN TO THE KINGDOM OF FIFE
SPILL ALBUM REVIEW: HALF MOON RUN – SALT
SPILL ALBUM REVIEW: BEN FOLDS – WHAT MATTERS MOST
SPILL ALBUM REVIEW: BEACH FOSSILS – BUNNY
SPILL NEWS: BLUE ÖYSTER CULT RETURNS TO FRONTIERS MUSIC SRL | SPECIAL 50th ANNIVERSARY MUSIC PACKAGES SET FOR RELEASE STARTING LATER THIS YEAR
SPILL NEW MUSIC: HANNAH GEORGAS ANNOUNCES NEW ALBUM DETAILS
SPILL NEWS: SPEEDY ORTIZ ANNOUNCE NEW ALBUM ‘RABBIT RABBIT’ & SHARE NEW SINGLE/VIDEO FOR “YOU S02” | TOUR DATES
SPILL VIDEO PREMIERE: THE BLUES EMERGENCY – “A LOVE REVOLUTION”
SPILL FEATURE: FIRST MOVEMENT – A CONVERSATION WITH MISTER JOSHOOA
SPILL VIDEO PREMIERE: ROB CROW & KRAMER – “KEROSENE”
SPILL NEW MUSIC: GISUN – “VEO VEO”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
429
Editor Pick
previous article
SPILL ALBUM REVIEW: ROGER WATERS - AMUSED TO DEATH (RE-ISSUE)
next article
SPILL ALBUM REVIEW: BASSNECTAR - INTO THE SUN

SPILL ALBUM REVIEW: NEIL YOUNG & PROMISE OF THE REAL – THE MONSANTO YEARS

neil young & promise of the real

Neil Young & Promise Of The Real
The Monsanto Years
Reprise Records/WEA International Inc.
RATING

The golden age of protest songs came to an end in the late’60s, but the echoes of that age and the voice of a whole generation are still heard today. They continue to make an impact on our lives. Times, they have a-changed!

In spite of the possibilities of seemingly limitless communication, there are fewer and fewer artists who speak from their heart and make music with depth. Artists like U2 and Pearl Jam come to mind, but they seem a rare exception, not the general rule.

Messages or meaningful lyrics make people uncomfortable and uncomfortable people are a difficult sell. Morals and ethics bring with them a heavy burden, an unnecessary dark cloud in a society that wants candy and rainbows, and the odd dancing shark. Truth be told, people just want to hear about love.

Don’t get me wrong, it’s not all fluff and stuff. There are countless songs and complete albums over the years that continue to awaken the spirit of dissent. Pink Floyd’s “Another Brick in the Wall” and Neil Young’s Living with War are two examples of the frustration, anger, pity, and ultimately utter meaninglessness of war. Black Sabbath’s Paranoid, with its angry track “War Pigs / Luke’s Wall,” is also a good example to behold. There are indeed a few protesting voices, but there may not be enough, and that brings us to The Monsanto Years.

It is not a very polished album. As a matter of fact it is raw. It has that intangible Neil Young signature which permeates all of his work. It is very noticeable that it lacks much of the production value that exists in today’s corporate offerings. It definitely avoids multiple takes and auto anything.

The Monsanto Years is a beautifully crafted and honest reflection on food production. Yes, food production. At first glance, this may not seem like a very sexy topic, but the album guides the listener through a complex world of fundamental human rights that seem to be disappearing. This recording may not be for everyone, but no one, and I mean no one, protests and whistles better than Neil Young!

This is Young’s 36th studio album (Think about that for a minute). Thirty-sixth studio recording! He may be a little older, but there is much youth in Neil Young, and no indication of slowing down. Perhaps this is because he is an eternal musician, or maybe it’s his medicinal herbs, or perhaps it is simply the youthful company he keeps.

If we exclude his lifelong collaboration with longtime friends like Stephen Stills and his tribe Crazy Horse, Young does not collaborate very often. The last time he worked on a full album with an established band was in 1995. At that time he recorded his 22nd album, Mirror Ball, with members of Pearl Jam.

