The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
13
new
SPILL MUSIC PREMIERE: VELOCITY MADE GOOD – “COMING UP THREES”
SPILL NEW MUSIC: WEATHERELL RELEASES NEW SINGLE “CANDY EYES” | DEBUT ALBUM ‘LONELY SOUL’ COMING SOON
SPILL NEWS: SHEBAD RELEASE “DANCING NONSTOP” | NORTH AMERICAN TOUR DATES
SPILL NEW MUSIC: THE DURUTTI COLUMN RELEASE NEW SINGLE “SCAMMER” | NEW ALBUM ‘RENASCENT’ OUT JULY 31
SPILL NEW MUSIC: NEW REMIX BY VOLKER MILCH | PROTONAUT’S “IT’S NOT A PHASE, MOM”
SPILL NEW MUSIC: THEE SACRED SOULS ANNOUNCE TWO NEW 45s
SPILL NEWS: DINOSAUR JR. ANNOUNCE NEW ALBUM OUT AUGUST 28 VIA JAGJAGUWAR + NORTH AMERICAN TOUR
SPILL NEWS: BRITISH MTV LEGEND THOMAS DOLBY & THE LOST TOY PEOPLE SET TO HEADLINE 2026 TOTALLY TUBULAR FESTIVAL | TOUR DATES KICK OFF NEXT MONTH
SPILL NEW MUSIC: CINDY BLACKMAN SANTANA SHARES “THE MESSAGE IS LOVE” | NEW ALBUM ‘COHERENCE’ OUT JULY 31 ON MACK AVENUE RECORDS
SPILL NEWS: ALT-ROCK VETS SLOTHRUST RETURN WITH SURREALIST DISRUPTOR’S ANTHEM “BURN THE DECK” | NEW SINGLE STREAMING NOW VIA EQUAL VISION RECORDS
SPILL NEWS: TRICKY SHARES NEW SINGLE “I’M YOURS” FROM FORTHCOMING ALBUM OUT JULY 17 | NORTH AMERICAN TOUR THIS FALL
SPILL NEWS: THE MISSION TO RELEASE FIRST THREE ALBUMS IN NEWLY MASTERED VINYL EDITIONS
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
331
previous article
SPILL ALBUM REVIEW: BETTYE LaVETTE - THINGS HAVE CHANGED
next article
SPILL LIVE REVIEW: ALICE IN CHAINS w/ THE WALKING PAPERS @ MASSEY HALL, TORONTO

SPILL ALBUM REVIEW: FLESH EATING FOUNDATION – WE ARE FUCKED

Flesh Eating Foundation

Flesh Eating Foundation
We Are Fucked
Sonic Entrails Records

Flesh Eating Foundation have been recording since 2008, and since then they have amassed quite a catalogue. We Are Fucked is their seventh album, and their best yet. The band consists of John E. Smoke (vocals and noises), who is one of the few visually and hearing impaired singers in music. Also in the band is The Juddaman (writing, voices and noises), and Jules (axes and shouts). The band is joined by Mash and Big Un on guitars. The band wrote, recorded, mixed and produced the album in their own home studio. This is grassroots at its finest.

Flesh Eating Foundation are clearly independent and in being so, are pretty free to express themselves. Fans of the band will know what to expect with this album. This is hard driving electro punk music. From the opening chords to the end of the album, Flesh Eating Foundation grab the listener and do not let go. The album opens with the title track, “We Are Fucked” and ends with a remix of the same song. This sets the tone. Heavy synth sounds, vocals more yelling than singing convey an overall sense of intense anger. Flesh Eating Foundation may be ten years older, but they are not showing signs of slowing down or being any less angry.

The band has asked for other performers and DJs to remix some of the songs, and the album concludes with three mixes of “We Are Fucked” and two mixes of “Having Fun”. Normally, remixes are added on to the album for marketing purposes. But here, the mixes are part of the album. Not only do they give fresh spins on the songs, they add to the material in a very positive way.

We Are Fucked is not album of electronic noise. Everything they do has a purpose. It may sound chaotic, but the album is well orchestrated and constructed. One cannot help but think that the band want people to have something to think about as they throw themselves about the dance floor. In this regard they succeed. There is a lot to be angry about in the world today, and Flesh Eating Foundation are not afraid to wade in with their views and opinions. The music matches.

Label mate, Adam Probert, provides vocals on the song “Futurelast”, which adds a different dimension to the album, and Probert’s vocals are strong and loud by anyone’s standards.

This is a great album, full of angry electronic music. There is a sameness throughout the album, as one might expect. And this is not for everybody’s taste. Most will find the remixes somewhat more accessible, but overall they deliver on their promise. With a title like We Are Fucked, one can expect anger, yelling and hardcore electronica.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: FLESH EATING FOUNDATION – WE ARE FUCKED

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
7.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
adam probertalbum reviewsflesh eating foundationfuturelastwe are censoredwe are fucked
adam probert, album reviews, flesh eating foundation, futurelast, we are censored, we are fucked
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviews
 
7.0
JJerome87

SPILL ALBUM REVIEW: JJEROME87 – THE CANYON

by John Porter on June 26, 2026
JJEROME87 THE CANYON MUSHROOM MUSIC | VIRGIN Alt-J frontman Joe Newman transforms, chameleon-like, into JJerome87 for The Canyon, his solo debut, and his music goes with him. Never one to miss a chance for innovation, Newman sets his stall out [...]
 
7.0
Pat Travers

SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004

by Aaron Badgley on June 26, 2026
PAT TRAVERS HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004 CLEOPATRA RECORDS Pat Travers continues to mine his live archive for never-before-released concerts for fans to enjoy. And it’s great that he does it too. This [...]
 
8.0
Cate Kennan

SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS

by Ljubinko Zivkovic on June 26, 2026
CATE KENNAN SHADOWS KRANKY Working in that not so defined musical ground between ethereal and dream pop can be a tricky affair, as it is currently populated by quite a few artists, and any relative newcomer is bound to be compared to somebody [...]
 
8.0
knitting

SPILL ALBUM REVIEW: KNITTING – SOUVENIR

by Ljubinko Zivkovic on June 26, 2026
KNITTING SOUVENIR MINT RECORDS Montreal’s knitting does love the sound of their guitars (quite evident on their debut Some Kind of Heaven from 2024), but simply labelling them as a slacker band, particularly listening to Souvenir, their [...]
 
8.0
proun

SPILL ALBUM REVIEW: PROUN – MAYBE LUCK

by Ljubinko Zivkovic on June 26, 2026
PROUN MAYBE LUCK GOOD ENGLISH RECORDS We can keep guessing (or not) at what Austin, TX trio proun had in mind when they named its debut album Maybe Luck, but it is hard to hear that the luck is involved in its music, as it can go from a whisper [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: JJEROME87 – THE CANYON
7.0
 
SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED –...
7.0
 
SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS
8.0
 
SPILL ALBUM REVIEW: KNITTING – SOUVENIR
8.0
 
SPILL ALBUM REVIEW: PROUN – MAYBE LUCK
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1240
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
811
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
760
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
755
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
674
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
672
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
632
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
600
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
594
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
553
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
493
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
470
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
470
ENTERTAINMENT HEADLINES