The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: BRIAN MAY OF QUEEN ADDS THE ROYAL STAMP OF APPROVAL TO WILLIAM SHATNER’S METAL ALBUM
SPILL NEWS: THE DARKNESS ANNOUNCE “BEST OF” ALBUM ‘CROCK OF HITS’ OUT NOVEMBER 27 VIA WARNER MUSIC
SPILL NEWS: MADDIE MEDLEY ANNOUNCES CO-HEADLINE TOUR WITH SHE RETURNS FROM WAR AND BIG GUY & THE VERY LARGE MEN | ‘FAWN’S ENEMY’ ALBUM OUT SEPTEMBER 25
SPILL NEWS: THE BROS. LANDRETH RELEASE ‘DOG EAR (LIVE)’ ALBUM VIA BIRTHDAY CAKE RECORDS
SPILL NEW MUSIC: RUMBLEFRENZ – “HIT THE ROAD”
SPILL VIDEO PREMIERE: SLEEPWALK – “SANDBOX”
SPILL NEWS: VANCOUVER VINTAGE SOUL QUARTET HONEYBEAR, THE BAND ANNOUNCES NEW ALBUM ‘THE CURE’ WITH TWO ALBUM RELEASE SHOWS
SPILL NEWS: SUNSHINE MAKERS RETURN WITH NEW SINGLE “THE LOVE WE GIVE” | SUPPORTING JEMBAA GROOVE SEPTEMBER 9 AT TORONTO’S DANCE CAVE
SPILL NEW MUSIC: THE SILENT BOYS – “SOUL OF THE SEA”
SPILL ALBUM REVIEW: AIRBOURNE – AIRBOURNE
SPILL ALBUM REVIEW: УВБ-76 – LEAN INTO THE SORROW
SPILL ALBUM REVIEW: ANGUS & JULIA STONE – KARAOKE BAR
SPILL ALBUM REVIEW: BLACK PAINT – BLACK PAINT
SPILL ALBUM REVIEW: MELISSA AUF DER MAUR – BASS WOMB ROOM: MY ’90S 4-TRACK DEMOS X FIELD RECORDINGS
SPILL ALBUM REVIEW: A. LEE EDWARDS – INTERPRETING HEART SOUNDS VOL. II
SPILL ALBUM REVIEW: DEXYS MIDNIGHT RUNNERS – LOVE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
393
Editor Pick
previous article
SPILL ALBUM REVIEW: BLUE TWISTED STEEL - INTRO
next article
SPILL NEWS: KEVIN DREW ANNOUNCED AS 2023 MUSICOUNTS INSPIRED MINDS AMBASSADOR AWARD RECIPIENT

SPILL ALBUM REVIEW: DROP TOP ALIBI – ANYWAYS…

Drop Top Alibi

Drop Top Alibi
Anyways…
Independent

Following their 2017 debut, self-titled EP, and a string of singles released since then, Toronto hard rock outfit Drop Top Alibi has returned with Anyways…. The five-track EP sees the band trade in their glam-oriented tone and firmly embrace their grunge roots with what is perhaps their strongest collection of songs yet.

Anyways… opens with the initial three singles: “Dylsong”, “A Place To Hide”, and “Some Sort Of Reaction”. The riff-heavy “Dylsong” hits hard as the album opener. With softer, simplified verse, the band comes alive with that massive chorus and a nuanced, ambient bridge section; it’s no wonder that “Dylsong” was the first single released from the record. “A Place To Hide”, with its rhythmic pulse and squealing guitar sounds like Queens Of The Stone Age’s take on arena rock while “Sort Of Reaction” brings a subtly sinister harmonic structure to what would otherwise be a straight ahead rocker with yet another banger for a chorus.

Recorded live off the floor with minimal overdubs – and largely using vintage gear – Anyways… rocks a gritty tone that further adds to the sense of darkness that surrounds much of the record. In many ways, this is a ‘90s record, made thirty years later. The album concludes with the remaining two tracks, neither released as singles. “Ridin 50’s” embraces these notions in full force with an off-kilter groove and relentless delivery accented by vocal harmonies and a growing sense of impending doom. Bringing the record to a close is the Soundgarden-inspired “Concrete Souls”, perhaps the darkest track on the album as the band employs abrasive dissonance and atmospheric textures for a stellar performance; I remember first hearing this song live and being blown away – the feeling remains.

