The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: HEALTH – CONFLICT DLC
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
SPILL NEWS: MELBOURNE BAND EXEK SIGN TO DFA | ANNOUNCE ALBUM PROVE THE MOUNTAINS MOVE OUT FEBRUARY 27
SPILL NEW MUSIC: BORY ANNOUNCES SIGNING TO NEW TORONTO LABEL BLEAK ENTERPRISE | SHARES NEW SINGLE
SPILL NEWS: TRIUMPH ANNOUNCES FIRST TOUR IN 30 YEARS WITH 50th ANNIVERSARY NORTH AMERICAN TOUR
SPILL NEW MUSIC: THE AFGHAN WHIGS RELEASE TWO NEW TRACKS “FAKE LIKE” + “DOWNTOWN”
SPILL FEATURE: PUT YOUR POLITICAL MESSAGE ACROSS WITH A LITTLE HONEY – A CONVERSATION WITH SEAN ONO LENNON
SPILL NEWS: CALGARY’S SLED ISLAND MUSIC & ARTS FESTIVAL ANNOUNCES 2026 GUEST CURATOR CLIPPING.
SPILL NEWS: WHAM!’S BELOVED AND TIMELESS HOLIDAY HIT “LAST CHRISTMAS” REACHES HIGHEST PEAK EVER ON BILLBOARD HOT 100 AND HOLIDAY 100 CHARTS
SPILL VIDEO PREMIERE: ABRONIA – “WEAPONS AGAINST PROGRESS”
SPILL FEATURE: A CELEBRATION OF ALL THE PEOPLE WHO BROUGHT US TO THIS POINT – A CONVERSATION WITH DAVE BIDINI OF RHEOSTATICS
SPILL FEATURE: BIRDS AND MUSICIANS HAVE A LOT IN COMMON – A CONVERSATION WITH COLEMAN WILLIAMS
SPILL FEATURE: REWIND, REMIX, REIMAGINE – A CONVERSATION WITH ROLAND GIFT OF FINE YOUNG CANNIBALS
SPILL NEWS: COLDWAVE DUO TRAITRS STRIP BACK THE DARKNESS
SPILL FEATURE: JUST GET OFF THE FUCKING PHONE – A CONVERSATION WITH JOHN FAMIGLIETTI OF HEALTH
SPILL FEATURE: NAUGHTY, NICE & NOISE – SPILL MAGAZINE TEARS INTO THE BEST & WORST OF THE 2025 CHRISTMAS RELEASES (THE SINGLES)
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
279
previous article
SPILL ALBUM REVIEW: BETTYE LaVETTE - THINGS HAVE CHANGED
next article
SPILL LIVE REVIEW: ALICE IN CHAINS w/ THE WALKING PAPERS @ MASSEY HALL, TORONTO

SPILL ALBUM REVIEW: FLESH EATING FOUNDATION – WE ARE FUCKED

Flesh Eating Foundation

Flesh Eating Foundation
We Are Fucked
Sonic Entrails Records

Flesh Eating Foundation have been recording since 2008, and since then they have amassed quite a catalogue. We Are Fucked is their seventh album, and their best yet. The band consists of John E. Smoke (vocals and noises), who is one of the few visually and hearing impaired singers in music. Also in the band is The Juddaman (writing, voices and noises), and Jules (axes and shouts). The band is joined by Mash and Big Un on guitars. The band wrote, recorded, mixed and produced the album in their own home studio. This is grassroots at its finest.

Flesh Eating Foundation are clearly independent and in being so, are pretty free to express themselves. Fans of the band will know what to expect with this album. This is hard driving electro punk music. From the opening chords to the end of the album, Flesh Eating Foundation grab the listener and do not let go. The album opens with the title track, “We Are Fucked” and ends with a remix of the same song. This sets the tone. Heavy synth sounds, vocals more yelling than singing convey an overall sense of intense anger. Flesh Eating Foundation may be ten years older, but they are not showing signs of slowing down or being any less angry.

The band has asked for other performers and DJs to remix some of the songs, and the album concludes with three mixes of “We Are Fucked” and two mixes of “Having Fun”. Normally, remixes are added on to the album for marketing purposes. But here, the mixes are part of the album. Not only do they give fresh spins on the songs, they add to the material in a very positive way.

