The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: SIGNALS FROM THE FUTURE: INTRODUCING THE LUCY DREAMS PERFUME
SPILL NEW MUSIC: KMFDM – “ENEMY (INHALT GELD ’88 REMIX)”
SPILL NEW MUSIC: RUSH CONTINUE ‘FIFTY SOMETHING’ CELEBRATION WITH ‘2112 (50TH ANNIVERSARY)’ AND ‘THE SPIRIT OF RADIO: GREATEST HITS 1974-1987’
SPILL ALBUM REVIEW: THE MOUNTAIN GOATS – DAYS
SPILL ALBUM REVIEW: CANCER BATS – GIVE ME DIRT
SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?
SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHIODOS IN TORONTO AT THE CONCERT HALL ON AUGUST 19!
SPILL NEW MUSIC: ARIANA FIG – “I HOPE YOU LOVE ME”
SPILL NEW MUSIC: ARK IDENTITY DELIVERS A TENSE, SURREAL JOURNEY ON GENRE-DEFYING NEW SINGLE “SIGNALS”
SPILL VIDEO PREMIERE: SLEDDING – “MY GOLDEN TEMPO”
SPILL MUSIC PREMIERE: GO PUBLIC – “DREAM OVER”
SPILL NEW MUSIC: M. WOODROE RELEASE BRAND NEW SINGLE “CARTE BLANCHE” VIA VENN RECORDS | DEBUT EP ‘THE TREATMENT OF FRACTURES’ ARRIVES SEPTEMBER 18
SPILL NEWS: CAT CLYDE ANNOUNCES CO-HEADLINE TOUR WITH DEAN JOHNSON IN WESTERN U.S. & CANADA | ACCLAIMED NEW ALBUM ‘MUD BLOOD BONE’ OUT NOW
SPILL NEWS: BETTY MOON’S 2003 ALBUM ‘DOLL MACHINE’ ARRIVES ON STREAMING PLATFORMS FOR THE FIRST TIME
SPILL NEWS: BARENAKED LADIES OFFER WISDOM & WIT ON TENDER NEW SONG “CAREFUL (FOR DEE)”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
171
previous article
SPILL ALBUM REVIEW: BRYAN FERRY & AMELIA BARRATT - LOOSE TALK
next article
SPILL ALBUM REVIEW: BRKN LOVE - THE PROGRAM

SPILL ALBUM REVIEW: MEMPHIS MAY FIRE – SHAPESHIFTER

Memphis May Fire

MEMPHIS MAY FIRE
SHAPESHIFTER
RISE RECORDS

Memphis May Fire boasts a rich and dynamic history in the metalcore scene, having played a pivotal role in shaping the future of the genre. Throughout their journey, marked by both exhilarating highs and challenging lows, the band has consistently transformed their personal struggles into empowering musical moments. Albums like The Hollow, Challenger, and Blood & Water serve as dominant and compelling examples of their creativity, revealing that when they dedicate time to crafting a record, unique and powerful magic unfolds from these experiences.

While Remade In Misery highlighted their knack for crafting an enjoyable auditory experience without necessarily making monumental impacts, some fans found themselves longing for a return to the band’s heavier, nostalgic roots. Those earlier works were characterized by infectious choruses and bone-crushing breakdowns that linger in the memory. As Shapeshifter, their latest release, hits the airwaves, fans are left to ponder: will Memphis May Fire be able to tap back into that electrifying energy once more?

Memphis May Fire has successfully recaptured their earlier sound and then some with their latest release, Shapeshifter. True to its name, Shapeshifter showcases a kaleidoscopic evolution in the band’s sound, pushing the limits of their creative potential. The result is an album that is not only engaging and entertaining but also reflects the vibrant energy of a band that is back to crafting moments that instill confidence and showcase their lasting presence in the scene.

From the outset, tracks like “Chaotic”, “Infection”, and “Overdose” featuring metalcore luminaries Blindside serve as striking demonstrations of the band’s powerful return to form. These songs reconnect with their heavier roots, resonating through one’s headphones like the comforting presence of an old friend. As one listens, the nostalgia slowly seeps in, bringing back fond, heavy, metallic, and agitated memories, while simultaneously inviting you to embark on new adventures together, enriching one’s musical journey.

Mullins showcases an impressive range of vocal talent throughout these tracks, delivering powerful screams that have become a hallmark of his style. He skillfully weaves in intriguing rap elements that effectively complement his aggressive vocal delivery, creating a dynamic listening experience. This melding of influences highlights the band’s evolution while honouring their past.

Moreover, Memphis May Fire demonstrates a remarkable resurgence by crafting moments of musical brilliance. Each track flows seamlessly into the next, infused with a palpable sense of confidence and comfort. This collection of songs has reignited a burning passion within their sound, but there is also a deliberate focus on allowing the cathodic and atmospheric tension in each piece to breathe. The heavier elements are meticulously balanced, creating a rich sonic landscape that invites one to delve deeper into the intricacies of their music. This careful attention to detail enhances the overall experience, making each listen an engaging and immersive emprise.

Memphis May Fire

HONESTY ISN’T ALWAYS PRETTY – A CONVERSATION WITH MEMPHIS MAY FIRE

“Paralyzed”, “Hell Is Empty”, and “Necessary Evil” showcase the band’s extraordinary creative potential, marked by a seamless blend of innovation and musical diversity. While the band has proven their ability to craft experiences that highlight their artistic brilliance, since Blood & Water, it had been a rarity to witness such entertaining twists and turns of creative energies in quick succession. Shapeshifter exemplifies not only strong songwriting but also showcases polished production values that elevate each track. Something brilliant has happened here, where the guitar riffs and percussive energies feel more alive and dynamic, yet captivating and memorable against Mullins’ vocals, weaving throughout the songs with such finesse. Additionally, Mullins’ vocal versatility shines through, presenting a range of styles that further enhance their sound. While only halfway through the record, Shapeshifter represents a significant maturation in their artistry, as they have fully embraced and molded these elements, resulting in a compelling listening experience that is fresh and reflective of their signature style.

