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SPILL ALBUM REVIEW: LEE FIELDS – SENTIMENTAL FOOL

Lee Fields

Lee Fields
Sentimental Fool
Daptone Records

This is soul singing legend Lee Fields’ first new album in three years, and also his debut album for Daptone Records, though he has had 45s on the label before. It is also a strong, no-nonsense soul set – this is real soul singing, not retro- or nu-soul. Lend an ear to “I Should Have Let You Be” with its wonderful arrangements, or listen to the way he wrings the emotion out of “Ordinary Lives”, like many of the tracks on this set a medium- to slow- tempo’ed number. It’s a southern-styled album too, with echoes of Otis Redding – try “Just Give Me Your Time”, and especially “What Did I Do?” There are also shades here of Sam Cooke (listen closely near to the end of the title track); maybe a couple of Al other top-notch deep singers from Memphis or Muscle Shoals too. There’s even a blues reference on “Two Jobs”. There’s not much sign of James Brown on this release though, despite Fields’ moniker of “Little JB” many years back. The ballad “Extraordinary Man”’ reveals Fields’ grounding in gospel music and makes for a very impressive closing number; it also describes Fields quite accurately.



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SPILL ALBUM REVIEW: LEE FIELDS – SENTIMENTAL FOOL

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About the Author
Norman Darwen
Norman Darwen grew up in north-west England admiring Elvis’ gold lamé jacket, Lord Kitchener’s way with words, and his much older brother’s and sister’s dancing to The Rolling Stones’ ‘Little Red Rooster’ on the telly. He’d wind aforementioned brother up by reading the entire contents of an R’n’B magazine he used to have to collect from his local shop for him and then reciting back as much as he could remember. Some years later he’d wind up his own friends by telling them who these people were that Led Zeppelin etc were covering – Willie Dixon, Howling Wolf, Otis Rush etc. These days he still listens to the blues, but has added a taste for reggae, zouk, rap, folk and anything else that takes his fancy…
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