The Monsanto Years is a new collaboration. Young partners up with Willie Nelson’s sons Lukas and Micah, as well as Lukas Nelson’s full-time band The Promise of the Real. There is a deep, multilayered connection here. Young has been a fervent supporter of Willie Nelson’s Farm Aid over the years, which certainly has everything to do with seeds and food production. He also helped and recorded Lukas Nelson’s most recent album Wasted. As a matter of fact, Promise of the Real derives their name from Neil Young’s song “Walk On,” from his fantastic On the Beach album. “Some get stoned, some get strange, but sooner or later, it all gets real.” There is a magical musical cohesiveness throughout the tracks. Side One offers a general reflection and Neil Young’s ire. It is an attack on a society obsessed with profit. Side Two mounts a more personal attack on Starbucks and the Monsanto corporation.

The album begins with an upbeat song of hope and a call for action. This leads to a very moving ode with “Wolf Moon,” reminiscent of Neil Young’s Harvest. It doesn’t take long for the sarcasm, irony, and anger to take root. “Big Box” and “People Want to Hear About Love” are lengthy numbers, filled with a great rhythm and grungy guitar melodies. Young laments the fact that ordinary people don’t want to engage in any conversation of any depth. What they really want are the superficial, instant, feelings of love.

In “Big Box,” he takes aim at Walmart for the way they have withheld basic health benefits from their employees by manipulating their payroll and offering only part-time hours. This is a smart business move, but a decision that stifles the soul.

Workin’ Man” tells the story of an Indiana farmer who earned his living from selling seeds. We learn through the song that Supreme Court Justice Clarence Thomas, who worked for Monsanto, made such practice unlawful. Our farmer finds himself in need of a legal defense because of patent infringement. I am not sure how, but the melody itself is very accusatory, and leads the listener to reflect on something that makes little sense.

Rules of Change” continues the story on a philosophical level, examining the insanity of a man-made corporation owning the genetics of plant life. If seeds can be owned by companies, are we destined to own human DNA as well? Will we go back to owning people?

The Monsanto Years is very seductive. The rhythm sways your soul and hypnotizes your senses. The word Monsato is used like a meditative mantra to help the listener understand the treatise. This is the main track, with a definitive and unrelenting “up yours” message. This is irony and sarcasm at its best.

“Don’t care now what the Bible said so long ago not Monsanto, Monsanto
Give us this day our daily bread and let us not go with Monsanto, Monsanto
The seeds of life are not what they once were
Mother Nature and God don’t own them anymore”

The final track offers a perfect metaphysical conclusion. “If I Don’t Know” is a personal self-reflection. It asks, “is it worth it?” Neil Young wonders if any of his words over the years really make a difference. He wants to know if ordinary people really are too stubborn or if those with power will do what they want anyway. This is a fitting ending, because these simple songs of protest are invitation to continue the discussion. Perhaps a conversation about this album and our Monsanto years can begin here at Spill Magazine, in the comments section.

Happy listening.

ARTIST LINK:

band website

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

* Mandatory Field

Check your inbox or spam folder now (just in case!) to confirm your subscription.

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: NEIL YOUNG & PROMISE OF THE REAL – THE MONSANTO YEARS

Author

Greg Kieszkowski

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
47.3
8.0
Total Spill Rating
47.3
Total Fan Rating
3 ratings
You have rated this
Album Reviews
a rock star bucks a coffee shopalbum reviewsbig boxmonsanto yearsneil young & promise of the realpeople want to hear about lovereprise recordswea international inc.
a rock star bucks a coffee shop, album reviews, big box, monsanto years, neil young & promise of the real, people want to hear about love, reprise records, wea international inc.
About the Author
Greg Kieszkowski
Grzegorz Kieszkowski originally hails from Bydgoszcz, Poland. After his father was released from prison in 1984, for his involvement with the Solidarity movement, Greg and his family escaped to Canada in 1985. He makes Cobourg his home, along with his wife and two small children. Greg is a graduate of York University, with a double major in English and Philosophy. Music has always been in his blood, and although his tastes have matured, he will always have a soft spot for the Metal days of the late 1980’s. He is a full time English teacher and a professional photographer. Part of the allure of writing is the possibility of conversation, and he would love to hear your comments and opinions. Please feel free to visit his personal website - grzegorzkieszkowski.com.
RELATED ARTICLES
album reviewsneil young & promise of the realreprise records
 
8.0
Callum Pitt
10

SPILL ALBUM REVIEW: CALLUM PITT – IN THE BALANCE

by Ljubinko Zivkovic on June 2, 2023
Callum Pitt In The Balance Kaleidoscope Music Very often, it is quite a challenge for artists releasing a debut album, not only to come up with right music, but also with a title that would describe that music the best. Newcastle, England [...]
 