Drop Top Alibi has found its sound on Anyways…, an EP that is a gem among the Toronto musical community that also raises the bar among the growing wave of independent rock bands. Standing among the strongest releases I’ve heard this year, I cannot praise the band enough for their raw performance and refined creativity. Anyways… is an exceptional step forward for Drop Top Alibi as they make a monstrous play for the spot as the coolest Canadian independent rock band.



Artist Links

website_flat_2016 facebook_flat_2016 instagram_flat_2016 youtube_flat_2016 bandcamp_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: DROP TOP ALIBI – ANYWAYS…

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.7
10
Total Spill Rating
9.7
Total Fan Rating
3 ratings
You have rated this
Album Reviews
album reviewalbum reviewsanyways...drop top alibidylsong
album review, album reviews, anyways..., drop top alibi, dylsong
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsdrop top alibi
 
8.0
Airbourne

SPILL ALBUM REVIEW: AIRBOURNE – AIRBOURNE

by Mike Matthew on September 4, 2026
AIRBOURNE AIRBOURNE SPINEFARM RECORDS Australia’s Airbourne are back with another injection of hard rawk adrenaline. This is Airbourne’s sixth album and the first one in seven years and they pick up exactly where they left off. Singer John [...]
 
8.0
УВБ-76

SPILL ALBUM REVIEW: УВБ-76 – LEAN INTO THE SORROW

by Stephan Kunze on September 4, 2026
УВБ-76 LEAN INTO THE SORROW HITACHI HOME VIDEO/INDEPENDENT Michael Mitchell, who records music under the name УВБ-76, describes Lean Into The Sorrow, his latest album, released on physical formats by the Hitachi Home Video label, as his “opus [...]
 
8.0
Angus & Julia Stone

SPILL ALBUM REVIEW: ANGUS & JULIA STONE – KARAOKE BAR

by Aaron Badgley on September 4, 2026
ANGUS & JULIA STONE KARAOKE BAR VIRGIN MUSIC Angus & Julia Stone formed their musical partnership in 2006, and Karaoke Bar is their sixth studio album. The siblings hail from Australia, and in their native country they have had several [...]
 
9.0
Black Paint

SPILL ALBUM REVIEW: BLACK PAINT – BLACK PAINT

by Gerrod Harris on September 4, 2026
BLACK PAINT BLACK PAINT INDEPENDENT For years, Black Paint has established themselves among the most exhilarating up and coming bands to emerge from the Greater Toronto Area. Blending aggressive blues rock with monstrous riffs, the power trio is [...]
 
8.0
Melissa Auf der Maur
8.2

SPILL ALBUM REVIEW: MELISSA AUF DER MAUR – BASS WOMB ROOM: MY ’90S 4-TRACK DEMOS X FIELD RECORDINGS

by Trish Melanson on September 4, 2026
MELISSA AUF DER MAUR BASS WOMB ROOM: MY ’90S 4-TRACK DEMOS X FIELD RECORDINGS ENVISION RECORDS Melissa Auf der Maur has been quite busy of late. Six months ago, she released Even the Good Girls Will Cry, her self-written memoir of her [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: AIRBOURNE – AIRBOURNE
8.0
 
SPILL ALBUM REVIEW: УВБ-76 – LEAN INTO THE SORROW
8.0
 
SPILL ALBUM REVIEW: ANGUS & JULIA STONE – KARAOKE BAR
8.0
 
SPILL ALBUM REVIEW: BLACK PAINT – BLACK PAINT
9.0
 
SPILL ALBUM REVIEW: MELISSA AUF DER MAUR – BASS WOMB ROOM: MY...
8.0
8.2

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL TRACK OF THE MONTH: BLACK DOLDRUMS – “COMPULSION”
2367
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
1064
 
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
977
 
SPILL ALBUM REVIEW: JETHRO TULL – J-TULL DOT COM: ANOTHER CAST OF THE NET (DELUXE EDITION)
823
 
SPILL FEATURE: I AM OK WITH BEING OPTIMISTIC – A CONVERSATION WITH JOHN DOUGLAS OF TRASHCAN SINATRAS
818
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
796
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
793
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
740
 
SPILL NEWS: BUTCHER BABIES ANNOUNCE NEW ALBUM ‘NIGHTBLOOM’ | UNVEIL NEW VIDEO FOR “BLAME IT ON THE WIND”
738
 
SPILL ALBUM REVIEW: THE WOMACK SISTERS – THE WOMACK SISTERS
738
 
SPILL MUSIC PREMIERE: COR DE LUX – “BLIND SMILE”
698
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
678
 
SPILL NEW MUSIC: ERIC SCHENKMAN – “HIT ON ME”
638
ENTERTAINMENT HEADLINES