“The Other Side”, “Shapeshifter”, and “Versus” take a more emotional and melodic approach, effectively utilizing electronic elements alongside a trademark blend of intense, pained vocals and gravid guitars. Together, they create a nightmarish world filled with feelings of helplessness, pain, suffering, and defiance. In many ways, Memphis May Fire has built on the themes of questioning reality explored in Remade In Misery and has transitioned into darker and angrier territory. What does gaining self-awareness from such experiences mean? Why does it sometimes transform us into something we barely recognize? What does it mean to wrestle with these emotions while trying to avoid succumbing to despair that put you there in the first place? Memphis May Fire frequently explores this concept in their albums, but Shapeshifter stands out as it seems to convey these emotions from a more authentic perspective. Working mostly from Mullins’ home studio, this different approach has added a sense of comfort, depth, and resonance to their music, enhancing the new album’s overall listening experience.

As Shapeshifter ends with the final track, “Love Is War”, Memphis May Fire asserts their vitriol-fueled presence with one of their strongest finishers. Serving as a powerful culmination of everything that defines Memphis May Fire’s impressive impact on this album, Shapeshifter ends strong, successfully showcasing an album that has exceeded expectations with each track.

Shapeshifter represents a significant evolution in Memphis May Fire’s musical journey, setting a hopeful tone for their future. This album intricately weaves a narrative of hardship and emotional turmoil, exploring themes of misfortune and the struggle against despair. Despite being ensnared in a period of darkness, the band ultimately emerges into a realm of peace and healing. With Shapeshifter, Memphis May Fire re-establishes their presence in the music scene, delivering a compelling body of work that reflects their resilience and growth. It’s a powerful accent of their artistry and potential, proving that they always could produce this kind of profound record; it merely took time for them to navigate their path and reach this point. Welcome back, Memphis May Fire—you’ve shown us once again that your drive to inspire and entertain has not faltered but merely blossomed into something bigger and better. Whether it was a much-needed escape for personal reflection or a well-deserved break that has ignited Memphis May Fire’s revitalized spirit of courage and determination, the outcome is promising for the band’s trajectory this year. This renewed sense of fearlessness within the masterpiece that is Shapeshifter suggests that they are not only evolving but are also ready to tackle new challenges head-on, channeling their experiences into powerful music that resonates with their fans once again. As they move forward, it’s clear that their time away has reinvigorated their creativity and commitment, setting the stage for another exciting chapter in their journey.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: MEMPHIS MAY FIRE – SHAPESHIFTER

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
9.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsblindsidememphis may fireoverdoserise recordsshapeshifter
album review, album reviews, blindside, memphis may fire, overdose, rise records, shapeshifter
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviewsblindside
 
8.0
The Mountain Goats

SPILL ALBUM REVIEW: THE MOUNTAIN GOATS – DAYS

by Nathan Pike on August 7, 2026
THE MOUNTAIN GOATS DAYS CADMEAN DAWN RECORDS Reviewing a Mountain Goats album can be a bit of a tall order. It’s like trying to describe the taste of an apple to an apple virgin. There are so many variables and textures and tastes that [...]
 
8.0
Cancer Bats
8.8

SPILL ALBUM REVIEW: CANCER BATS – GIVE ME DIRT

by Gerrod Harris on August 7, 2026
CANCER BATS GIVE ME DIRT BAT SKULL RECORDS/NEW DAMAGE RECORDS Riding high off the 20-year anniversary of their debut album, Birthing The Giant, which was celebrated with a triumphant cross-Canada tour, Cancer Bats have returned with Give Me [...]
 
9.0
Strawberry Alarm Clock
8.5

SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?

by Aaron Badgley on August 7, 2026
STRAWBERRY ALARM CLOCK WHERE’S ONE? BIG STIR RECORDS When Strawberry Alarm Clock formed in 1967, it was really the coming together of two bands (Thee Sixpence and Waterfyrd Traene), and when they released their debut single, “Incense and [...]
 
10
John Carpenter
6.5

SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL

by Samantha Andujar on August 7, 2026
JOHN CARPENTER CATHEDRAL SACRED BONES RECORDS  John Carpenter has long been known for turning nightmares into something tangible. For Carpenter’s new album, Cathedral, this is no different. In many ways, it grimly depicts a setting befitting of [...]
 
7.0
Charlie Edward
9.0

SPILL ALBUM REVIEW: CHARLIE EDWARD – PUSHING MY LUCK

by Gerrod Harris on July 31, 2026
CHARLIE EDWARD PUSHING MY LUCK ADA/WARNER MUSIC CANADA When not sharing the stage with Big Wreck, Joe Perry, Mötley Crüe, or Greta Van Fleet, Toronto’s Charlie Edward has spent much of the last year writing and recording the follow-up to his [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE MOUNTAIN GOATS – DAYS
8.0
 
SPILL ALBUM REVIEW: CANCER BATS – GIVE ME DIRT
8.0
8.8
 
SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?
9.0
8.5
 
SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL
10
6.5
 
SPILL ALBUM REVIEW: CHARLIE EDWARD – PUSHING MY LUCK
7.0
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
979
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
777
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
746
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
727
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
659
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
656
 
SPILL FEATURE: I AM OK WITH BEING OPTIMISTIC – A CONVERSATION WITH JOHN DOUGLAS OF TRASHCAN SINATRAS
647
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
553
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
540
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
524
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
488
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
450
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
448
ENTERTAINMENT HEADLINES