9.0
Laura Wolf

SPILL ALBUM REVIEW: LAURA WOLF – SHELF LIFE

by Ljubinko Zivkovic on June 2, 2023
Laura Wolf Shelf Life Whatever’s Clever Back in the late 90s folktronica was all the rage. But somehow, and for whatever reason, the whole shebang seemed to have been lost, with or without translation, with most of the artists going one [...]
 
8.0
Rory McBride

SPILL ALBUM REVIEW: RORY McBRIDE – SONIC LULLABY

by Ljubinko Zivkovic on June 2, 2023
Rory McBride Sonic Lullaby Independent Keeping things short and sweet just might be a perfect way for an artist to introduce themself and their music to the world. That is exactly the route 29-yr-old American singer/songwriter/poet Rory Mc Bride [...]
 
9.0
Niall Connolly
10

SPILL ALBUM REVIEW: NIALL CONNOLLY – THE PATIENCE OF TREES

by Aaron Badgley on June 2, 2023
Niall Connolly The Patience Of Trees C.U. Records Niall Connolly was born in the suburbs of Cork, Ireland but is now based in New York City. Over the years he has made a career as a folk-rock artist. He is back with a new studio album, The [...]
 
8.0
Steve Forbert

SPILL ALBUM REVIEW: STEVE FORBERT – STREETS OF THIS TOWN: REVISITED

by Aaron Badgley on June 2, 2023
Steve Forbert Streets Of This Town: Revisited Blue Rose Music Steve Forbert has been making records for a very long time, and in the 1970s, he shifted from his folk roots and incorporated more of a pop sound. He was once given the label ‘The New [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: CALLUM PITT – IN THE BALANCE
8.0
10
 
SPILL ALBUM REVIEW: LAURA WOLF – SHELF LIFE
9.0
 
SPILL ALBUM REVIEW: RORY McBRIDE – SONIC LULLABY
8.0
 
SPILL ALBUM REVIEW: NIALL CONNOLLY – THE PATIENCE OF TREES
9.0
10
 
SPILL ALBUM REVIEW: STEVE FORBERT – STREETS OF THIS TOWN: REV...
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

* Mandatory Field

Check your inbox or spam folder now (just in case!) to confirm your subscription.

Tweets by @spillmagazine

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2023 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL NEWS: RINGO STARR AND HIS ALL STARR BAND ADD DATES TO SPRING 2023 TOUR
7842
 
SPILL ALBUM REVIEW: METALLICA – 72 SEASONS
3653
 
SPILL ALBUM REVIEW: JETHRO TULL – RÖKFLÖTE
1536
 
SPILL FEATURE: LOVE THAT WE WERE LIVING – A CONVERSATION WITH JUSTIN HAYWARD OF THE MOODY BLUES
1385
 
SPILL ALBUM REVIEW: DELERIUM – SIGNS
1230
 
SPILL NEW MUSIC: EMMA ARMSTRONG – “MAYBE PROBABLY NEVER”
1187
 
SPILL FEATURE: RECOLLECTION IN TRANQUILITY – A CONVERSATION WITH JOHN FOXX
846
 
SPILL ALBUM REVIEW: THE KINKS – THE JOURNEY – PART 1
727
 
SPILL ALBUM REVIEW: THE WHO – THE WHO WITH ORCHESTRA: LIVE AT WEMBLEY
705
 
SPILL ALBUM REVIEW: THE DAMNED – DARKADELIC
640
 
SPILL ALBUM REVIEW: GLORYHAMMER – RETURN TO THE KINGDOM OF FIFE
592
 
SPILL ALBUM REVIEW: HALF MOON RUN – SALT
529
 
SPILL ALBUM REVIEW: CROWN LANDS – FEARLESS
517
ENTERTAINMENT HEADLINES