We Are Fucked is not album of electronic noise. Everything they do has a purpose. It may sound chaotic, but the album is well orchestrated and constructed. One cannot help but think that the band want people to have something to think about as they throw themselves about the dance floor. In this regard they succeed. There is a lot to be angry about in the world today, and Flesh Eating Foundation are not afraid to wade in with their views and opinions. The music matches.

Label mate, Adam Probert, provides vocals on the song “Futurelast”, which adds a different dimension to the album, and Probert’s vocals are strong and loud by anyone’s standards.

This is a great album, full of angry electronic music. There is a sameness throughout the album, as one might expect. And this is not for everybody’s taste. Most will find the remixes somewhat more accessible, but overall they deliver on their promise. With a title like We Are Fucked, one can expect anger, yelling and hardcore electronica.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: FLESH EATING FOUNDATION – WE ARE FUCKED

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
7.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
adam probertalbum reviewsflesh eating foundationfuturelastwe are censoredwe are fucked
adam probert, album reviews, flesh eating foundation, futurelast, we are censored, we are fucked
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviews
 
9.0
HEALTH

SPILL ALBUM REVIEW: HEALTH – CONFLICT DLC

by Ben Scanga on December 11, 2025
HEALTH CONFLICT DLC LOMA VISTA RECORDINGS Prominent and adventurous industrial/noise veterans, HEALTH, return to the scene with a fresh spread of a dozen tracks. Seeing as the group is no stranger to critical acclaim and possesses a strong [...]
 
9.0
Melanie

SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965

by Aaron Badgley on December 11, 2025
MELANIE THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965 CLEOPATRA RECORDS Melanie Safka, who spent most of her professional life performing as simply Melanie, got her start in New York City around the time that Bob Dylan’s [...]
 
8.0
I'm With Her

SPILL ALBUM REVIEW: I’M WITH HER – SONGS FROM THE STAGE: KANSAS CITY (HI RES)

by Ljubinko Zivkovic on December 5, 2025
I’M WITH HER SONGS FROM THE STAGE: KANSAS CITY (HI RES) ROUNDER Sarah Jarosz, Aoife O’Donovan, and Sara Watkins made a name for themselves both as solo artists and as a trio that goes under the banner, I’m With Her. Their album Wild and [...]
 
10
Nate Vickers

SPILL ALBUM REVIEW: NATE VICKERS – DON’T LOOK DOWN EP

by Samantha Andujar on December 5, 2025
NATE VICKERS DON’T LOOK DOWN EP OXIDE RECORDS When making an EP, the creative challenge lies in turning a few songs into a unified experience. For solo artist Nate Vickers, his new EP shows his talent for transforming a confined creative space [...]
 
9.0
Nick & June

SPILL ALBUM REVIEW: NICK & JUNE – NEW YEAR’S FACE

by Ljubinko Zivkovic on December 5, 2025
NICK & JUNE NEW YEAR’S FACE INDEPENDENT It has been something like two years since we last heard from Berlin duo Nick & June. This time, they have gone to the United States to record an album, one that adds new touches to their [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: HEALTH – CONFLICT DLC
9.0
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBO...
9.0
 
SPILL ALBUM REVIEW: I’M WITH HER – SONGS FROM THE STAGE...
8.0
 
SPILL ALBUM REVIEW: NATE VICKERS – DON’T LOOK DOWN EP
10
 
SPILL ALBUM REVIEW: NICK & JUNE – NEW YEAR’S FACE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2025 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: RICHARD ASHCROFT – LOVIN’ YOU
847
 
SPILL ALBUM REVIEW: CHAMELEONS – ARCTIC MOON
839
 
SPILL ALBUM REVIEW: BIG WRECK – THE REST OF THE STORY
710
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
702
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
655
 
SPILL ALBUM REVIEW: STEVE PORCARO – THE VERY DAY
624
 
SPILL LIVE REVIEW: QUEENS OF THE STONE AGE w/ PARIS JACKSON @ MASSEY HALL, TORONTO
595
 
SPILL ALBUM REVIEW: SLOAN – BASED ON THE BEST SELLER
586
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
542
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
514
 
SPILL ALBUM REVIEW: ODC – TWISTED LOVE
487
 
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE MEN WITHOUT HATS AT THE MOD CLUB ON NOVEMBER 20!
477
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
472
ENTERTAINMENT HEADLINES